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Arno (typeface)
Arno, or Arno Pro, is a serif type family created by Robert Slimbach at Adobe intended for professional use. The name refers to the river that runs through Florence, a centre of the Italian Renaissance. Arno is an old-style serif font, drawing inspiration from a variety of 15th and 16th century typefaces. Slimbach has described the design as a combination of the period's Aldine and Venetian styles, with italics inspired by the calligraphy and printing of Ludovico degli Arrighi. Arno was released in five optical sizes: separate fonts for different text sizes from captions to headings. In addition, Arno contains alternate letter styles such as swash italics inspired by Renaissance calligraphy. Other supported OpenType features include proportional and tabular numbers, old style figures, subscripts and superscripts, and ordinals. One of the most complete serif font families ever designed, Arno supports Adobe CE, Adobe Western 2, Cyrillic, mono- and polytonic Greek, Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic", and serif typefaces as "Roman type, roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into stone in Roman Classical antiquity, antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Shaw (design Historian)
Paul Shaw is an American designer, calligrapher and historian of design who lives in New York City. He has written a book on the history of the design of the New York City Subway system, ''Helvetica and the New York Subway System: The True (Maybe) Story'', on the work of William Addison Dwiggins, and for ''Print'' magazine. His book on the New York subway is known as one of the best modern design books. He received the annual SoTA __NOTOC__ Sota, Soota, Souta or SOTA may refer to: People *, Japanese actor and vlogger *, Japanese professional shogi player *, Japanese actor *, Japanese footballer *, Japanese footballer *, Japanese football player *, Japanese football player ... Typography Award of 2019. Paul Shaw is Editor-in-Chief of Codex, Journal of Letterforms and The Eternal Letter Design. His work has won awards from the AIGA Directors Club and the Art Directors Club of New York. References External links * *Helvetica and the New York City Subway System(book website ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (typeface)
Requiem is an old-style serif typeface designed by Jonathan Hoefler in 1992 for ''Travel + Leisure'' magazine and sold by his company, Hoefler & Co. The typeface takes inspiration from a set of inscriptional capitals found in Ludovico Vicentino degli Arrighi's 1523 writing manual, ''Il Modo de Temperare le Penne'', and its italics are based on the chancery calligraphy, or ''cancelleresca corsiva'' of the period. Like many other typefaces designed by Hoefler & Co., the family is large, intended for professional use. It is designed with three separate optical sizes of font, intended for different sizes of text, as well as two different styles of capitals inside cartouches intended for title pages and frontispieces. It also contains fleurons and italic ligatures inspired by calligraphy, as well as stylistic alternates such as an alternative 'Y' character. Like typefaces of the period in which Arrighi worked, it does not contain a bold style, as these were only invented in the ninet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Simonson
Mark Simonson (born 1955) is an American independent type designer who works in St. Paul, Minnesota. Career Simonson has described his typefaces as often being inspired by lettering styles of the past, such as the graphic design of the 1970s, Art Deco graphics and wood type. Simonson’s most popular font family is Proxima Nova (1994, revised 2005), a geometric-grotesque sans-serif design used by companies such as Relativity, BuzzFeed, Mashable, NBC, ''The Onion'' and '' Wired''. As of October 2021, it is the fifth highest-selling family on font sales website MyFonts MyFonts is a digital fonts distributor, based in Woburn, Massachusetts. It was created by Bitstream Inc., launched in September 1999 (during the ATypI conference in Boston), and started selling fonts in March 2000. In November 2011, Monotype Im .... His fonts also include Anonymous Pro, a monospaced font designed for programming released under the OFL. Simonson worked as a graphic designer before speciali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adobe Font Folio
Adobe Font Folio was a collection of more than 2,400 OpenType OpenType is a format for scalable computer fonts. It was built on its predecessor TrueType, retaining TrueType's basic structure and adding many intricate data structures for prescribing typographic behavior. OpenType is a registered trademark ... fonts, designed by several renowned type foundries. , there were around 10,000 fonts available in OpenType format. Adobe's font library makes up under a third of the total, all of which are included in Font Folio. The product was discontinued in June 2022.https://helpx.adobe.com/fonts/kb/font-folio-end-of-sale.html Version history * Version 7, released March 13, 1995. Had over 2,000 Type 1 (PostScript) typefaces. First release supporting Silicon Graphics and Sun Microsystems platforms. * Version 8, released in September, 1997. * Version 9, released in January, 2001. Had some OpenType typefaces, but still predominantly PostScript Type 1. * Version 10. Marketed as Font F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adobe Creative Suite
