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ADAT Optical Interface
The ADAT Lightpipe, officially the ADAT Optical Interface, is a standard for the transfer of digital audio between equipment. It was originally developed by Alesis but has since become widely accepted, with many third party hardware manufacturers including Lightpipe interfaces on their equipment. The protocol has become so popular that the term ''ADAT'' is now often used to refer to the transfer standard rather than to the Alesis Digital Audio Tape itself. Cables and interface Lightpipe uses the same connection hardware as S/PDIF: fiber optic cables (hence its name) to carry data, with Toslink connectors and optical transceivers at either end. However, the data streams of the two protocols are incompatible. S/PDIF is mostly used for transferring stereo or multi-channel surround sound audio, whereas the ADAT optical interface supports up to 8 audio channels at 48 kHz, 24 bit. Lightpipe devices have been successfully interfaced via FireWire. Data transfer Lightpipe can carr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio
Digital audio is a representation of sound recorded in, or converted into, digital signal (signal processing), digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical sampling (signal processing), samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 Hertz, times per second, each with 16-bit audio bit depth, resolution. Digital audio is also the name for the entire technology of sound recording and reproduction using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s and 1980s, it gradually replaced comparison of analog and digital recording, analog audio technology in many areas of audio engineering, record production and telecommunications in the 1990s and 2000s. In a digital audio system, an analog signal, analog electrical signal representing the sound is converted with an analog-to-digital converter (ADC) into a digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis ADAT HD24
Alesis is an American company that designs and markets electronic musical instruments, audio processors, mixers, amplifiers, audio interfaces, recording equipment, drum machines, professional audio, and electronic percussion products. Based in Cumberland, Rhode Island, Alesis is an inMusic Brands company. History Early years Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Barr liked the idea of the name Algorithmic Electronic Systems and came up with the name Alesis to try to convey that. Alesis' first product was the XT Reverb. Introduced in 1985, the XT Reverb was an all-digital reverb that carried an unprecedented low price of $799. Barr recruited Russell Palmer as Operations Manager and Robert Wilson (Vice Chairman) to handle internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Over Ethernet
In audio engineering, audio and broadcast engineering, broadcast engineering, Audio networking is the use of a Computer networking, network to distribute real-time digital audio. Audio Networking replaces bulky snake cables or audio-specific installed low-voltage wiring with standard network structured cabling in a facility. Audio Networking provides a reliable Backbone network, backbone for any audio application, such as for large-scale sound reinforcement in stadiums, airports and convention centers, multiple studios or stage (theatre), stages. While Audio Networking bears a resemblance to voice over IP (VoIP) and audio over IP, audio contribution over IP (ACIP), Audio Networking is intended for high-fidelity, low-latency professional audio. Because of the fidelity and Latency (audio), latency constraints, Audio Networking systems generally do not utilize audio data compression. Audio Networking systems use a much higher bit rate (typically 1 Mbit/s per channel) and much low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MADI
Multichannel Audio Digital Interface (MADI) standardized Standardization (American English) or standardisation (British English) is the process of implementing and developing technical standards based on the consensus of different parties that include firms, users, interest groups, standards organiza ... as AES10 by the Audio Engineering Society (AES) defines the data format and electrical characteristics of an interface that carries multiple channels of digital audio. The AES first documented the MADI standard in AES10-1991 and updated it in AES10-2003 and AES10-2008. The MADI standard includes a bit-level description and has features in common with the two-channel AES3 interface. MADI supports Serial transmission, serial digital transmission over coaxial cable or fibre-optic lines of 28, 56, 32, or 64 channels; and sampling rates to 96 kHz and beyond with an audio bit depth of up to 24 bits per channel. Like AES3 and ADAT Lightpipe, it is a unidirectional interface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
XLR Connector
The XLR connector (also Cannon plug and Cannon connector) is a type of electrical connector primarily used in professional audio, video, and stage lighting equipment. XLR connectors are cylindrical, with three to seven connector pins, and are often employed for analog balanced audio interconnections, AES3 digital audio, portable intercom, DMX512 lighting control, and for low-voltage power supply. XLR connectors are part of the international standard for dimensions, International Electrotechnical Commission, IEC 61076-2-103. The XLR connector resembles the DIN connector, but is larger, more robust and physically incompatible. The generic term "XLR" began as a trademark of Cannon (company), Cannon Electric, with the letters standing for X model connector with an added "L"atch feature, and "R"esilient neoprene rubber surrounding the female contacts. History and manufacturers The XLR connector was invented by James H. Cannon#James H. Cannon, James H. Cannon, founder of the Cannon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Broadcasting Union
The European Broadcasting Union (EBU; , UER) is an alliance of Public broadcasting, public service media organisations in countries within the European Broadcasting Area (EBA) or who are member states of the Council of Europe, members of the Council of Europe. , it is made up of 123 member organisations from 56 countries, and 31 associate members from a further 20 countries. It was established in 1950, and has its administrative headquarters in Geneva. The EBU owns and operates the Eurovision (network), Eurovision and Euroradio telecommunications networks on which major television and radio broadcasts are distributed live to its members. It also operates the daily Eurovision news exchange in which members share breaking news footage. In 2017, the EBU launched the Eurovision Social Newswire, an eyewitness and video verification service. Led by Head of Social Newsgathering, Derek Bowler, the service provides members of the EBU with verified and cleared-for-use newsworthy eyewitn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering Society
The Audio Engineering Society (AES) is a professional body for engineers, scientists, other individuals with an interest or involvement in the professional audio industry. The membership largely comprises engineers developing devices or products for audio, and persons working in audio content production. It also includes acousticians, audiologists, academics, and those in other disciplines related to audio. The AES is the only worldwide professional society devoted exclusively to audio technology. Established in 1948, the Society develops, reviews and publishes engineering standards for the audio and related media industries, and produces the AES Conventions, which are held twice a year alternating between Europe and the US. The AES and individual regional or national ''sections'' also hold ''AES Conferences'' on different topics during the year. History The idea of a society dedicated solely to audio engineering had been discussed for some time before the first meeting, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AES3
AES3 is a technical standard, standard for the exchange of digital audio signals between professional audio devices. An AES3 signal can carry two channels of pulse-code modulation, pulse-code-modulated digital audio over several transmission media including balanced lines, unbalanced lines, and optical fiber. AES3 was jointly developed by the Audio Engineering Society (AES) and the European Broadcasting Union (EBU) and so is also known as AES/EBU. The standard was first published in 1985 and was revised in 1992 and 2003. AES3 has been incorporated into the International Electrotechnical Commission's standard IEC 60958, and is available in a consumer-grade variant known as S/PDIF. History and development The development of standards for digital audio interconnect for both professional and domestic audio equipment, began in the late 1970s in a joint effort between the Audio Engineering Society and the European Broadcasting Union, and culminated in the publishing of AES3 in 1985. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biphase Mark Code
Biphase or Bi-phase may refer to: * Biphase modulation, or binary phase-shift keying * Differential Manchester encoding, also known as Aiken biphase or biphase mark code * Harvard biphase, used to encode data onto magnetic tape * Mu-Tron Bi-Phase, a musical effects device See also * Biphasic (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baud Rate
In a digitally modulated signal or a line code, symbol rate, modulation rate or baud is the number of symbol changes, waveform changes, or signaling events across the transmission medium per unit of time. The symbol rate is measured in ''baud'' (Bd) or ''symbols per second''. In the case of a line code, the symbol rate is the pulse rate in pulses per second. Each symbol can represent or convey one or several bits of data. The symbol rate is related to the ''gross bit rate'', expressed in ''bits per second''. Symbols A symbol may be described as either a pulse in digital baseband transmission or a tone in passband transmission using modems. A symbol is a waveform, a state or a significant condition of the communication channel that ''persists'', for a fixed period of time. A sending device places symbols on the channel at a fixed and known symbol rate, and the receiving device has the job of detecting the sequence of symbols in order to reconstruct the transmitted data. There ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biphase Mark Code
Biphase or Bi-phase may refer to: * Biphase modulation, or binary phase-shift keying * Differential Manchester encoding, also known as Aiken biphase or biphase mark code * Harvard biphase, used to encode data onto magnetic tape * Mu-Tron Bi-Phase, a musical effects device See also * Biphasic (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
