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Art For Art's Sake
Art for art's sake—the usual English rendering of (), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political. Such works are sometimes described as '' autotelic'' (from Greek: ''autoteles'', 'complete in itself'), a concept also applied to "inner-directed" or "self-motivated" persons. The phrase is sometimes used commercially. A Latin version of this phrase, (), is used as a motto by Metro-Goldwyn-Mayer film studio, appearing in the film scroll around the roaring head of Leo the Lion in its logo. History The phrase "'" had been used by Parisian intellectuals since the beginning of the 19th century, but it was Théophile Gautier (1811–1872) who first fully articulated its current metaphysical meaning in the prefaces of his 1832 poetry volume ''Albertus'' and 1835 novel ''Mademoiselle de Maupin''. The p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance languages, Romance language of the Indo-European languages, Indo-European family. Like all other Romance languages, it descended from the Vulgar Latin of the Roman Empire. French evolved from Northern Old Gallo-Romance, a descendant of the Latin spoken in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien language, Francien) largely supplanted. It was also substratum (linguistics), influenced by native Celtic languages of Northern Roman Gaul and by the Germanic languages, Germanic Frankish language of the post-Roman Franks, Frankish invaders. As a result of French and Belgian colonialism from the 16th century onward, it was introduced to new territories in the Americas, Africa, and Asia, and numerous French-based creole languages, most notably Haitian Creole, were established. A French-speaking person or nation may be referred to as Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creed
A creed, also known as a confession of faith, a symbol, or a statement of faith, is a statement of the shared beliefs of a community (often a religious community) which summarizes its core tenets. Many Christian denominations use three creeds: the Niceno-Constantinopolitan Creed, the Apostles' Creed and the Athanasian Creed. Some Christian denominations do not use any of those creeds. The term ''creed'' is sometimes extended to comparable concepts in non-Christian theologies. The Islamic concept of '' ʿaqīdah'' (literally "bond, tie") is often rendered as "creed". History The earliest known creed in Christianity, " Jesus is Lord", originated in the writings of Paul the Apostle. One of the most significant and widely used Christian creeds is the Nicene Creed, first formulated in AD 325 at the First Council of Nicaea to affirm the deity of Christ and revised at the First Council of Constantinople in AD 381 to affirm the trinity as a whole. The creed was further aff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic Movement
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson, create a parallel, or perform another didactic purpose, a sentiment expressed in the slogan " art for art's sake." Aestheticism flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde. Aestheticism challenged the values of mainstream Victorian culture, as many Victorians believed that literature and art fulfilled important ethical roles. Writing in ''The Guardian'', Fiona McCarthy states that "the aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in the 19th century." Aestheticism was named by the critic Walter Hamilton in ''The Aesthetic Movement in England'' in 1882. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Pater
Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, Art critic, art and literary critic, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, ''Studies in the History of the Renaissance'' (1873), revised as ''The Renaissance: Studies in Art and Poetry'' (1877), in which he outlined his approach to art and advocated an ideal of the intense inner life, was taken by many as a manifesto (whether stimulating or subversive) of Aestheticism. Early life Born in Stepney in London's East End of London, East End, Walter Pater was the second son of Richard Glode Pater, a physician who had moved to London in the early 19th century to practise medicine among the poor. Dr Pater died while Walter was an infant and the family moved to Enfield, London, Enfield. Walter attended Enfield Grammar School and was individually tutored by the headmaster. In 1853 he was sent to The King's School, Canterbury, where the beauty of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimentality
Sentimentality originally indicated the reliance on feelings as a guide to truth, but in current usage the term commonly connotes a reliance on shallow, uncomplicated emotions at the expense of reason. Sentimentalism in philosophy is a view in meta-ethics according to which morality is somehow grounded in moral sentiments or emotions. Sentimentalism in literature refers to techniques a writer employs to induce a tender emotional response disproportionate to the situation at hand (and thus to substitute heightened and generally uncritical feeling for normal ethical and intellectual judgments). The term may also characterize the tendency of some readers to invest strong emotions in trite or conventional fictional situations. "A sentimentalist", Oscar Wilde wrote, "is one who desires to have the luxury of an emotion without paying for it." In James Joyce's '' Ulysses'', Stephen Dedalus sends Buck Mulligan a telegram that reads "The sentimentalist is he who would enjoy without in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smithsonian Magazine
