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Adonis (Duquesnoy)
''Adonis'', also known as ''Adonis Mazarin'', is a marble sculpture by Flemish artist François Duquesnoy, who completed it in the early 17th century. The Adonis bears the signature of Duquesnoy, and the statue, created around an ancient torso, should be indeed accepted as "a veritable artistic creation f Duquesnoy. It depicts Adonis, the mortal lover of the goddess Aphrodite in Greek mythology. The backward tilt of the figure is reminiscent of Duquesnoy's bronze Mercury. The sculpture is housed at The Louvre in Paris. Subject The subject of the sculpture is Adonis, offspring of the incestuous love between Myrrha and her own father, the king of Cyprus. Myrrha tricked her own father into having coitus with her, but he discovered her identity and chased her with a sword. Myrrha then pleaded to the gods, who transformed her into a myrrh tree. In the tree form, she gave birth to Adonis. Aphrodite found the infant; she was charmed by its beauty, put it into a box (according to tr ...
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François Duquesnoy
François Duquesnoy or Frans Duquesnoy (12 January 1597 – 18 July 1643) was a Flemish Baroque sculptor who was active in Rome for most of his career. His idealized representations are often contrasted with the more emotional character of Bernini's works, while his style shows a great affinity to Algardi's sculptures. Early years Duquesnoy was born in Brussels. Having come from Flanders, Duquesnoy was called ''Il Fiammingo'' by the Italians and ''François Flamand'' by the French. His father, Jerôme Duquesnoy the Elder, sculptor of the '' Manneken Pis'' fountain in Brussels (1619), was the court sculptor to Archduchess Isabella and Archduke Albert, governor of the Low Countries. Sculptor Jerôme Duquesnoy, the younger was his brother. Some of Francois' early work in Brussels attracted the notice of the Archduke, who gave him the wherewithal to study in Rome, where he would spend his whole career. According to early biographers, when Duquesnoy arrived in Rome in 1618, he stud ...
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Sculptures In France
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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1630s Sculptures
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocracy ...
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1620s Sculptures
Sixteen or 16 may refer to: * 16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", b ...
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Cardinal Mazarin
Cardinal Jules Mazarin (, also , , ; 14 July 1602 – 9 March 1661), born Giulio Raimondo Mazzarino () or Mazarini, was an Italian cardinal, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. In 1654, he acquired the title Duke of Mayenne and in 1659 that of 1st Duke of Rethel and Nevers. After serving as a papal diplomat for Pope Urban VIII, Mazarin offered his diplomatic services to Cardinal Richelieu and moved to Paris in 1640. After the death of Richelieu in 1642, Mazarin took his place as first minister and then of Louis XIII in 1643. Mazarin acted as the head of the government for Anne of Austria, the regent for the young Louis XIV. Mazarin was also made responsible for the king's education until he came of age. The first years of Mazarin in office were marked by military victories in the Thirty Years' War, which he used to make France the main European power and establish the Peace of ...
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Rondanini Faun
The ''Rondanini Fawn'' is a marble sculpture by Flemish artist François Duquesnoy. It is part of the collection at the British Museum in London. The Rondanini Faun was built on an ancient torso, completed by Duquesnoy between 1625 and 1630. Duquesnoy's completion of antiques was acclaimed in Rome as 'absolutely perfect.' In 17th-century restoration of antique statues, the latter were often imbued with Baroque style by the contemporary sculptor who completed the opus. Albeit not excessively so, the Rondanini is no exception, its broad movement being proof thereof. Duquesnoy is known to have produced at least the limbs and the head for this figure, completing a severed torso with a faun tail. Duquesnoy's Faun takes its name from the Palazzo Rondanini in Rome, where it was once kept. Sculpture The restored statue was attributed to Duquesnoy by the latter's biographer, Giovanni Pietro Bellori. Duquesnoy's pupil, Orfeo Boselli, attributed the statue to the ''Fiammingo''. In his ''O ...
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Web Gallery Of Art
The Web Gallery of Art (WGA) is a virtual art gallery website. It displays historic European visual art, mainly from the Baroque, Gothic and Renaissance periods, available for educational and personal use. Overview The website contains reproductions of over 48,600 works and includes accompanying text on the artworks and artists, accessible through a searchable database. The site is a leading example of an independently established collection of high-quality historically important pictures. The viewer can select the size of the image; associated music is also included to accompany viewing, and posters of displayed artworks are available. The facility was created by Emil Kren and Daniel Marx. Copyrights Most of the images in the gallery are of works that are out of copyright, as they were all produced before 1900 and all named artists in the collection were born well before 1900. However, copyright for the reproductions displayed on the website may apply within some legal systems. ...
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Hippolytus (son Of Theseus)
upright=1.3, ''The Death of Hippolytus'', by Sir Lawrence Alma-Tadema (1836–1912) In Greek mythology, Hippolytus ( el, Ἱππόλυτος'', Hippolytos'' 'unleasher of horses'; ) is the son of Theseus and either Hippolyta or Antiope. His downfall at the hands of Aphrodite is most famously recounted by the playwright Euripides, although other, sometimes differing versions of the story have also survived. Etymology The meaning of Hippolytus' name is ironically ambiguous. Ἱππό translates to 'horse', and the element -λυτος (from λύω 'loosen, destroy') suggests the adjectivλυτός, -ή, -όν'which may be undone, destroyed'. His name thereby takes on the prophetic meaning 'destroyed by horses'. Premise of the myth Hippolytus is a hunter and sportsman who is disgusted by sex and marriage. In consequence, he scrupulously worships Artemis, the virgin huntress, and refuses to honor Aphrodite. Offended by this neglect, Aphrodite causes Phaedra, Hippolytus’ ...
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Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete ('' Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that ...
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