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A Parisian Model
''A Parisian Model'' is a 1906 Edwardian musical comedy with music by Max Hoffman, Sr. to a book and lyrics by Harry B. Smith. The story concerns a dressmaker's model who comes into a fortune. It opened on Broadway in 1906, ran with success and toured. It was produced by Frank McKee and Florenz Ziegfeld Jr., and starred Anna Held, Ziegfeld's common law wife.Bordman, GeraldAmerican Musical Theatre: A Chronicle p. 266 (2011) Soon after the success of this piece, Ziegfeld would launch his famous series of ''Ziegfeld Follies'' revues. Background After sold out pre-Broadway tryouts in cities like Baltimore and Cleveland, the show ran for 179 performances at the ''Broadway Theatre'' on 41st Street in New York City from November 27, 1906 to June 29, 1907 and then went on tour in the US. It returned to Broadway for three more weeks in 1908.Mordden, EthanZiegfeld: The Man Who Invented Show Business pp. 83-89, 94 (2008)
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Anna Held
Helene Anna Held (19 March 1872 – 12 August 1918) was a Polish-French stage performer on Broadway. While appearing in London, she was spotted by impresario Florenz Ziegfeld, who brought her to America as his common-law wife. From 1896 through 1910, she was one of Broadway's most celebrated leading ladies, presented in a succession of musicals as a charming, coquettish Parisian singer and comedienne, with an hourglass figure and an off-stage reputation for exotic behavior, such as bathing in 40 gallons of milk a day to maintain her complexion. Detractors implied that her fame owed more to Ziegfeld's promotional flair than to any intrinsic talent, but her audience allure was undeniable for over a decade, with several of her shows setting house attendance records for their time. Her uninhibited style also inspired the long-running series of popular revues, the Ziegfeld Follies. Early life Born in Warsaw, Congress Poland, Russian Empire, Held was named Helene Anna Held, daught ...
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New York Tribune
The ''New-York Tribune'' was an American newspaper founded in 1841 by editor Horace Greeley. It bore the moniker ''New-York Daily Tribune'' from 1842 to 1866 before returning to its original name. From the 1840s through the 1860s it was the dominant newspaper first of the American Whig Party, then of the Republican Party. The paper achieved a circulation of approximately 200,000 in the 1850s, making it the largest daily paper in New York City at the time. The ''Tribune''s editorials were widely read, shared, and copied in other city newspapers, helping to shape national opinion. It was one of the first papers in the north to send reporters, correspondents, and illustrators to cover the campaigns of the American Civil War. It continued as an independent daily newspaper until 1924, when it merged with the ''New York Herald''. The resulting ''New York Herald Tribune'' remained in publication until 1966. Among those who served on the paper's editorial board were Bayard Taylor, Geor ...
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Ada Jones
Ada Jane Jones (June 1, 1873 – May 2, 1922) was an English-American popular singer who made her first recordings in 1893 on Edison cylinders. She is among the earliest female singers to be recorded. Biography She was born in Lancashire, UK, but moved with her family to Philadelphia, Pennsylvania, at the age of six in 1879. She started performing on stage, including juvenile roles in the 1880s. She sang in a contralto, learning songs by ear, and lacked the ability to read music or play an instrument. Her repertoire included ballads, ragtime, vaudeville, and comedy in a variety of dialects. During 1893–1894, she recorded for Edison Records on wax cylinders, making her among the earliest female singers to be recorded. She sang with Billy Murray, Billy Watkins, Cal Stewart, Len Spencer, the American Quartet, and with her 12-year-old daughter Sheilah. Touring was made difficult due to epilepsy. In 1893 or 1894 she recorded some musical performances for the North Americ ...
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New York Dramatic Mirror
The ''New York Dramatic Mirror'' (1879–1922) was a prominent theatrical trade newspaper. History The paper was founded in January 1879 by Ernest Harvier as the ''New York Mirror''. In stating its purpose to cover the theater, it proclaimed that coverage of the dramatic profession had been "degraded by having its affairs treated in the professedly theatrical papers side by side with prize fights, cocking matches, baseball, and other sports." This referred to competitors such as the '' New York Clipper''. The word "Dramatic" was inserted in the title in 1889, and the "New York" dropped in 1917. Harrison Grey Fiske started contributing in 1879, and eventually obtained ownership of the paper.The Encyclopedia Americana: A Library of Universal Know ...
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Billy Murray (singer)
William Thomas Murray (May 25, 1877 – August 17, 1954) was one of the most popular singers in the United States in the early 20th century. While he received star billing in vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era. Life and career Billy Murray was born in Philadelphia, Pennsylvania, to Patrick and Julia (Kelleher) Murray, immigrants from County Kerry, Ireland. His parents moved to Denver, Colorado, in 1882, where he grew up. He became fascinated with the theater and joined a traveling vaudeville troupe in 1893. He also performed in minstrel shows early in his career. In 1897 Murray made his first recordings for Peter Bacigalupi, the owner of a phonograph company in San Francisco. As of 2010, none of Murray's cylinder records with Bacigalupi are known to have survived. In 1903, he started recording regularly in the New York City and New Jersey area, where major record companies in the U. ...
