Afro-Brazilian Culture
Afro-Brazilian culture is the combination of cultural manifestations in Brazil that have suffered some influence from Culture of Africa, African culture since Colonial Brazil, colonial times until the present day. Most of Africa's culture reached Brazil through the Atlantic slave trade to Brazil, transatlantic slave trade, where it was also influenced by Culture of Europe, European and Indigenous peoples, indigenous cultures, which means that characteristics of African origin in Brazilian culture are generally mixed with other cultural references. Currently, strong aspects of African culture can be identified in many aspects of Brazilian society, such as Música popular brasileira, popular music, Religion in Brazil, religion, Brazilian cuisine, cuisine, Brazilian mythology, folklore and popular festivities. The states of Maranhão, Pernambuco, Alagoas, Bahia, Minas Gerais, Espírito Santo, Rio de Janeiro, São Paulo and Rio Grande do Sul were the most influenced by the culture of Af ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rio De Janeiro
Rio de Janeiro, or simply Rio, is the capital of the Rio de Janeiro (state), state of Rio de Janeiro. It is the List of cities in Brazil by population, second-most-populous city in Brazil (after São Paulo) and the Largest cities in the Americas, sixth-most-populous city in the Americas. Founded in 1565 by the Portuguese people, Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a List of states of the Portuguese Empire, state of the Portuguese Empire. In 1808, when the Transfer of the Portuguese Court to Brazil, Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent John VI of Portugal, raised Brazil to the dignity of a kingdom, within the United Kingdom of Portugal, Brazil and the Algarves, United Kingdom of Portugal, Brazil, and Algar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Getúlio Vargas
Getúlio Dornelles Vargas (; ; 19 April 1882 – 24 August 1954) was a Brazilian lawyer and politician who served as the 14th and 17th president of Brazil, from 1930 to 1945 and from 1951 until his suicide in 1954. Due to his long and controversial tenure as Brazil's provisional, constitutional, dictatorial and democratic leader, he is considered by historians as the most influential Brazilian politician of the 20th century. Born on 19 April 1882 in São Borja, Rio Grande do Sul, to a powerful local family, Vargas had a short stint in the Brazilian Army before entering law school. He began his political career as district attorney, soon becoming a state deputy prior to a brief departure from politics. After returning to the state Legislative Assembly, Vargas led troops during Rio Grande do Sul's 1923 civil war. He entered national politics as a member of the Chamber of Deputies. Afterward, Vargas served as Minister of Finance under president Washington Luís before resi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Estado Novo (Brazil)
The Estado Novo (), or Third Brazilian Republic, began on 10 November 1937, and consolidated Getúlio Vargas' power. Vargas had assumed leadership of Brazil following the 1930 revolution that ended the First Republic. The Estado Novo ended politically on 29 October 1945, and officially on 31 January 1946. It was characterized by Brazilian nationalism, centralized power, anti-communism and authoritarianism. It was part of the period known as the Vargas Era that began with the Second Brazilian Republic. Vargas first took power as provisional president in 1930 following the revolution that ended the First Republic and launched the Second Brazilian Republic. Several ensuing coup attempts failed to depose him, until he granted himself new powers under the Third Brazilian Republic or Estado Novo. In early 1932, the Constitutionalist Revolution led by the Democratic Party of São Paulo, had failed due to a lack of unity within the alliance. As head of the provisional government ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lundu (dance)
Lundu (also spelled landu or landum) is a style of Afro-Brazilian music and dance with its origins in the African Bantu and Portuguese people. History The interconnectedness of Lusophone countries dates back to the Atlantic Slave Trade, between Portugal, Brazil and regions of Africa. In the 15th century, the Portuguese were the primary exporters of African slaves to the Americas, and with slaves came their musical traditions. Throughout the 17th and 18th centuries, there was a massive Brazilian presence in Angola, enabling a cultural exchange between the two Portuguese colonies. This exchange enabled subtle amalgamations of musical styles between Angola, Brazil and other African slave trade countries. The establishment of a creole population in Brazil led to further cultural developments in language, religion and art. In 1859, French journalist Charles Ribeyrolles described Afro-Brazilian free practices on a '' fazenda'' in Rio de Janeiro province: Dissemination Reco ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maracatu
