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Audio System Measurements
Audio system measurements are used to quantify audio system performance. These measurements are made for several purposes. Designers take measurements to specify the performance of a piece of equipment. Maintenance engineers make them to ensure equipment is still working to specification, or to ensure that the cumulative defects of an audio path are within limits considered acceptable. Audio system measurements often accommodate psychoacoustic principles to measure the system in a way that relates to human hearing. Subjectivity and frequency weighting Subjectively valid methods came to prominence in consumer audio in the UK and Europe in the 1970s, when the introduction of compact cassette tape, dbx (noise reduction), dbx and Dolby noise reduction techniques revealed the unsatisfactory nature of many basic engineering measurements. The specification of ITU-R 468 noise weighting, weighted CCIR-468 quasi-peak noise, and flutter measurement, weighted quasi-peak wow and flutter b ...
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Wow And Flutter Measurement
Measurement of wow and flutter is carried out on audio tape machines, cassette recorders and players, and other analog recording and reproduction devices with rotary components (e.g. movie projectors, turntables (vinyl recording), etc.) This measurement quantifies the amount of 'frequency wobble' (caused by speed fluctuations) present in subjectively valid terms. Turntables tend to suffer mainly ''slow wow''. In digital systems, which are locked to crystal oscillators, variations in clock timing are referred to as wander or jitter, depending on speed. While the terms ''wow'' and ''flutter'' used to be used separately (for wobbles at a rate below and above 4 Hz respectively), they tend to be combined now that universal standards exist for measurement which take both into account simultaneously. Listeners find flutter most objectionable when the actual frequency of wobble is 4 Hz, and less audible above and below this rate. This fact forms the basis for the weighting cur ...
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Frequency Range
Spectral bands are regions of a given spectrum, having a specific range of wavelengths or frequencies. Most often, it refers to electromagnetic bands, regions of the electromagnetic spectrum. More generally, spectral bands may also be means in the spectra of other types of signals, e.g., noise spectrum. A frequency band is an interval in the frequency domain, limited by a lower frequency and an upper frequency. For example, it may refer to a '' radio band'', such as wireless communication standards set by the International Telecommunication Union. In nuclear physics In nuclear physics, spectral bands refer to the electromagnetic emission of polyatomic systems, including condensed materials, large molecules, etc. Each ''spectral line'' corresponds to the difference in two energy levels of an atom. In molecules, these levels can split. When the number of atoms is large, one gets a continuum of energy levels, the so-called ''spectral bands''. They are often labeled in the same ...
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RIAA Equalization
RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The purposes of the equalization are to permit greater recording times (by decreasing the mean width of each groove), to improve sound quality, and to reduce the groove damage that would otherwise arise during playback. The RIAA equalization curve was intended to operate as a '' de facto'' global industry standard for records since 1954, but when the change actually took place is difficult to determine. Before then, especially from 1940, each record company applied its own equalization; over 100 combinations of turnover and rolloff frequencies were in use, the main ones being Columbia-78, Decca-U.S., European (various), Victor-78 (various), Associated, BBC, NAB, Orthacoustic, World, Columbia LP, FFRR-78 and microgroove, and AES. The obvious consequence was that different reproduction results were obtained if the reco ...
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LP Album
The LP (from long playing or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of   rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records. Format advantages At ...
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Equalization (audio)
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. Most hi-fi equipment uses relatively simple Electronic filter, filters to make Bass (sound), bass and Treble (sound), treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent. Because of this ability, they can be aptly described as "frequency-specific volume knobs." Equalizers are used in recording studio, recording and radio studios, production control rooms, and live sound reinforcement and in instrument amplifiers, such as guitar amplifiers, to correct or adjust the response of m ...
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Preamplifiers
A preamplifier, also known as a preamp, is an electronic amplifier that converts a weak electrical signal into an output signal strong enough to be noise-tolerant and strong enough for further processing, or for sending to a power amplifier and a loudspeaker. Without this, the final signal would be noisy or distorted. They are typically used to amplify signals from analog sensors such as microphones and pickups. Because of this, the preamplifier is often placed close to the sensor to reduce the effects of noise and interference. Description An ideal preamp will be linear (have a constant gain through its operating range) and have high input impedance (requiring only a minimal amount of current to sense the input signal) and low output impedance (when current is drawn from the output there is minimal change in the output voltage). It is used to boost the signal strength to drive the cable to the main instrument without significantly degrading the signal-to-noise ratio (SNR ...
