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Aachen Cathedral Treasury
The Aachen Cathedral Treasury (german: Aachener Domschatzkammer) is a museum of the Roman Catholic Diocese of Aachen under the control of the cathedral chapter, which houses one of the most important collections of medieval church artworks in Europe. In 1978, the Aachen Cathedral Treasury, along with Aachen Cathedral, was the first monument on German soil to be entered in the List of UNESCO World Heritage Sites. The treasury contains works from Late Antique, Carolingian, Ottonian, Staufen, and Gothic times. The exhibits are displayed in premises connected to the cathedral cloisters. Collection and arrangement In 1995, the Cathedral Treasury was completely refurnished in accordance with the newest conservation and pedagogical knowledge. An area of over 600 m2 contains over a hundred artworks, divided into five thematic groups. One conceptional area is the documentation of the cathedral as the church of Charlemagne. The late gothic silver-gilt Bust of Charlemagne, a model ...
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Bust Of Charlemagne
The Bust of Charlemagne ( de: ''Karlsbüste'') is a reliquary from around 1350 which contains the top part of Charlemagne's skull. The reliquary is part of the treasure kept in the Aachen Cathedral Treasury. Made in the Mosan region (the valley of the River Meuse), long a centre of high-quality metalwork, the bust is a masterpiece both of late Gothic metalwork and of figural sculpture. The Bust of Charlemagne, as a masterpiece of Mosan goldwork, initiated a height of silver-gilt naturalistic reliquary busts. Description Created 500 years after the death of Charlemagne, the bust is an idealized representation, the facial structure, hair style and fleur-de-lys crown of which reflect 14th-century, not 9th-century fashion style. The skin is chased with silver and partially gilt; hair and beard are gilt. Damascened silver ''Reichsadler'', the heraldic charge of the Holy Roman Empire signifying Charlemagne's imperial dignity, decorate the tunic. The eagles are surrounded by a ...
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Aachen Altar
The Aachen Altar (German language, de: ''Aachener Altar'') or Passion Altar (''Passionsaltar'') is a late Gothic art, gothic passion triptych in the Aachen Cathedral Treasury, made by the so-called Master of the Aachen Altar around 1515/20 in Cologne. Construction and description The open, three winged polyptych altar image shows scenes from the Passion of Christ to his Ascension of Jesus, Ascension in continuous sequence from left to right. At the assumed time of composition, this type of depiction was already well-established. On the left wing of the altar, Jesus is crowned with the Crown of thorns and confronts Pontius Pilate. The central panel depicts the Stations of the Cross, with the Crucifixion of Jesus as the central scene. This panel also shows the Harrowing of Hell and the suicide of Judas Iscariot, Judas. On the right wing is the Lamentation of Christ, his Entombment of Christ, burial, the meeting with Mary Magdalen, and the Ascension of Jesus, Ascension. The painter st ...
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Cross Of Lothair
The Cross of Lothair or Lothair Cross (german: Lotharkreuz) is a ''crux gemmata'' (jewelled cross) processional cross dating from about 1000 AD, though its base dates from the 14th century. It was made in Germany, probably at Cologne. It is an outstanding example of medieval goldsmith's work, and "an important monument of imperial ideology", forming part of the Aachen Cathedral Treasury, which includes several other masterpieces of sacral Ottonian art. The measurements of the original portion are 50 cm height, 38.5 cm width, 2.3 cm depth. The cross comes from the period when Ottonian art was evolving into Romanesque art, and the engraved crucifixion on the reverse looks forward to the later period. History The cross takes its name from the large engraved greenish rock crystal seal near its base bearing the portrait and name of the Carolingian ruler Lothair II, King of Lotharingia (835–869), and a nephew of Charles the Bald. The cross was actually made over a ...
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Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman (a relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons and Jutes. As the Germanic settlers became dominant in England, their language replaced the languages of Roman Britain ...
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Scandinavia
Scandinavia; Sámi languages: /. ( ) is a subregion in Northern Europe, with strong historical, cultural, and linguistic ties between its constituent peoples. In English usage, ''Scandinavia'' most commonly refers to Denmark, Norway, and Sweden. It can sometimes also refer more narrowly to the Scandinavian Peninsula (which excludes Denmark but includes part of Finland), or more broadly to include all of Finland, Iceland, and the Faroe Islands. The geography of the region is varied, from the Norwegian fjords in the west and Scandinavian mountains covering parts of Norway and Sweden, to the low and flat areas of Denmark in the south, as well as archipelagos and lakes in the east. Most of the population in the region live in the more temperate southern regions, with the northern parts having long, cold, winters. The region became notable during the Viking Age, when Scandinavian peoples participated in large scale raiding, conquest, colonization and trading mostly throughou ...