The term maracatu denotes any of several performance genres found in Pernambuco, Northeastern Brazil. Main types of maracatu include '' maracatu nação'' (nation-style maracatu) and ''maracatu rural'' (rural-style maracatu). Maracatu Nação Maracatu nação (also known as ''maracatu de baque virado'': "maracatu of the turned-around beat"), the most well-known of the maracatu genres, is an Afro-Brazilian performance genre practiced in the state of Pernambuco, mainly in the cities of Recife and Olinda. The term, often shortened simply to ''nação'' ("nation", pl. ''nações''), refers not only to the performance but to the performing groups themselves. ''Maracatu nação''’s origins lie in the investiture ceremonies of the ''Reis do Congo'' (Kings of Congo), who were enslaved people who were granted leadership roles within the enslaved community by the Portuguese administration. When slavery was abolished in Brazil in 1888, the institution of the Kings of Congo ceased to exis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Capoeira
Capoeira () is an Afro-Brazilian martial art and game that includes elements of dance, acrobatics, capoeira music, music, and spirituality. It likely originated from enslaved Mbundu people, of the Kingdom of Ndongo, in present-day Angola. The Mbundu of Ndongo had a formal military in which soldiers were professionally trained for combat. When Mbundu people were captured and sold into the Atlantic Slave Trade, they would have brought these fighting abilities with them to Brazil, where it developed into Capoeira. It is known for its acrobatic and complex manoeuvres, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the ''List of capoeira techniques#Ginga, ginga'', a rocking step, is usually the focal point of the technique. Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defense, but also as a way to maintain spirituality and culture. Capoeira has been practic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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African Diaspora Religions
African diaspora religions, also described as Afro-American religions, are a number of related beliefs that developed in the Americas in various areas of the Caribbean, Latin America, and the Southern United States. They derive from traditional African religions with some influence from other religious traditions, notably Christianity and Islam.Fulop, Timothy Earl; Albert J. Raboteau, Raboteau, Albert J., eds. (1997). African American Religion: Interpretive Essays in History and Culture'. London; New York: Routledge. . Characteristics Afro-American religions involve ancestor veneration and include a creator deity along with a pantheon (religion), pantheon of divine spirits such as the Orisha, Loa, Vodun, Nkisi, and Alusi, among others. In addition to the religious syncretism of these various African traditions, many also incorporate elements of folk Catholicism including folk saints and other forms of folk religion, Native American religion, Kardecist spiritism, Spiritism, Spirit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rugendas - Escravos Benguela, Angola, Congo, Monjolo
Johann Moritz Rugendas (29 March 1802 – 29 May 1858) was a German painter, famous in the first half of the 19th century for his works depicting landscapes and ethnographic subjects in several countries in the Americas. Rugendas is considered "by far the most varied and important of the European artists to visit Latin America." He was influenced by Alexander von Humboldt. Biography Rugendas was born in Augsburg, then a Free imperial city in the Holy Roman Empire, now (Germany), into the seventh generation of a family of noted painters and engravers of Augsburg (he was a great grandson of Georg Philipp Rugendas, 1666–1742, a celebrated painter of battles). He first studied drawing and engraving with his father, Johann Lorenz Rugendas II (1775–1826). From 1815-17, he studied with Albrecht Adam (1786–1862), and later in the Academy de Arts of Munich, with Lorenzo Quaglio II (1793–1869). When Rugendas was born, Augsburg was a Free Imperial City of the Holy Roman Empire ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Northeast Region, Brazil
The Northeast Region of Brazil ( ) is one of the five official and political regions of the country according to the Brazilian Institute of Geography and Statistics. Of Brazil's twenty-six states, it comprises nine: Maranhão, Piauí, Ceará, Rio Grande do Norte, Paraíba, Pernambuco, Alagoas, Sergipe and Bahia, along with the Fernando de Noronha archipelago (formerly a separate territory, now part of Pernambuco). Chiefly known as ''Nordeste'' ("Northeast") in Brazil, this region was the first to be colonized by the Portuguese and other European peoples, playing a crucial role in the country's history. ''Nordestes dialects and rich culture, including its folklore, cuisines, music and literature, became the most easily distinguishable across the country. To this day, ''Nordeste'' is known for its history and culture, as well as for its natural environment and its hot weather. ''Nordeste'' stretches from the Atlantic seaboard in the northeast and southeast, northwest ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |