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Acrostic
An acrostic is a poem or other word composition in which the ''first'' letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. The term comes from the French from post-classical Latin , from Koine Greek , from Ancient Greek "highest, topmost" and "verse". As a form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval. When the ''last'' letter of each new line (or other recurring feature) forms a word it is called a telestich (or telestic); the combination of an acrostic and a telestich in the same composition is called a double acrostic (e.g. the first-century Latin Sator Square). Acrostics are common in medieval literature, where they usually serve to highlight the name of the poet or his patron, or to make a prayer to a saint. They are most frequent in verse works but can also appear in prose. The Middle High German poet Rudolf von Ems for ex ...
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Book Of Lamentations
The Book of Lamentations (, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible, it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes, and the Book of Esther. In the Christian Old Testament, it follows the Book of Jeremiah, for the prophet Jeremiah is traditionally understood to have been its author. By the mid-19th century, German scholars doubted Jeremiah's authorship, a view that has since become the prevailing scholarly consensus. Most scholars also agree that the Book of Lamentations was composed shortly after Jerusalem's fall in 586 BCE. Some motifs of a traditional Mesopotamian "city lament" are evident in the book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the deity; others "parallel the funeral dirge in which the bereaved bewails... and... addres ...
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Abecedarius
An abecedarius (also abecedary and abecedarian) is a special type of acrostic in which the first letter of every word, strophe or verse follows the order of the letters in the alphabet. Etymology "Abecedarius" (or "abecedarium") is a Medieval Latin word meaning "ABC primer", derived by adding the suffix "-arius" (-a, -um) to the names of the first four letters of the alphabet (a+b+c+d). According to the OED, the earliest use of its English cognate, "abecedary", dates back at least to the mid-15th century, preceding the first usage of "abecedarian" which, as an adjective meaning "arranged in alphabetical order", can be first attested in 1665. The related adjective "alphabetic" (from Ancient Greek) has been used interchangeably with "abecedarian" since at least the 17th century. Origins The abecedarius is most probably the oldest type of acrostic. Its origins have been linked to either the sacred nature of letters and the mystical significance of these types of arrangements or ...
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Sator Square
The Sator Square (or Rotas-Sator Square or Templar Magic Square) is a two-dimensional acrostic class of word square containing a five-word Latin palindrome. The earliest squares were found at Roman-era sites, all in ROTAS-form (where the top line is "ROTAS", not "SATOR"), with the earliest discovery at Pompeii (and also likely pre-AD 62). The earliest square with Christian-associated imagery dates from the sixth century. By the Middle Ages, Sator squares had been found across Europe, Asia Minor, and North Africa. In 2022, the ''Encyclopedia Britannica'' called it "the most familiar lettered square in the Western world". A significant volume of academic research has been published on the square, but after more than a century, there is no consensus on its origin and meaning. The discovery of the "Paternoster theory" in 1926 led to a brief consensus among academics that the square was created by early Christians, but the subsequent discoveries at Pompeii led many academics to b ...
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Psalm 34
Psalm 34 is the 34th psalm of the Book of Psalms, beginning in English in the King James Version: "I will bless the LORD at all times: his praise shall continually be in my mouth." The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 33. In Latin, it is known as "Benedicam Dominum in omni tempore". Psalm 34 is attributed to David. The Psalm's subtitle, ''A Psalm of David when he pretended madness before Abimelech, who drove him away, and he departed'', derives from when David was living with the Philistines, but the account of this event in 1 Samuel 21 refers to the king as Achish, not Abimelech; however "Abimelech" may merely be a title, literally meaning "father of a king." The psalm is an acrostic poem in the Hebrew alphabet, one of a series of songs of thanksgiving. It is the fi ...
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Psalm 25
Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul". The Book of Psalms is part of the Ketuvim, third section of the Tanakh, Hebrew Bible, and a book of the Christianity, Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 24. In Latin, it is known as "Ad te Domine levavi animam meam". The psalm, attributed to David, has the form of an acrostic Hebrew poem. The psalm forms a regular part of Jewish history, Jewish, Catholic Church, Catholic, Lutheranism, Lutheran, Anglicanism, Anglican and Nonconformist Protestant liturgies. Metrical hymns in English and German were derived from the psalm, such as "Zu dir, o Gott, erheben wir". The psalm has often been set to music. Orlando Gibbons composed an anthem in English, ''O Lord, I lift my heart to thee''. Heinrich Schütz composed a setting i ...
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Psalm 119
Psalm 119 is the 119th psalm of the Book of Psalms, beginning in the English of the King James Version: "Blessed are the undefiled in the way, who walk in the law of the Lord". The Book of Psalms is in the third section of the Hebrew Bible, the ''Ketuvim'', and a book of the Christian Old Testament. The psalm, which is anonymous, is referred to in Hebrew by its opening words, "Ashrei temimei derech" ("happy are those whose way is perfect"). In Latin, it is known as "Beati inmaculati in via qui ambulant in lege Domini". The psalm is a Psalms#Primary types, hymn psalm and an acrostic poem, in which each set of eight verses begins with a letter of the Hebrew alphabet. The theme of the verses is the prayer of one who delights in and lives by the Torah, the sacred law. Psalm 1, Psalms 1, Psalm 19, 19 and 119 may be referred to as "the psalms of the Law".Alexander Kirkpatrick, Kirkpatrick, A.Cambridge Bible for Schools and Collegeson Psalm 119, accessed 29 May 2022 In the slightly dif ...
