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Ṣaḍja
Shadja ( ) is the first of the seven svaras in Hindustani and Carnatic music. Shadaj is the long form of the syllable सा (Sā). Details The following is the information about Shadaj and its importance in Indian classical music: * Shadaj is the first svara in an octave or Saptak. * Shadaj is usually the main svara in a raga. * The svara that is played on the Tanpura for the singer is Shadaj. It is played to know that one is singing on the right pitch and octave. * Shadaj is the base or basic svara. It is a very fundamental svara in Classical music. * Shadaj serves a critical role in maintaining the tonal framework during performances. Before transitioning from one raga to another, particularly when the ragas share the same set of svaras (notes) but differ in their chalan (movement or progression), the note "Sa" is often played. This practice ensures clarity and prevents confusion by re-establishing the tonal base, allowing the next raga to begin distinctly. * The svara of Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svara
Swara () or svara is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or ''saptanka''. More comprehensively, it is the ancient Indian concept of the complete dimension of musical pitch. At its most basic comparison to western music, a ''swara'' is, essentially, a "note" of a given scale. However, that is but a loose interpretation of the word, as a ''swara'' is identified as both a musical note and tone; a "tone" is a precise substitute for sur, relating to "tunefulness". Traditionally, Indian musicians have just seven ''swara''s/notes with short names: sa, re, ga, ma, pa, dha, ni, which they collectively refer to as ''saptank'' or ''saptaka''. This is one of the reasons why ''swara'' is considered a symbolic expression for the number seven. In another loose comparison to western music, ''saptak'' (as an octave or scale) may be interpreted as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ṣaḍja (Sa)
Shadja ( ) is the first of the seven svaras in Hindustani and Carnatic music. Shadaj is the long form of the syllable सा (Sā). Details The following is the information about Shadaj and its importance in Indian classical music: * Shadaj is the first svara in an octave or Saptak. * Shadaj is usually the main svara in a raga. * The svara that is played on the Tanpura for the singer is Shadaj. It is played to know that one is singing on the right pitch and octave. * Shadaj is the base or basic svara. It is a very fundamental svara in Classical music. * Shadaj serves a critical role in maintaining the tonal framework during performances. Before transitioning from one raga to another, particularly when the ragas share the same set of svaras (notes) but differ in their chalan (movement or progression), the note "Sa" is often played. This practice ensures clarity and prevents confusion by re-establishing the tonal base, allowing the next raga to begin distinctly. * The svara of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhaivat (svara)
Dhaivata ( ) is the sixth and penultimate svara of Hindustani music, Hindustani and Carnatic music. Dhaivata is the long form of the syllable ध (Dha). Details The following is the information about Dhaivata and its importance in Indian classical music: * Dhaivata is the sixth svara in an octave or Saptak. * Dhaivata is the immediate next svara of Pancham (svara), Pancham (Pa). * The svara of Dhaivata is and Shuddha. * It is said that Shadja is the basic svara from which all the other six svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in marathi (language), Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from Shadja. * The frequency of Dhaivata is 400 Hz. The frequencies of the seven svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pancham (svara)
Pancham ( ) is the fifth svara from the seven svaras of Hindustani and Carnatic music. Pancham is the long form of the syllable प (Pa). Details Regarding panchama and its importance in Indian classical music: * Pancham is the fifth svara in an octave or Saptak. * Pancham is the immediate next svara of Madhyam (Ma). * The svara of Pancham is never * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Sanskrit. So basically the translation is : षड् - 6, ज -जन्म. Therefore it collectively means giving birth to the other six notes of the music. So the svara Pa is formed from Shadja. * The frequency of Pancham is 360 Hz. The frequencies of the seven svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz, Pa 360 Hz, Dha 400 Hz, and Ni 450 Hz, Sa 480 Hz (Taar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyam (svara)
Madhyam is the fourth svara from the seven svaras of Hindustani music and Carnatic music. This article is written from the Hindustani perspective. Madhyam is the long form of the syllable म. For simplicity in pronouncing while singing the syllable, Madhyam is pronounced as Ma (notation - M). It is also called as मध्यम in the Devanagri script. Details The following is the information about Madhyam and its importance in Indian classical music : * Madhyam is the fourth svara in an octave or Saptak. * Ma is the immediate next svara of Gandhar (Ga). * The svara of Madhyam is and . In fact Madhyam is the only svara in the Saptak. * It is said that Shadja is the basic svara from which all the other six svaras are produced. Breaking the word Shadja yields Shad And Ja. It means that Shad is six and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other six notes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhar (svara)
Gandhara ( ) is the third svara in Hindustani music, Hindustani and Carnatic music. Gandhara is the long form of the syllable ग (Ga). Details The following is the information about Gandhara and its importance in Indian classical music: * Gandhara is the third svara in an octave or Saptak. * Gandhara is the immediate next svara of Rishabh (svara), Rishabh (Re). * The svara of Gandhara is Komal and Shuddha. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in marathi (language), Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Ga is formed from Shadja. * The frequency of Gandhara is 300 Hz. The frequencies of the 7 svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rishabh (svara)
Rishabha ( ) is the second of the seven svaras in Hindustani and Carnatic music. Rishabha is the long form of the syllable रे (Re). Detail The following is the information about Rishabha and its importance in Indian classical music: * Rishabha is the second ''svara'' in an octave or '' Saptak'' and follows "Sa" (Shadja) as its immediate successor. * The svara of Rishabha is ''Komal'' and ''Shuddha''. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, ''Shad'' and ''Ja''. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Re is formed from Shadja. * The frequency of Rishabha is 270 Hz. The frequencies of the seven svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz, Pa 36 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green
Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 nm. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesize and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several minerals have a green color, including the emerald, which is colored green by its chromium content. During post-classical and early modern Europe, green was the color commonly associated with wealth, merchants, bankers, and the gentry, whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (planet)
Mercury is the first planet from the Sun. It is a rocky planet with a trace atmosphere. While it is the List of Solar System objects by size, smallest and least massive planet of the Solar System, its surface gravity is slightly higher than that of Mars. The surface of Mercury is similar to Earth's Moon, heavily Impact crater, cratered, with expansive rupes system, generated from thrust faults, and bright ray systems, formed by ejecta. Its largest crater, Caloris Planitia, has a diameter of , which is about one-third the diameter of the planet (). Being the most inferior planet, inferior orbiting planet it appears in Earth's sky, always close to the Sun, either as a "morning star" or an "evening star". It stays most of the time the closest to all other planets and is the planet with the highest delta-v needed to travel to from all other planets of the Solar System. Mercury's sidereal year (88.0 Earth days) and sidereal day (58.65 Earth days) are in a 3:2 ratio. This relation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peacock
Peafowl is a common name for two bird species of the genus '' Pavo'' and one species of the closely related genus '' Afropavo'' within the tribe Pavonini of the family Phasianidae (the pheasants and their allies). Male peafowl are referred to as peacocks, and female peafowl are referred to as peahens. The two Asiatic species are the blue or Indian peafowl originally from the Indian subcontinent, and the green peafowl from Southeast Asia. The third peafowl species, the Congo peafowl, is native only to the Congo Basin. Male peafowl are known for their piercing calls and their extravagant plumage. The latter is especially prominent in the Asiatic species, which have an eye-spotted "tail" or "train" of covert feathers, which they display as part of a courtship ritual. The functions of the elaborate iridescent coloration and large "train" of peacocks have been the subject of extensive scientific debate. Charles Darwin suggested that they served to attract females, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
