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Albert Wolff (conductor)
Albert Louis Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during the Second World War. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris for several years. He was married to the French mezzo-soprano Simone Ballard. Biography Early life and education Wolff was born in Paris, of Dutch parents, though he was a French citizen from birth, never lived in the Netherlands, and never had a Dutch passport. When only 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at the Église Saint-Thomas-d'Aquin (Paris) for four years. Upon graduation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Wolff 01
Albert may refer to: Companies * Albert (supermarket), a supermarket chain in the Czech Republic * Albert Heijn, a supermarket chain in the Netherlands * Albert Market, a street market in The Gambia * Albert Productions, a record label * Albert Computers, Inc., a computer manufacturer in the 1980s Entertainment * ''Albert'' (1985 film), a Czechoslovak film directed by František Vláčil * ''Albert'' (2015 film), a film by Karsten Kiilerich * ''Albert'' (2016 film), an American TV movie * ''Albert'' (Ed Hall album), 1988 * "Albert" (short story), by Leo Tolstoy * Albert (comics), a character in Marvel Comics * Albert (''Discworld''), a character in Terry Pratchett's ''Discworld'' series * Albert, a character in Dario Argento's 1977 film ''Suspiria'' Military * Battle of Albert (1914), a WWI battle at Albert, Somme, France * Battle of Albert (1916), a WWI battle at Albert, Somme, France * Battle of Albert (1918), a WWI battle at Albert, Somme, France People * Albert (given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'oiseau Bleu (opera)
''L'oiseau bleu'' (''The Blue Bird'') is an opera in four acts (eight tableaux) by the French composer and conductor Albert Wolff. The libretto by Maurice Maeterlinck is based on his 1908 play of the same name. Boris Anisfeld designed the sets. Performance history It was first performed at the Metropolitan Opera House, New York City on 27 December 1919. Maeterlinck, the playwright and Nobel laureate, was present at the premiere, which, in the immediate aftermath of World War I, was a benefit for four charities: the Queen of the Belgians Fund, the Millerand Fund for French Orphans, the Three Big Sister Organizations (Catholic, Protestant, Jewish), and the Milk for the Children of America Fund. The first Belgian performance was on 21 April 1920, and it was revived at the Théâtre de la Monnaie The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Monteux
Pierre Benjamin Monteux (; 4 April 18751 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's '' The Rite of Spring'' and other prominent works including '' Petrushka'', '' The Nightingale'', Ravel's '' Daphnis et Chloé'', and Debussy's '' Jeux''. Thereafter he directed orchestras around the world for more than half a century. From 1917 to 1919 Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York. He conducted the Boston Symphony Orchestra (1919–24), Amsterdam Concertgebouw Orchestra (1924–34), Orchestre Symphonique de Paris (1929–38) and San Francisco Symphony (1936–52). In 1961, aged eighty-six, he accepted the chie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morocco
Morocco (),, ) officially the Kingdom of Morocco, is the westernmost country in the Maghreb region of North Africa. It overlooks the Mediterranean Sea to the north and the Atlantic Ocean to the west, and has land borders with Algeria to the east, and the disputed territory of Western Sahara to the south. Mauritania lies to the south of Western Sahara. Morocco also claims the Spanish exclaves of Ceuta, Melilla and Peñón de Vélez de la Gomera, and several small Spanish-controlled islands off its coast. It spans an area of or , with a population of roughly 37 million. Its official and predominant religion is Islam, and the official languages are Arabic and Berber; the Moroccan dialect of Arabic and French are also widely spoken. Moroccan identity and culture is a mix of Arab, Berber, and European cultures. Its capital is Rabat, while its largest city is Casablanca. In a region inhabited since the Paleolithic Era over 300,000 years ago, the first M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Éparges
Les Éparges () is a commune in the Meuse department in Grand Est in north-eastern France. A ridge to the east of the village was the site of a fierce battle during World War I, and there are many memorials and monuments in the area. See also *Communes of the Meuse department *Parc naturel régional de Lorraine Lorraine Regional Natural Park (French: ''Parc naturel régional de Lorraine'') is a protected area of pastoral countryside in the Grand Est region of northeastern France, in the historic region of Lorraine. The park covers a total area of . The ... References Eparges {{Meuse-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Of Saint Wandrille
Fontenelle Abbey or the Abbey of St. Wandrille is a Benedictine monastery in the commune of Rives-en-Seine. It was founded in 649 near Caudebec-en-Caux in Seine-Maritime, Normandy, France. First foundation It was founded by Wandregisel or Saint Wandrille (d. 22 July 668) and his nephew Godo, on land obtained through the influence of Wandregisel's friend Saint Ouen, Archbishop of Rouen. Wandrille, being of the royal family of Austrasia, held a high position in the court of his kinsman Dagobert I, but wishing to devote his life to God, he retired to the abbey of Montfaucon-d'Argonne, in Champagne, in 629. Later he went to Bobbio Abbey and then to Romainmôtier Abbey, where he remained for ten years. In 648 he returned to Normandy and established the monastery of Fontenelle,Alston, George ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas And Mélisande
''Pelléas and Mélisande'' (french: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The work never achieved great success on the stage, apart from in the operatic setting by Claude Debussy, but it was at the time widely read and admired by the literary elite in the symbolist movement, such as Strindberg and Rilke. It also inspired other contemporary composers, including Gabriel Fauré, Arnold Schoenberg, Jean Sibelius, and Mel Bonis. Synopsis Golaud finds Mélisande by a stream in the woods. She has lost her crown in the water but does not wish to retrieve it. They marry, and she instantly wins the favor of Arkël, Golaud's grandfather and king of Allemonde, who is ill. She begins to be drawn to Pelléas, Golaud's brother. They meet by the fountain, where Mélisande loses her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and discover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgette Leblanc
Georgette Leblanc (8 February 1869, Rouen – 27 October 1941, Le Cannet) was a French operatic soprano, actress, author, and the sister of novelist Maurice Leblanc. She became particularly associated with the works of Jules Massenet and was an admired interpreter of the title role in Bizet's ''Carmen''. For many years Leblanc was the lover of Belgian playwright and writer Maurice Maeterlinck, and he wrote several parts for her within his stage plays. She portrayed the role of Ariane in ''Ariane et Barbe-bleue'', both in the original 1899 stage play by Maeterlinck and in the 1907 opera adaptation by Paul Dukas, as well as La Mort de Tintagiles in 1905 in Paris. Leblanc also appeared in a couple of French films, most notably ''L'Inhumaine'' in 1924. In the last few decades of her life she turned to writing, producing two commercially successful autobiographies and several children's books and travelogues. Biography Georgette Leblanc was born into a cultured family that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (Fauré)
''Pelléas et Mélisande'', Op. 80 is a suite derived from incidental music by Gabriel Fauré for Maurice Maeterlinck's Pelléas and Mélisande, play of the same name. He was the first of four leading composers to write music inspired by Maeterlinck's drama. Claude Debussy, Debussy, Arnold Schoenberg, Schoenberg and Jean Sibelius, Sibelius followed in the first decade of the 20th century. Fauré's music was written for the London production of Maeterlinck's play in 1898. To meet the tight deadline of the production, Fauré reused some earlier music from incomplete works and enlisted the help of his pupil Charles Koechlin, who orchestrated the music. Fauré later constructed a four-movement suite from the original theatre music, orchestrating the concert version himself. History The score was commissioned in 1898 by Mrs Patrick Campbell for the play's first production in English, in which she starred with Johnston Forbes-Robertson and John Martin Harvey. Stella Campbell had invited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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