''Zhenitba'' (, ''Zhenit'ba'', ''Marriage'') is an unfinished

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

begun in 1868 by

Modest Mussorgsky Modest Petrovich Mussorgsky (; ; ; – ) was a Russian composer, one of the group known as "The Five (composers), The Five." He was an innovator of Music of Russia, Russian music in the Romantic music, Romantic period and strove to achieve a ...

to his own

libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...

based on

Nikolai Gogol Nikolai Vasilyevich Gogol; ; (; () was a Russian novelist, short story writer, and playwright of Ukrainian origin. Gogol used the Grotesque#In literature, grotesque in his writings, for example, in his works "The Nose (Gogol short story), ...

comedy Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greec ...

Marriage Marriage, also called matrimony or wedlock, is a culturally and often legally recognised union between people called spouses. It establishes rights and obligations between them, as well as between them and their children (if any), and b ...

''. This 1842 play is a satire of courtship and cowardice, which centres on a young woman, Agafya, who is wooed by four bachelors, each with his own idiosyncrasies.

History

Composition history

The idea to set Gogol's ''Marriage'' to music came from the advice and influence of

Alexander Dargomyzhsky Alexander Sergeyevich Dargomyzhsky ( rus, links=no, Александр Сергеевич Даргомыжский, Aleksandr Sergeyevich Dargomyzhskiy, ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪdʑ dərɡɐˈmɨʂskʲɪj, Ru-Aleksandr-Sergeevich- ...

, who began to compose his own experimental opera, '' The Stone Guest'', to

Alexander Pushkin Alexander Sergeyevich Pushkin () was a Russian poet, playwright, and novelist of the Romantic era.Basker, Michael. Pushkin and Romanticism. In Ferber, Michael, ed., ''A Companion to European Romanticism''. Oxford: Blackwell, 2005. He is consid ...

's tragedy just two years earlier (in 1866). Dargomyzhsky declared that the text would be set "just as it stands, so that the inner truth of the text should not be distorted", and in a manner that abolished the 'unrealistic' division between

aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...

and

recitative Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines ...

in favour of a continuous mode of syllabic but lyrically heightened declamation somewhere between the two. In 1868, Mussorgsky rapidly set the first eleven scenes of ''Zhenitba'', with his priority being to render into music the natural accents and patterns of the play's naturalistic and deliberately humdrum dialogue. Mussorgsky's aim was to create individual musical signatures for each character using the natural rhythms of the text. The composer noted: :I would very much like my characters on the stage to speak like living people, and in such a manner that the character and force of the intonation, supported by the orchestra and forming the background for their speech, would gain its object, that is, my music must be the artistic reproduction of human speech in all its subtle nuances. The first act was completed in 1868 in a

vocal score The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound producti ...

and the composer noted, that summer: :I have completed the first act. It rained without stopping for three days running and I worked without stopping in keeping with the weather. ''The Marriage'' gave me not a minute of calm – so I wrote it. The score is inscribed with the following details: "The work began on Tuesday, June 11, 1868 in Petrograd (

St. Petersburg Saint Petersburg, formerly known as Petrograd and later Leningrad, is the second-largest city in Russia after Moscow. It is situated on the River Neva, at the head of the Gulf of Finland on the Baltic Sea. The city had a population of 5,601, ...

), and was finished on Tuesday, July 8, 1868 in the village Shilovo,

Tula Oblast Tula Oblast () is a federal subjects of Russia, federal subject (an Oblasts of Russia, oblast) of Russia. It is geographically located in European Russia and is administratively part of the Central Federal District, covering an area of . It has a ...

." ''The Marriage'' was one of Mussorgsky's first musical masterpieces. According to one critic, it was an experiment in Russian opera that used "satirical, grotesque musical language, with all its jolting contrasts and exaggerations, when the composer, in the best Russian-Petersburg tradition, mocks his characters but at the same time 'weeps' over them." Volkov, Solomon (1995).
St. Petersburg: A Cultural History
'. Translated by Antonina W. Bouis. New York: Free Press Paperbacks. p. 80. .

Performance history

;1868, Saint Petersburg – Private performance An early performance with Mussorgsky's participation took place in 1868 in the home of

César Cui César Antonovich Cui (; ; ; 26 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers combined by the idea of creating a specifically Russian type of music. As an officer o ...

. Nadezhda Purgold accompanied on the piano. The cast included Modest Mussorgsky (Podkolyosin),

(Kochkaryov), Aleksandra Purgold (Fyokla Ivanovna), and Konstantin Velyaminov (Stepan). Aleksandra Purgold (later Molas) was the sister of Nadezhda Purgold (later Rimskaya-Korsakova). ;1906, Saint Petersburg – Private performance A later private performance took place in the home of

Nikolai Rimsky-Korsakov Nikolai Andreyevich Rimsky-Korsakov. At the time, his name was spelled , which he romanized as Nicolas Rimsky-Korsakow; the BGN/PCGN transliteration of Russian is used for his name here; ALA-LC system: , ISO 9 system: .. (18 March 1844 – 2 ...

. Nadezhda Purgold was now Nadezhda Rimskaya-Korsakova, through marriage to the composer; she again accompanied on the piano. The cast included Sigizmund Blumenfeld (Podkolyosin), A. P. Sandulenko (Kochkaryov), Sonya Rimskaya-Korsakova (Fyokla Ivanovna), and Gury Stravinsky (Stepan). Sigizmund Blumenfeld was the brother of conductor

Felix Blumenfeld Felix Mikhailovich Blumenfeld (; – 21 January 1931) was a Russian and Soviet composer and conductor of the Imperial Opera St-Petersburg, pianist, and teacher. He was born in Elisavetgrad, which was in 2016 renamed to Kropyvnytskyi (in pr ...

, Sonya Rimskaya-Korsakova was the daughter of Nikolai and Nadezhda Rimsky-Korsakov, and Gury Stravinsky was the brother of composer

Igor Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century c ...

. ;1908, Moscow – World premiere The first professional public performance took place on 12 December 1908 in the Great Hall of the Nobility in Moscow. The Rimsky-Korsakov edition (1908) was performed. Production personnel included Arkady Kerzin (producer). D. Veyss (Weiss) accompanied on the piano. The cast included

Vladimir Lossky Vladimir Nikolaievich Lossky (; 1903–1958) was a Russian Orthodox theologian exiled in Paris. He emphasized '' theosis'' as the main principle of Eastern Orthodox Christianity. Biography Vladimir Nikolaievich Lossky was born on 8 June ( OS 26 M ...

(Podkolyosin), Fyodor Ernst (Kochkaryov), Serafima Selyuk-Roznatovskaya (Fyokla Ivanovna), and Khristofor Tolkachev (Stepan). In April 1973, at Cornell University's Barnes Hall, a Readers' Theater performance in Leonard Lehrman's English translation was presented in class with George Gibian as Podkolyossin, William Austin as Kotchkaryov, Laurel Fay as Fyokla Ivanovna and Jerry Amaldev as Stepan, with Leonard Lehrman at the piano. Alexander Tcherepnine subsequently asked Lehrman to translate into his English his completion of the opera. The work is still in progress.

Publication history

*1908,

edition by Nikolai Rimsky-Korsakov, V. Bessel and Co., St. Petersburg *1933, vocal score, original composer's version in the second issue of Volume IV of the ''Complete Works by M. P. Mussorgsky'',

Muzgiz P. Jurgenson (in Russian: П. Юргенсон) was, in the early twentieth century, the largest publisher of classical sheet music in Russia. History Founded in 1861, the firm — in its original form, or as it was amalgamated in 1918 with ...

together with

Universal Edition Universal Edition (UE) is an Austrian classical music publishing firm. Founded in 1901 in Vienna, it originally intended to provide the core classical works and educational works to the Austrian market. The firm soon expanded to become one of t ...

, Moscow

Roles

Synopsis

:''Time:'' :''Place:'' ;Scene 1 The idle bachelor Podkolyosin attempts to find a wife: "Well, when one considers carefully, one sees that marriage can be very useful." He currently leads a chaotic life, with his poor servant, Stepan, constantly at his beck and call. ;Scene 2 A marriage broker, Fyokla Ivanovna, arrives to give Podkolyosin details of a girl she has chosen for him. However, he is more interested in her dowry: "And what kind of dowry will I receive? Let's start from the beginning and discuss the dowry ..." He also worries that she is not sufficiently highly bred for him: "I don't suppose she is the daughter of an Officer?... So, is this really the best bargain?" Fyokla suggests that he can't afford be fussy with his poor looks and greying hair! ;Scene 3 Unexpectedly Kochkaryov, Podkolyosin's best friend, turns up and is angry to see the marriage broker. He complains that she has married him off to a troublesome, bossy woman. He sends her away, and decides to take over the match-making duties himself. ;Scene 4 He paints an idealistic and hassle-free picture of married life for his friend: "There will be a bird in its cage and some embroidery. Just imagine yourself in your chair, quiet and serene and at your side a little caressing woman, all round and pretty. Her hand will stroke you ... like this ..." A reluctant Podkolyosin resists Kochkaryov's demands that he at least visit the girl: "Leave it for now ... come on, we'll go tomorrow." And Kochkaryov answers: "You're an idiot and coward! You are even worse ... you're a sissy and an ass!" And Kochkaryov literally shoves Podkolesin out of the door of his apartment. Here the 1st act ends.

Versions by other hands

Recordings

References

;Notes

External links

*
The Musical Pointers' review

Première by Sokhiev (Nagovitsin orchestration) – review
{{Authority control Operas by Modest Mussorgsky Russian-language operas Operas based on works by Nikolai Gogol Unfinished operas 1868 operas Operas Operas completed by others Operas based on plays