|
Akkana Basadi
Akkana Basadi (''lit'', temple of the "elder sister", basadi is also pronounced ''basti'') is a Jain temple (basadi) built in 1181 A.D., during the rule of Hoysala empire King Veera Ballala II. The basadi was constructed by the devout Jain lady Achiyakka (also called Achala Devi), wife of Chandramouli, a Brahmin minister in the court of the Hoysala king. The main deity of the temple is the twenty-third Jain Tirthankar Parshwanath.Jain and Jain (1953), p.37B.L. Rice (1889), p.57 (Chapter:Introduction) The temple is protected as a monument of national importance by the Archaeological Survey of India. It is part of an Archaeological Survey of India ''Adarsh Smarak Monument'' along with other temples in the Shravanabelagola group of monuments. Temple plan According to art historian Adam Hardy, the basadi is a simple single shrine with superstructure (''ekakuta vimana'') construction with a closed hall (''mantapa''). The material used is Soap stone. The sanctum (''garbhagriha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Empire
The Hoysala Empire was a Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 surviving temples are scattered across Karnataka. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Architecture
Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura.Hardy (1995), pp. 243–245Foekema (1996), p. 47, p. 59, p. 87 Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli.Hardy (1995), p. 320, p. 321, p. 324, p. 325, p. 329, p. 332, p. 334, p. 339, p. 340, p. 346Foekema (1996), p. 53, p. 37, p. 71, p. 81, p. 41, p. 43, p. 83 Study of the Hoysala architectural style has revealed a negligible Indo- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal '' dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are ''ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and '' aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), '' satya'' (truth), '' asteya'' (not stealing), '' brahmacharya'' (chastity), and '' aparigraha'' (non-possessiveness) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the '' murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' ('' pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower ari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharnendra
Dharanendra is the ''Yaksha'' (attendant deity) of Parshvanatha, twenty-third ''Tirthankara'' in Jainism. He enjoys an independent religious life and is very popular amongst Jains. According to the Jain tradition, when Lord Parshvanatha was a prince, he saved two snakes that had been trapped in a log in an Kamath’s fire. Later, these snakes were reborn as Dharanendra, the lord of the underworld Naga Kingdom, and Padmavati. They, then sheltered Parshvanatha when he was harassed by Meghalin (Kamath reborn). Śvētāmbara tradition, however, does not list Padmavati among the main queens of Dharanendra. Western Ganga literature states that Dharanendra was worshipped for acquiring sons. In the Panchakuta Basadi at Kambadahalli ,Dharanendra is seen holding a bow and blowing a shankha. A five-hooded serpent makes a canopy over him. File:Closed mantapa in the Akkana Basadi (1181 A.D.) at Shravanabelagola.jpg, The inside view of Akkana Basadi, Shravanabelagola(1181 A.D.); Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtimukha
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge .. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikhara
''Shikhara'' ( IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *'' Latina''. The ''shikhara'' has four faces, which may include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (architecture)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prakara
A prakaram (प्राकारः in Sanskrit), also spelled pragaram or pragaaram) in Indian architecture is an outer part around the Hindu temple sanctum. They may be enclosed or open and are typically enclosed for the innermost prakaram. As per Hindu religious practices, devotees start to come around the outer prakarams to the inner most before entering the sanctum. Most of the historic South Indian cities like Madurai, Srirangam, Sirkali, Thiruvarur and Chidambaram were built around large temples in the center of the city. The streets of the city act as extension of the prakarams of the temple. Ramanathaswamy Temple has outer set of corridors is reputed to be the longest prakaram in the world. Temple architecture In the Hindu temple, the prakaram is the temple compound around the sanctum. Typically a Hindu temple prayer hall is generally built in front of the temple's sanctum sanctorum (garbhagriha). Usually large Hindu temples have one or more prakarams. The Prakaram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Awning
An awning or overhang is a secondary covering attached to the exterior wall of a building. It is typically composed of canvas woven of acrylic, cotton or polyester yarn, or vinyl laminated to polyester fabric that is stretched tightly over a light structure of aluminium, iron or steel, possibly wood or transparent material (used to cover solar thermal panels in the summer, but that must allow as much light as possible in the winter). The configuration of this structure is something of a truss, space frame or planar frame. Awnings are also often constructed of aluminium understructure with aluminium sheeting. These aluminium awnings are often used when a fabric awning is not a practical application where snow load as well as wind loads may be a factor. The location of an awning on a building may be above a window, a door, or above the area along a sidewalk. With the addition of columns an awning becomes a canopy, which is able to extend further from a building, as in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Harshat_Mata_ki_Mandir_--_img_33.jpg "Click for more on -> Garbhagriha")
.jpg "Click for more on -> Yaksha")