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Psalm 145
Psalm 145 is the 145th psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "I will extol thee, my God, O king; and I will bless thy name for ever and ever". In Latin, it is known as "Exaltabo te Deus meus rex". It is the last psalm in the final Davidic collection of psalms, comprising Psalms 138 to 145, which are specifically attributed to David in their opening verses. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 144. The psalm is a hymn psalm. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, notably by Antonín Dvořák who set several verses in Czech in his '' Biblical Songs''. Background and themes This is the only psalm which identifies itself as a תְּהִלָה (''tehillah'') – as a ''psalm'' (namely, a hymn of praise). The version ...
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Psalm 9
Psalm 9 is the ninth psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee, O LORD, with my whole heart; I will shew forth all thy marvellous works." In Latin, it is known as "Confitebor tibi, Domine". The topic of the psalm is that the success of evil is only temporary, and in the end, the righteous will endure. Psalm 10 is considered part of Psalm 9 in the Greek Septuagint and in most pre-Reformation Christian Bibles. These two consecutive psalms have the form of a single acrostic Hebrew poem. The psalm is a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. Structure The Psalm is an acrostic Hebrew poem, and with Psalm 10 forms a single combined work. Old Testament scholar Hermann Gunkel divided Psalm 9 as follows: #Verses 2-3: hymn-like opening song of thanksgiving #Verses 4-5: main piece of the peace song #Verse 6-17: transition to an eschatological hymn In describing the structure of Psalm 9 ...
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Psalm
The Book of Psalms ( , ; ; ; ; , in Islam also called Zabur, ), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called ('Writings'), and a book of the Old Testament. The book is an anthology of Hebrew religious hymns. In the Jewish and Western Christian traditions, there are 150 psalms, and several more in the Eastern Christian churches. The book is divided into five sections, each ending with a doxology, a hymn of praise. There are several types of psalms, including hymns or songs of praise, communal and individual laments, royal psalms, imprecation, and individual thanksgivings. The book also includes psalms of communal thanksgiving, wisdom, pilgrimage and other categories. Many of the psalms contain attributions to the name of King David and other Biblical figures including Asaph, the sons of Korah, Moses and Solomon. Davidic authorship of the Psalms is not accepted as historical fact by modern scholars, who view it as ...
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Hebrew Alphabet
The Hebrew alphabet (, ), known variously by scholars as the Ktav Ashuri, Jewish script, square script and block script, is a unicase, unicameral abjad script used in the writing of the Hebrew language and other Jewish languages, most notably Yiddish, Judaeo-Spanish, Ladino, Judeo-Arabic languages, Judeo-Arabic, and Judeo-Persian. In modern Hebrew, vowels are increasingly introduced. It is also used informally in Israel to write Levantine Arabic, especially among Druze in Israel, Druze. It is an offshoot of the Aramaic alphabet, Imperial Aramaic alphabet, which flourished during the Achaemenid Empire and which itself derives from the Phoenician alphabet. Historically, a different abjad script was used to write Hebrew: the original, old Hebrew script, now known as the Paleo-Hebrew alphabet, has been largely preserved in a variant form as the Samaritan script, Samaritan alphabet, and is still used by the Samaritans. The present ''Jewish script'' or ''square script'', on the cont ...
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Psalm 111
Psalm 111 is the 111th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. I will praise the LORD with my whole heart". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 110. In Latin, it is known as Confitebor tibi Domine. It is a psalm "in praise of the divine attributes". This psalm, along with Psalm 112, is acrostic by phrase, that is, each 7-9 syllable phrase begins with a letter of the Hebrew alphabet in order. Psalm 119 is also acrostic, with each eight-verse strophe commencing with a letter of the Hebrew alphabet in order. The Jerusalem Bible describes Psalm 112, "in praise of the virtuous", as "akin to this psalm in doctrine, style and poetic structure. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. Musical settings include works by Heinrich Schütz in German, and Marc-Antoine Charpen ...
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Psalm 10
Psalm 10 is the tenth psalm of the Book of Psalms, beginning in English in the King James Version: "Why standest thou afar off, O LORD? why hidest thou thyself in times of trouble?" In the Greek Septuagint and the Latin Vulgate, it is not an individual psalm but the second part of psalm 9, "Ut quid Domine recessisti". These two consecutive psalms have the form of a single acrostic Hebrew poem. Compared to Psalm 9, Psalm 10 is focused more on the individual than the collective human condition. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. Context Psalm 8 reflects on man's special place in creation. In contrast, both psalms 9 and 10 will end with statements setting mankind in a more negative light in the final verses of each. Psalm 9 closes with the phase "Put them in fear, O Lord: that the nations may know themselves to be but men, selah" Psalm 9:20 and Psalm 10:18 closes Psalm 10 with "...that the man of the earth ...
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