Park Life

''Parklife'' is the third studio album by the English rock band Blur, released on 25 April 1994, by Food Records. After moderate sales for their previous album ''Modern Life Is Rubbish'' (1993), ''Parklife'' returned Blur to prominence in the UK, helped by its four hit singles: " Girls & Boys", " To the End", "Parklife" and "End of a Century".

Certified four times platinum in the United Kingdom by the British Phonographic Industry (BPI), the album came to define the emerging Britpop scene in the year following its release, along with the album ''Definitely Maybe'' by future rivals Oasis movement. ''Parklife'' therefore has attained a cultural significance beyond its considerable sales and critical acclaim, cementing its status as a landmark in British rock music.

In 2010, ''Parklife'' was one of ten album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail. In 2015, ''Spin'' included the album in their list of "The 300 Best Albums of 1985–2014". ''Rolling Stone'' magazine ranked the album number 438 in its 2020 list of the "500 Greatest Albums of All Time".

Recording

In 1990, a year before Blur's debut album, Damon Albarn, the band's vocalist, had told a group of music journalists, "When our third album comes out, our place as the quintessential English band of the '90s will be assured. That is a simple statement of fact. I intend to write it in 1994."

After the completion of recording sessions for Blur's previous album, ''Modern Life Is Rubbish'', Albarn began to write prolifically. Blur demoed Albarn's new songs in groups of twos and threes. Due to their precarious financial position at the time, Blur quickly went back into the studio with producer Stephen Street to record their third album. Blur met at the Maison Rouge recording studio in August 1993 to record their next album. The recording was a relatively fast process, apart from the song "This Is a Low".

While the members of Blur were pleased with the final result, Food Records owner David Balfe was not, telling the band's management "This is a mistake". Soon afterwards, Balfe sold Food to EMI.

Music

Blur frontman Damon Albarn told ''NME'' in 1994, "For me, ''Parklife'' is like a loosely linked concept album involving all these different stories. It's the travels of the mystical lager-eater, seeing what's going on in the world and commenting on it." Albarn cited the Martin Amis novel ''London Fields'' as a major influence on the album. Oasis was once quoted saying that ''Parklife'' was, "Like Southern England personified". The songs themselves span many genres, such as the synthpop-influenced hit single " Girls & Boys", the instrumental waltz interlude of "The Debt Collector", the punk rock-influenced "Bank Holiday", the spacey, Syd Barrett-esque "Far Out", and the fairly new wave-influenced "Trouble in the Message Centre". Journalist John Harris commented that while many of the album's songs "reflected Albarn's claims to a bittersweet take on the UK's human patchwork", several songs, including " To the End" (featuring Lætitia Sadier of Stereolab) and "Badhead" "lay in a much more personal space".

Title and cover

The album was originally going to be entitled ''London'' and the album cover shot was going to be of a fruit-and-vegetable cart. Albarn stated tongue-in-cheek, "That was the last time that Dave Balfe was, sort of, privy to any decision or creative process with us, and that was his final contribution: to call it ''London''". The cover depicts the British pastime of greyhound racing. Most of the pictures in the CD booklet are of the band in the greyhound racing venue Walthamstow Stadium, although the actual cover was not shot there. The album cover for ''Parklife'' was among the ten chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010.

Reception

''Parklife'' was met with critical acclaim. Johnny Dee, reviewing ''Parklife'' for ''NME'', called it "a great pop record", adding "On paper it sounds like hell, in practice it's joyous." Paul Evans of ''Rolling Stone'' stated that with "one of this year's best albums", the band "realize their cheeky ambition: to reassert all the style and wit, boy bonding and stardom aspiration that originally made British rock so dazzling." Conversely, Robert Christgau of ''The Village Voice'' indicated that the only good song on the album was "Girls & Boys".

''Parklife'' remains one of the most acclaimed albums of the 1990s. In a retrospective review, AllMusic's Stephen Thomas Erlewine commented: "By tying the past and the present together, Blur articulated the mid-'90s zeitgeist and produced an epoch-defining record."