''Smithsonian'' is a magazine covering science, history, art, popular culture and innovation. The first issue was published in 1970. History The history of ''Smithsonian'' began when Edward K. Thompson, the retired editor of ''Life'' magazine, was asked by then-Secretary of the Smithsonian, S. Dillon Ripley, to produce a magazine "about things in which the Smithsonian nstitutionis interested, might be interested or ought to be interested." Thompson later recalled that his philosophy for the new magazine was that it "would stir curiosity in already receptive minds. It would deal with history as it is relevant to the present. It would present art, since true art is never dated, in the richest possible reproduction. It would peer into the future via coverage of social progress and of science and technology. Technical matters would be digested and made intelligible by skilled writers who would stimulate readers to reach upward while not turning them off with jargon. We would fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counter-Reformation
The Counter-Reformation (), also sometimes called the Catholic Revival, was the period of Catholic resurgence that was initiated in response to, and as an alternative to or from similar insights as, the Protestant Reformations at the time. It was a comprehensive effort arising from the decrees of the Council of Trent. As a political-historical period, it is frequently dated to have begun with the Council of Trent (1545–1563) and to have ended with the political conclusion of the European wars of religion in 1648, though this is controversial. However, as a theological-historical description, the term may be obsolescent or over-specific: the broader term Catholic Reformation () also encompasses the reforms and movements within the Church in the periods immediately before Protestantism or Trent, and lasting later. The effort produced Apologetics, apologetic and polemical documents, anti-corruption efforts, spiritual movements, the promotion of new religious orders, and the flo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly with an added long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and Nocturne (painting), "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subversive
Subversion () refers to a process by which the values and principles of a system in place are contradicted or reversed in an attempt to sabotage the established social order and its structures of power, authority, tradition, hierarchy, and social norms. Subversion can be described as an attack on the public morale and, "the will to resist intervention are the products of combined political and social or class loyalties which are usually attached to national symbols. Following penetration, and parallel with the forced disintegration of political and social institutions of the state, these tendencies may be detached and transferred to the political or ideological cause of the aggressor". Subversion is used as a tool to achieve political goals because it generally carries less risk, cost, and difficulty as opposed to open belligerency. Furthermore, it is a relatively cheap form of warfare that does not require large amounts of training. A subversive is something or someone carrying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marxist Aesthetics
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social conditions, and especially the class relations that derive from them, affect every aspect of an individual's life, from religious beliefs to legal systems to cultural frameworks. From one classic Marxist point of view, the role of art is not only to represent such conditions truthfully, but also to seek to improve them (social/socialist realism); however, this is a contentious interpretation of the limited but significant writing by Marx and Engels on art and especially on aesthetics. For instance, Nikolay Chernyshevsky, who greatly influenced the art of the early Soviet Union, followed the secular humanism of Ludwig Feuerbach more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moral
A moral (from Latin ''morālis'') is a message that is conveyed or a lesson to be learned from a story or event. The moral may be left to the hearer, reader, or viewer to determine for themselves, or may be explicitly encapsulated in a maxim. A moral is a lesson in a story or real life. Finding morals As an example of an explicit maxim, at the end of Aesop's fable of the Tortoise and the Hare, in which the plodding and determined tortoise won a race against the much-faster yet extremely arrogant hare, the stated moral is "slow and steady wins the race". However, other morals can often be taken from the story itself; for instance, that arrogance or overconfidence in one's abilities may lead to failure or the loss of an event, race, or contest. The use of stock characters is a means of conveying the moral of the story by eliminating the complexity of personality and depicting the issues arising in the interplay between the characters, enabling the writer to generate a clear m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