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Stanton Heck
Stanton Heck (January 8, 1877 – December 16, 1929), was an American actor of the silent era. He appeared in 50 films between 1918 and 1928. Earlier in his career, he appeared on stage in musicals such as 1906's ''A Parisian Model''.(December 8, 1906)At the Theatres ''New York Dramatic Mirror'', p. 3 (Heck in cast list) Partial filmography * ''Broadway Bill'' (1918) * '' The Landloper'' (1918) * '' He's in Again'' (1918) * '' Unexpected Places'' (1918) * ''Hitting the High Spots'' (1918) * '' The Hawk's Trail'' (1919) * ''One-Thing-at-a-Time O'Day'' (1919) * '' Easy to Make Money'' (1919) * '' Pink Tights'' (1920) * ''The Money Changers'' (1920) * '' A Perfect Crime'' (1921) * '' Scrap Iron'' (1921) * '' The Power of a Lie'' (1922) * ''The Gray Dawn'' (1922) * '' Ashes'' (1922) * ''Man's Size'' (1923) * '' Hearts Aflame'' (1923) * ''The Lone Star Ranger'' (1923) * ''The Woman on the Jury'' (1924) * ''White Man'' (1924) * '' One Law for the Woman'' (1924) * '' Soft Shoes'' ...
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Henry Leoni
Henry may refer to: People *Henry (given name) * Henry (surname) * Henry Lau, Canadian singer and musician who performs under the mononym Henry Royalty * Portuguese royalty ** King-Cardinal Henry, King of Portugal ** Henry, Count of Portugal, Henry of Burgundy, Count of Portugal (father of Portugal's first king) ** Prince Henry the Navigator, Infante of Portugal ** Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne * King of Germany **Henry the Fowler (876–936), first king of Germany * King of Scots (in name, at least) ** Henry Stuart, Lord Darnley (1545/6–1567), consort of Mary, queen of Scots ** Henry Benedict Stuart, the 'Cardinal Duke of York', brother of Bonnie Prince Charlie, who was hailed by Jacobites as Henry IX * Four kings of Castile: **Henry I of Castile **Henry II of Castile **Henry III of Castile **Henry IV of Castile * Five kings of France, spelt ''Henri'' in Modern French since the Renaissance to italianize the name and t ...
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Paul Rubens (composer)
Paul Alfred Rubens (29 April 1875 – 5 February 1917) was an English songwriter and librettist who wrote some of the most popular Edwardian musical comedies of the early twentieth century. He contributed to the success of dozens of musicals. Born in Kensington, London, he attended Winchester College before studying law at University College, Oxford. He began writing songs for shows at the age of 10 and had his first major success with "The Little Chinchilla" for the hit musical ''The Shop Girl'' when he was 19 years old. This was soon followed by songs for, among others, the hit musical ''San Toy''. In 1899, he wrote songs for the international hit ''Florodora'', which brought him wider fame. Producer George Edwardes hired him as an "additional material" writer for, among others, ''The Messenger Boy'' (1900), ''The Toreador'' (1901), ''A Country Girl'' (1902), ''The Girl from Kays'' (1902), ''The School Girl'' (1903), ''The Cingalee'' (1904) and ''The Blue Moon (musical), The ...
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Vincent Bryan
Vincent Patrick Bryan (June 22, 1878 – April 27, 1937) was an American composer and lyricist. In the 1903-1909 production of '' The Wizard of Oz'' he was called upon to introduce new songs in numerous revisions. *with Theodore F. Morse **Nautical Nonsense (Hurrah for Baffin's Bay!) (Scarecrow and Tin Woodman) *with J.B. Mullen **Down on the Brandywine (Trixie Tryfle and Pastoria) **'Twas Enough to Make a Perfect Lady Mad (Cynthia Cynch) **Under a Panama (Dorothy Gale) **The Nightmare (Scarecrow and Tin Woodman) *with Charles Zimmerman **Marching Thro' Georgia (Scarecrow and Tin Woodman) **Sitting Bull (Scarecrow) **Football (Scarecrow and Tin Woodman) **Marching Through Port Arthur (Scarecrow and Tin Woodman) *with Leo Edwards **The Tale of the Monkey (Cynthia Cynch) **My Own Girl (Sir Dashemoff Daily) He was a close behind-the-scenes collaborator of Charlie Chaplin from 1915 to 1917. Along with Hal Roach he directed three Harold Lloyd films in 1919: ''He Lead ...
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Gus Edwards (vaudeville)
Gustave Edwards (August 18, 1878 – November 7, 1945) was an American composer, songwriter and film director. He also was a vaudevillian, organised his own theatre companies and was a music publisher. Early life Edwards was the son of Morris and Johanna Simon. He was born Gustav Schmelowsky in Inowrazlaw, German Empire (present-day Inowrocław, Poland). His family boarded the steamship ''Spaarndam'' as steerage passengers; they arrived at the Port of New York on 29 July 1891 ending up in Williamsburg. During the day, he worked in the family cigar store, and in the evenings, he wandered looking for any sort of show business job. He found work as a singer at various lodge halls, on ferry boat lounges, in saloons, and even between bouts at the athletic clubs. As a very young boy, Edwards worked as a song plugger at Koster and Bial's, at Tony Pastor's theatre, and at the Bowery Theatre. In those old vaudeville days, song publishers would often hire a very young boy to si ...
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Will D
Will may refer to: Common meanings * Will and testament, instructions for the disposition of one's property after death * Will (philosophy), or willpower * Will (sociology) * Will, volition (psychology) * Will, a modal verb - see Shall and will People and fictional characters * Will (comics) (1927–2000), a comic strip artist * Will (given name), a list of people and fictional characters named Will or Wil * Will (surname) * Will (Brazilian footballer) (born 1973) Arts, entertainment, and media Films * '' Will: G. Gordon Liddy'', a 1982 TV film * ''Will'' (1981 film), an American drama * ''Will'' (2011 film), a British sports drama * ''Bandslam'', a 2008 film with the working title ''Will'' Literature * ''Will'' (novel), by Christopher Rush * ''Will'', an autobiography by G. Gordon Liddy Music * Will (band), a Canadian electronic music act * ''Will'' (Julianna Barwick album), a 2016 album by Julianna Barwick * ''Will'' (Leo O'Kelly album), a 2011 album by Leo O'Kelly * ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-cla ...
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