|
Alta Capella
An alta cappella or alta musica (Italian), haute musique (French) or just alta was a kind of town wind band found throughout continental Europe from the thirteenth to the eighteenth centuries, which typically consisted of shawms and slide trumpets or sackbuts. ''Waits'' is the British equivalent. These were not found anywhere outside of Europe. History ''Alta musique'' in general refers to the "loud music" of instruments like shawms, sackbuts, trumpets, and drums, in contrast to ''basse musique'', the "soft music" of recorders, viols, fiddles, harps, psalteries, and the like. Howard Mayer Brown, and Keith Polk, "Alta (i)", Grove Music Online, edited by Deane Root (accessed 28 January 2015) These ensembles first appeared in Europe in the thirteenth century, taken from the ceremonial loud bands of the Arab World, consisting of small shawms, nakers, and other percussion, together with pairs of straight trumpets functioning as something of a cross between drone and percussion. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicians From 'Procession In Honour Of Our Lady Of Sablon In Brussels'
A musician is someone who Composer, composes, Conducting, conducts, or Performing arts#Performers, performs music. According to the United States Employment Service, "musician" is a general Terminology, term used to designate a person who follows music as a profession. Musicians include songwriters, who write both music and lyrics for songs; conductors, who direct a musical performance; and performers, who perform for an audience. A music performer is generally either a singer (also known as a vocalist), who provides vocals, or an instrumentalist, who plays a musical instrument. Musicians may perform on their own or as part of a Musical ensemble, group, band or orchestra. Musicians can specialize in a musical genre, though many play a variety of different styles and blend or cross said genres, a musician's musical output depending on a variety of technical and other background influences including their culture, skillset, life experience, education, and creative preferences. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tower Music
Tower music is a musical performance from the top of a tower. It can also designate the music composed for or played in such a performance. In the early European Middle Ages, musical instruments on towers were used to warn of danger and mark the passage of time. At first this was done by a tower watchman, later by alta capella, ensembles of instrumentalists employed by the city. The music became more choral, and came to by played on specific days of the week, and to mark specific dates (feast days such as Christmas and Easter, for instance). The practice largely died out in the late 19th century, but was revived in the early twentieth, and continues to this day. Modern tower music is often played by volunteers. The tower used would often be a church tower, but the tower or balcony of a civic building might also be used. The instruments had to be audible to someone not on the tower. This eliminated the quieter (''basse'') instruments, leaving the louder alta capella, (''haut'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Heartz
Daniel Heartz (1928–2019) was an American musicologist and professor of music at the University of California, Berkeley. Heartz studied at Harvard University. He lived in Berkeley, California Berkeley ( ) is a city on the eastern shore of San Francisco Bay in northern Alameda County, California, United States. It is named after the 18th-century Anglo-Irish bishop and philosopher George Berkeley. It borders the cities of Oakland, Cali .... Honors * Recipient of Guggenheim Fellowships * ASCAP–Deems Taylor Awards * Kinkeldey Award of the American Musicological Society. Selected bibliography * ''Artists and Musicians: Portrait Studies from the Rococo to the Revolution,'' with contributing studies by Paul Corneilson and John A. Rice, ed. Beverly Wilcox, Ann Arbor, MI: Steglein, 2014. * ''Mozart, Haydn and Early Beethoven. 1781–1802'', New York, W. W. Norton, 2008. * ''From Garrick to Gluck: Essays on Opera in the Age of Enlightenment,'' ed. John A. Rice, Hillsdale, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ross W
Ross may refer to: People and fictional characters * Ross (name), including a list of people and fictional characters with the surname or given name Ross, as well as the meaning * Clan Ross, a Highland Scottish clan Places Antarctica * Ross Sea * Ross Ice Shelf * Ross Dependency * Ross Island Ireland *"Ross", a common nickname for County Roscommon * Ross, County Mayo, a townland bordering Moyne Townland * Ross, County Westmeath, a townland in Noughaval civil parish * Diocese of Ross (Ireland), West Cork United Kingdom * Ross, Northumberland, England, a village * Ross, Scottish Borders, a hamlet * Ross-on-Wye, England * Ross, Scotland, a region of Scotland and former earldom * County of Ross, Scotland * Diocese of Ross (Scotland) United States * Ross, Arkansas, an unincorporated community * Ross, California, a town * Ross, Indiana, an unincorporated community * Ross, Iowa, an unincorporated community * Ross, Minnesota, an unincorporated community * Ross, North Dakota, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the '' Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basse Danse
