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Accademia Albertina Di Belle Arte
The Accademia Albertina di Belle Arti ("Albertina Academy of Fine Arts") is an institution of higher education in Turin, Italy History In the first half of the seventeenth century, there was a "University of Painters, Sculptors and Architects" in Turin which in 1652 became the Compagnia di San Luca. In 1678 it was formally refounded as the Academy of Painters, Sculptors and Architects (''Accademia dei Pittori, Scultori e Architetti'') by Marie Jeanne of Savoy, inspired by the Académie Royale de Paris. The establishment of the Royal Academy of painting and sculpture in 1778, a century after its first foundation, was among the first events that inaugurated the period of reforms of the reign of Victor Amadeus III under a policy of promotion of culture. It was re-established under the name Albertina in 1833 by Charles Albert of Sardinia, who had architect Giuseppe Talucchi design and realize a new building on the former site of the convent of the Church of San Francesco da Paola. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turin
Turin ( , ; ; , then ) is a city and an important business and cultural centre in northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po (river), River Po, below its Susa Valley, and is surrounded by the western Alpine arch and Superga hill. The population of the city proper is 856,745 as of 2025, while the population of the urban area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million. The city was historically a major European political centre. From 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia (1720–1861), Kingdom of Sardinia ruled by the House of Savoy, and the first capital of the Kingdom of Italy from 1861 to 1865. Turin is sometimes called "the cradle of Italian liberty" for having been the politi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defendente Ferrari
Defendente Ferrari (c. 1480/1485 – c. 1540) was an Italian painter active in Piedmont. His work marks the transition from late Gothic traditions to Renaissance art in the region. Life and work Ferrari was born at Chivasso, near Turin. Here he trained and initially worked in the workshop of Giovanni Martino Spanzotti. Spanzotti had been the pre-eminent painter in western Piedmont after moving to Chivasso c. 1502. Many works previously thought to have been by Spanzotti are now attributed to Defendente.Riccardo Passoni. "Ferrari, Defendente." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 March 2016 Defendente achieved considerable success as a painter of polyptychs and altarpieces. He painted a number of nocturnal scenes such as the :File:Defendente Ferrari - Nativity in Nocturnal Light - WGA07812.jpg, ''Nativity in Nocturnal Light'' (1510, Museo Civico d'Arte Antica, Turin). He left a number of signed and dated works. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Establishments In The Holy Roman Empire
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Education In Turin
Turin ( , ; ; , then ) is a city and an important business and cultural centre in northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po (river), River Po, below its Susa Valley, and is surrounded by the western Alpine arch and Superga hill. The population of the city proper is 856,745 as of 2025, while the population of the urban area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million. The city was historically a major European political centre. From 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia (1720–1861), Kingdom of Sardinia ruled by the House of Savoy, and the first capital of the Kingdom of Italy from 1861 to 1865. Turin is sometimes called "the cradle of Italian liberty" for having been the politi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Schools In Italy
Art is a diverse range of cultural activity centered around ''works'' utilizing creative or imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universities And Colleges In Piedmont
A university () is an institution of tertiary education and research which awards academic degrees in several academic disciplines. ''University'' is derived from the Latin phrase , which roughly means "community of teachers and scholars". Universities typically offer both undergraduate and postgraduate programs. The first universities in Europe were established by Catholic monks. The University of Bologna (), Italy, which was founded in 1088, is the first university in the sense of: *being a high degree-awarding institute. *using the word (which was coined at its foundation). *having independence from the ecclesiastic schools and issuing secular as well as non-secular degrees (with teaching conducted by both clergy and non-clergy): grammar, rhetoric, logic, theology, canon law and notarial law.Hunt Janin: "The university in medieval life, 1179–1499", McFarland, 2008, , p. 55f.de Ridder-Symoens, Hilde''A History of the University in Europe: Volume 1, Universities in the Midd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Albertina