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Anglo-Saxon
The Anglo-Saxons were a cultural group who inhabited England in the Early Middle Ages. They traced their origins to settlers who came to Britain from mainland Europe in the 5th century. However, the ethnogenesis of the Anglo-Saxons happened within Britain, and the identity was not merely imported. Anglo-Saxon identity arose from interaction between incoming groups from several Germanic tribes, both amongst themselves, and with indigenous Britons. Many of the natives, over time, adopted Anglo-Saxon culture and language and were assimilated. The Anglo-Saxons established the concept, and the Kingdom, of England, and though the modern English language owes somewhat less than 26% of its words to their language, this includes the vast majority of words used in everyday speech. Historically, the Anglo-Saxon period denotes the period in Britain between about 450 and 1066, after their initial settlement and up until the Norman Conquest. Higham, Nicholas J., and Martin J. Ryan. ''The A ...
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Damascus Steel
Damascus steel was the forged steel of the blades of swords smithed in the Near East from ingots of Wootz steel either imported from Southern India or made in production centres in Sri Lanka, or Khorasan, Iran. These swords are characterized by distinctive patterns of banding and mottling reminiscent of flowing water, sometimes in a "ladder" or "rose" pattern. Such blades were reputed to be tough, resistant to shattering, and capable of being honed to a sharp, resilient edge. Wootz (Indian), Pulad (Persian), Fuladh (Arabic), Bulat (Russian) and Bintie (Chinese) are all names for historical ultra-high carbon crucible steel typified by carbide segregation. "Wootz" is an erroneous transliteration of "utsa" or "fountain" in Sanskrit, however since 1794 it has been the primary word used to refer to historical hypereutectoid crucible steel. History Origins The origin of the name "Damascus Steel" is contentious: the Islamic scholars al-Kindi (full name Abu Ya'qub ibn Ishaq al-Ki ...
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Southern Italy
Southern Italy ( it, Sud Italia or ) also known as ''Meridione'' or ''Mezzogiorno'' (), is a macroregion of the Italian Republic consisting of its southern half. The term ''Mezzogiorno'' today refers to regions that are associated with the people, lands or culture of the historical and cultural region that was once politically under the administration of the former Kingdoms of Naples and Sicily (officially denominated as one entity ''Regnum Siciliae citra Pharum'' and ''ultra Pharum'', i.e. "Kingdom of Sicily on the other side of the Strait" and "across the Strait") and which later shared a common organization into Italy's largest pre-unitarian state, the Kingdom of the Two Sicilies. The island of Sardinia, which had neither been part of said region nor of the aforementioned polity and had been under the rule of the Alpine House of Savoy that would eventually annex the Bourbon-led and Southern Italian Kingdom altogether, is nonetheless often subsumed into the ''Mezzogiorno' ...
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Saracen
upright 1.5, Late 15th-century German woodcut depicting Saracens Saracen ( ) was a term used in the early centuries, both in Greek and Latin writings, to refer to the people who lived in and near what was designated by the Romans as Arabia Petraea and Arabia Deserta. The term's meaning evolved during its history of usage. During the Early Middle Ages, the term came to be associated with the tribes of Arabia. The oldest known source mentioning "Saracens" in relation to Islam dates back to the 7th century, in the Greek-language Christian tract ''Doctrina Jacobi''. Among other major events, the tract discusses the Muslim conquest of the Levant, which occurred after the rise of the Rashidun Caliphate following the death of the Islamic prophet Muhammad. The Roman-Catholic church and European Christian leaders used the term during the Middle Ages to refer to Muslims—usually Arabs, Turks, and Iranians. By the 12th century, "Saracen" had become synonymous with "Muslim" i ...
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Olifant (instrument)
Olifant (an alternate spelling of the word elephant) was the name applied in the Middle Ages to ivory hunting horns made from elephants' tusks. One of the most famous olifants belonged to the legendary Frankish knight Roland, protagonist of '' The Song of Roland''. In ''The Song of Roland'', Roland carries his olifant while serving on the rearguard of Charlemagne's army. When they are attacked at the Battle of Roncevaux, Oliver tells Roland to use it to call for aid, but he refuses. Roland finally relents, but the battle is already lost. He tries to destroy the olifant along with his sword Durendal, lest they fall into enemy hands. In the end, Roland blows the horn, but the force required bursts his temple, resulting in death. The '' Karlamagnussaga'' elaborates (V. c.XIV) that Roland's olifant was a unicorn's horn, hunted in India. Another famous olifant belonged to Gaston IV, viscount of Béarn, and is now preserved in the Spanish city of Saragossa, which he helped ...
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