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Decibel
The decibel (symbol: dB) is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a Power, root-power, and field quantities, power or root-power quantity on a logarithmic scale. Two signals whose level (logarithmic quantity), levels differ by one decibel have a power ratio of 101/10 (approximately ) or root-power ratio of 101/20 (approximately ). The strict original usage above only expresses a relative change. However, the word decibel has since also been used for expressing an Absolute scale, absolute value that is relative to some fixed reference value, in which case the dB symbol is often suffixed with letter codes that indicate the reference value. For example, for the reference value of 1 volt, a common suffix is "#Voltage, V" (e.g., "20 dBV"). As it originated from a need to express power ratios, two principal types of scaling of the decibel are used to provide consistency depending on whether the scaling refer ...
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Frequency Response
In signal processing and electronics, the frequency response of a system is the quantitative measure of the magnitude and Phase (waves), phase of the output as a function of input frequency. The frequency response is widely used in the design and analysis of systems, such as audio system, audio and control systems, where they simplify mathematical analysis by converting governing differential equations into algebraic equations. In an audio system, it may be used to minimize audible distortion by designing components (such as microphones, Audio power amplifier, amplifiers and loudspeakers) so that the overall response is as flat (uniform) as possible across the system's Bandwidth (signal processing), bandwidth. In control systems, such as a vehicle's cruise control, it may be used to assess system Stability theory, stability, often through the use of Bode plots. Systems with a specific frequency response can be designed using analog filter, analog and digital filters. The frequency ...
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Decibel
The decibel (symbol: dB) is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a Power, root-power, and field quantities, power or root-power quantity on a logarithmic scale. Two signals whose level (logarithmic quantity), levels differ by one decibel have a power ratio of 101/10 (approximately ) or root-power ratio of 101/20 (approximately ). The strict original usage above only expresses a relative change. However, the word decibel has since also been used for expressing an Absolute scale, absolute value that is relative to some fixed reference value, in which case the dB symbol is often suffixed with letter codes that indicate the reference value. For example, for the reference value of 1 volt, a common suffix is "#Voltage, V" (e.g., "20 dBV"). As it originated from a need to express power ratios, two principal types of scaling of the decibel are used to provide consistency depending on whether the scaling refer ...
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Dolby B
A Dolby noise-reduction system (Dolby NR) is one of a series of noise reduction systems developed by Dolby Laboratories for use in analog audio tape recording. The first was Dolby A, a professional broadband noise reduction system for recording studios that was first demonstrated in 1965, but the best-known is Dolby B (introduced in 1968), a sliding band system for the consumer market, which helped make high fidelity practical on cassette tapes, which used a relatively noisy tape size and speed. It is common on high-fidelity stereo tape players and recorders to the present day. Of the noise reduction systems, Dolby A and Dolby SR were developed for professional use. Dolby B, C, and S were designed for the consumer market. Aside from Dolby HX, all the Dolby variants work by companding: compressing the dynamic range of the sound during recording, and expanding it during playback. Process When recording a signal on magnetic tape, there is a low level of noise in the backgro ...
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Noise Shaping
Noise shaping is a technique typically used in digital audio, Image processing, image, and video processing, usually in combination with dithering, as part of the process of Quantization (signal processing), quantization or Audio bit depth, bit-depth reduction of a signal. Its purpose is to increase the apparent signal-to-noise ratio of the resultant signal. It does this by altering the Power spectrum, spectral shape of the error that is introduced by dithering and quantization; such that the noise power is at a lower level in frequency bands at which noise is considered to be less desirable and at a correspondingly higher level in bands where it is considered to be more desirable. A popular noise shaping algorithm used in image processing is known as ‘Floyd Steinberg dithering’; and many noise shaping algorithms used in audio processing are based on an ‘Absolute threshold of hearing’ model. Operation Any feedback loop functions as a Filter (signal processing), filter. No ...
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