The Accademia Albertina di Belle Arti ("Albertina Academy of Fine Arts") is an institution of higher education in Turin, Italy History In the first half of the seventeenth century, there was a "University of Painters, Sculptors and Architects" in Turin which in 1652 became the Compagnia di San Luca. In 1678 it was formally refounded as the Academy of Painters, Sculptors and Architects (''Accademia dei Pittori, Scultori e Architetti'') by Marie Jeanne of Savoy, inspired by the Académie Royale de Paris. The establishment of the Royal Academy of painting and sculpture in 1778, a century after its first foundation, was among the first events that inaugurated the period of reforms of the reign of Victor Amadeus III under a policy of promotion of culture. It was re-established under the name Albertina in 1833 by Charles Albert of Sardinia, who had architect Giuseppe Talucchi design and realize a new building on the former site of the convent of the Church of San Francesco da Paola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Filippo Lippi - Sts Augustine And Ambrose - WGA13178
Fra is a title of a friar. Fra or FRA may also refer to: Codes * fra, the ISO 639-2 code for the French language * FRA, the ISO 3166-1 alpha-3 code for France * FRA, the IOC country code for France at the Olympics * Framingham station, Amtrak station code * Frankfurt Airport, Germany, IATA code Education * Flint River Academy, Woodbury, Georgia, US * Franklin Road Academy, Nashville, Tennessee, US Molecular biology * Fra1, aka Fos-related antigen 1 * Fra2, aka Fos-related antigen 2 Agencies, organizations, companies * Alfarista Radical Front (Spanish: '), an Ecuadorian political party * Federal Railroad Administration, USA * Fleet Reserve Association * Fundamental Rights Agency of the European Union * Forces Royales Air, the official French name for the Royal Moroccan Air Force * National Defence Radio Establishment (Swedish: '), in Sweden ** FRA law (Swedish: '), in Sweden Other uses * Fra McCann (born 1953), Irish politician * Fixed-radio access or wireless local lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Pietro Bagetti
Giuseppe Pietro Bagetti (14 April 1764 – 29 April 1831) was an Italian civil and military architect, as well as painter. He painted landscapes and battle paintings. Biography He was born in Turin. He initially studied music at the Turin Conservatory under Bernardino Ottani, and learned painting from Pietro Giacomo Palmieri (1737–1804). Bagetti was named an architect in 1782 for the Royal University, and began and paint watercolor vedute of coastal locations. In 1792, he began to teach topographic design at the Royal Academy. In 1792, he painted two battle scenes from the recent war between the kingdom of Sardinia and the French Republic: the ''Veduta di Saorgio'' and the ''Veduta del campo di Brois nel contado di Nizza''. In 1793, King Vittorio Amedeo III named him designer of ''vedute e paesi'' for the kingdom. He was affiliated with the Artillery Corps. In 1798, he traveled to Paris. He continued the same work for the Napoleonic rulers, including battle plans at the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignazio Collino
Ignazio Collino (1724–1793) was an Italian sculptor, active in the late-Baroque period, mainly in the region of the Piedmont. Biography Collino was born in Turin. Up to the age of 14, he worked under his father, Damẻ, from whom he learned wood carving. Along with his brother, Filippo Collino (ca 1737–1800), Ignazio worked in a restrained formal style, intermediate between Baroque and Neoclassicism. He went to apprentice with the bronze sculptor François Ladotte (Francois Ladatte) and in drawing with Claudio Francesco Beaumont in 1744. With Ladotte, he completed a ''Saint Sebastian''. A royal subsidy provided by Charles Emmanuel III of Sardinia, Carlo Emanuele III of Savoy in 1750 enabled him to go to Rome. He was there in 1754 at work with fellow-Lombard Giovanni Battista Maini, who was a trainee of Camillo Rusconi. In Rome, he copied many antique originals, including busts of the Emperor Marcus Aurelius, of Faustina, and of a Vestal. In 1755 he completed in Carrara Marb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Lagneau
Nicolas Lagneau (fl c. 1600–1650)Klingsöhr-Leroy was a French draftsman noted for his portrait drawings. He was especially interested in grotesque physiognomies, which he drew in meticulous detail either from models or his imagination. His drawings are usually executed in black and red chalk, sometimes with the addition of blue or yellow gouache. In their heightened realism, and emphasis on facial expressions, wrinkles, and deformities, Lagneau's portraits reveal the influence of Rembrandt Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in ...'s early works. Lagneau is not known to have painted. His drawn portraits, which were widely copied and imitated in his time, attest to a fashion for drawings of "expressive faces", which were assembled into albums by collectors.Conisbee, Philip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis De Wael
Cornelis de Wael (Antwerp, 1592 – Rome, 1667) was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony. Genoa was at the time an attractive destination for artists since the competition between artists there was less intense than in the leading cultural centres Rome, Florence and Venice, while Genoa was a thriving port city where a large number of potential customers and collectors lived. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