Adobe Creative Suite (CS) is a discontinued software suite of graphic design, video editing, and web development applications developed by Adobe Systems. The last of the Creative Suite versions, Adobe Creative Suite 6 (CS6), was launched at a release event on April 23, 2012, and released on May 7, 2012. CS6 was the last of the Adobe design tools to be physically shipped as boxed software as future releases and updates would be delivered via download only. On May 6, 2013, Adobe announced that CS6 would be the last version of the Creative Suite, and that future versions of their creative software would only be available via their Adobe Creative Cloud subscription model. Adobe also announced that it would continue to support CS6 and would provide bug fixes and security updates through the next major upgrades of both Mac and Windows operating systems (as of 2013). The Creative Suite packages were pulled from Adobe's online store in 2013, but were still available on their website un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adobe Originals
The Adobe Originals program is a series of digital typefaces created by Adobe Systems from 1989 for professional use, intended to be of extremely high design quality while offering a large feature set across many languages. Many are strongly influenced by research into classic designs from the past and calligraphy. Adobe Originals fonts are sold separately or with Adobe products such as InDesign. Adobe Originals fonts tend to offer an extensive feature set through the OpenType font format, such as optical sizes, automatic ligature insertion, small capitals, swashes, text and lining figures and kerning pair sets to fine-tune character spacing. They are accordingly common choices in fine printing and book design. History The Originals program was established in 1989, when Sumner Stone hired font designers Carol Twombly and Robert Slimbach. This period saw the growth of desktop publishing, at a point when printing and design was becoming more accessible. Adobe already had contrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dingbat
In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames, (similar to box-drawing characters) or as a dinkus (section divider). Some of the dingbat symbols have been used as signature marks, used in bookbinding to order sections. In the computer industry, a Dingbat font was a computer font that has symbols and shapes that reused the code points designated for alphabetical or numeric characters. This practice was necessitated by the limited number of code points available in 20th century operating systems. Most modern fonts are based on Unicode, which has unique code points for dingbat glyphs. Examples Examples of characters included in Unicode ( ITC Zapf Dingbats series 100 and others): Dingbats Unicode block Unicode provides code points for many commonly used dingbats, as listed below. Prior to widespread adoption of Unicode in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Small Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Alphabet
The Vietnamese alphabet ( vi, chữ Quốc ngữ, lit=script of the National language) is the modern Latin writing script or writing system for Vietnamese. It uses the Latin script based on Romance languages originally developed by Portuguese missionary Francisco de Pina (1585 – 1625). The Vietnamese alphabet contains 29 letters, including seven letters using four diacritics: ''ă'', ''â''/''ê''/''ô'', ''ơ''/''ư'', ''đ''. There are an additional five diacritics used to designate tone (as in ''à'', ''á'', ''ả'', ''ã'', and ''ạ''). The complex vowel system and the large number of letters with diacritics, which can stack twice on the same letter (e.g. ''nhất'' meaning "first"), makes it easy to distinguish the Vietnamese orthography from other writing systems that use the Latin script. The Vietnamese system's use of diacritics produces an accurate transcription for tones despite the limitations of the Roman alphabet. On the other hand, sound changes in the spok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Characters In Unicode
Over a thousand characters from the Latin script are encoded in the Unicode Standard, grouped in several basic and extended Latin blocks. The extended ranges contain mainly precomposed letters plus diacritics that are equivalently encoded with combining diacritics, as well as some ligatures and distinct letters, used for example in the orthographies of various African languages (including click symbols in Latin Extended-B) and the Vietnamese alphabet (Latin Extended Additional). Latin Extended-C contains additions for Uighur and the Claudian letters. Latin Extended-D comprises characters that are mostly of interest to medievalists. Latin Extended-E mostly comprises characters used for German dialectology ( Teuthonista). Latin Extended-F and -G contain characters for phonetic transcription. Blocks As of version 15.0 of the Unicode Standard, 1,481 characters in the following 19 blocks are classified as belonging to the Latin script. * Basic Latin, 0000–007F. This block corre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