The ''basse danse'', or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Duchy of Burgundy, Burgundian court. The word ''basse'' describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps. The basse danse was a precursor of the pavane as a dignified processional dance. The term may apply to the dance or the music alone. History The earliest record of a basse danse is found in an Occitan language, Occitan poem of the 1320s by Raimon de Cornet, who notes that the ''joglars'' performed them. The ''bassa danza'' is described in the dance treatise of Guglielmo Ebreo da Pesaro, in northern Italy towards the end of the 15th century, and by his friend Antonio Cornazzano, for whom it was the queen of all dance measures, low dance to be contrasted with the ''alta danza'', the "high" or leap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisation (music)
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic framework or chord p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cancionero De Palacio
The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs. The manuscript The first ten folios are not numbered; the remaining folios are numbered from 1 to 304. Based on the index of works included in the beginning of the manuscript, it originally had 548 works. Many folios have been lost, reducing the number of works currently in the manuscript to 458. The manuscript was written by 9 different people and, in all, received 11 successive additions: *The first addition happened in the first years of the 16th century, most probably after 1505, as a result of the reorganization of the Court's musical chapel ordered by Ferdinand II of Aragon, one year after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De La Torre
Francisco de la Torre (c. 1460 – c. 1504) was a Spanish composer mainly active in the Kingdom of Naples. His hometown may have been Seville. His music can be found in ''La música en la corte de los Reyes Musulmanes'', edited by Higinio Anglés, H. Anglès (1947–51). Biography Francisco served as a singer at the Seville Cathedral from at least 1464 until 1467, and probably remained connected with Seville until 1485, when he left with the Aragonese royal chapel, whose choir he had joined on 1 July 1483. He would have been back in Seville when the court returned there for a residence lasting from the end of 1490 until March 1491 . He took an annual salary of 25,000 ''maravedís'' and served in the same capacity for seventeen years. On 15 July 1488 he was awarded a half-prebend from Ferdinand II of Aragon, Ferdinand II . In May 1488 La Torre presented the Seville Cathedral Chapter with a claim that he had already been appointed to a half-prebend left vacant by its previous holde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castell
A ''castell'' (: literally, ''castle'') is a human tower built traditionally at festivals in a part of Catalonia (Spain), now also found in the rest of Catalonia, in the Balearic islands and in the Valencian Community. At these festivals, several ''colles castelleres'' (teams that build towers) attempt to build and then dismantle a tower's structure. On 16 November 2010, ''castells'' were declared by UNESCO to be amongst the Masterpieces of the Oral and Intangible Heritage of Humanity. Origin Although based on the earlier traditional Muixeranga of Algemesí in Valencia, the tradition of ''castells'' within Catalonia originated in the ''Ball dels Valencians'' (Valencian Dance) in the town of Valls, near the city of Tarragona, first documented in 1712. Over the course of the 18th century, they spread to other towns and cities in the area, including Vilafranca del Penedès and Tarragona, though it was not until the last 50 years that the practice of building ''castells'' be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gralla (instrument)
The gralla (), also known as grall de pastor, xaramita, dulzaina catalana or xirimita, is a traditional Catalan double reed instrument in the shawm family classified in the group 422.112 in the Hornbostel-Sachs system. The gralla comes from the ancient xeremia a medieval instrument largely used until the Baroque. Probably, the name of the instrument comes from its strident sound similar to the sound of a Jackdaw native to Catalonia and northern Spain and also called 'Gralla' in Catalan. This traditional instrument is used during the construction and dismantling of human towers or castells and other traditional festivities. it is usually played with the timbal, a percussion instrument similar to a drum. The traditional ''gralla'' melody used in castells, called the ''toc de castells,'' serves to advise the castellers within the tower what stage of the construction their colleagues have reached, as they are unable to see this. The ''gralla'' regained popularity in the late 1970s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