Commercial performance

Upon release, ''Parklife'' debuted at number one on the UK Albums Chart and stayed on the chart for 90 weeks. It reached number six on the ''Billboard'' Top Heatseekers album chart in the United States. In the UK it sold 27,000 copies in its first week and would see a resurgence in sales the week before Christmas of 1994, with weekly sales of 40,000. ''Parklife'' is Blur's bestselling studio album in the UK, with just over a million copies sold.

Accolades

''Parklife'' has received accolades since its official release and is largely seen as one of the best albums of the 1990s. The album was nominated to the 1994 Mercury Prize, but it lost to M People's ''Elegant Slumming''. Blur also won four awards at the 1995 Brit Awards, including Best British Album for ''Parklife''. The album was listed as one of the ''1001 Albums You Must Hear Before You Die''.

In 2000 it was voted number 95 in Colin Larkin's ''All Time Top 1000 Albums''. He stated "''Parklife'' was a stunning album of high-quality, undeniably English pop."

In 2003, ''Pitchfork'' placed the album at number 54 on their ''Top 100 Albums of the 1990s'' list. In 2006, ''British Hit Singles & Albums'' and ''NME'' organised a poll of which, 40,000 people worldwide voted for the 100 best albums ever and ''Parklife'' was placed at number 34 on the list. The album has been hailed as a "Britpop classic".

In April 2014, American LGBT magazine ''Metro Weekly'' ranked the album at number 29 in its list of the "50 Best Alternative Albums of the 90s". In July 2014, ''Guitar World'' placed ''Parklife'' in its "Superunknown: 50 Iconic Albums That Defined 1994" list. The album was ranked at number 171 on ''Spin''s "The 300 Best Albums of the Past 30 Years (1985–2014)" list. In 2017, ''Pitchfork'' listed the album at number two in its list "The 50 Best Britpop Albums". In 2020, ''Rolling Stone'' ranked the album at number 438 in their list of the "500 Greatest Albums of All Time".

Track listing

;Bonus disc notes
*17 to 20 from "Girls and Boys" single (March 1994)
*21 to 23 from "To the End" single (May 1994)
*24 to 27 from "Parklife" single (August 1994)
*28 and 29 from "End of a Century" single (November 1994)
*30 and 31 previously unreleased BBC Radio 1 – Simon Mayo, 1994
*32 from "End of a Century" Spanish CD Promo
*33 is previously unreleased

Personnel

Blur

* Damon Albarn – lead and backing vocals, piano, Hammond organ, Mellotron, Moog synthesiser, melodica, vibraphone, recorder, programming, harpsichord, string synthesiser
* Graham Coxon – electric and acoustic guitars, backing vocals, clarinet, saxophone, percussion
* Alex James – bass guitar, vocals on "Far Out", crowd noise
* Dave Rowntree – drums, percussion, programming, crowd noise

Additional musicians

* Stephen Street – synthesiser (credited as "vintage" keys), sound effects, programming
* Lætitia Sadier – vocals on " To the End"
* Phil Daniels – narration on "Parklife"
* Stephen Hague – accordion on "To the End"

String quartet
* Chris Tombling
* Audrey Riley
* Leo Payne MBE
* Chris Pitsillides

Duke strings
* Louisa Fuller – violin
* Rick Koster – violin
* Mark – violin
* John Metcalfe – string arrangement, viola
* Ivan McCready – cello

Kick horns
* Richard Edwards – trombone
* Roddy Lorimer – flugelhorn, trombone
* Tim Sanders – tenor sax, soprano sax
* Simon Clarke – baritone sax, alto sax, flute

Charts and certifications

Weekly charts

Certifications and sales

References

*

Notes

External links

''Parklife''
at YouTube (streamed copy where licensed)
*

{{Authority control

Albums produced by Damon Albarn
Albums produced by Stephen Street
Blur (band) albums
Food Records albums
1990s concept albums
1994 albums
Albums produced by Stephen Hague
Albums recorded at RAK Studios
Brit Award for British Album of the Year