Zheng Guogu
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Zheng Guogu (, born 1970) is an artist based in
Yangjiang Yangjiang (), alternately romanized via Cantonese as Yeungkong, is a prefecture-level city in southwestern Guangdong Province in the People's Republic of China. It borders Maoming to the west, Yunfu to the north, Jiangmen to the east, and loo ...
in the
Guangdong province ) means "wide" or "vast", and has been associated with the region since the creation of Guang Prefecture in AD 226. The name "''Guang''" ultimately came from Guangxin ( zh, labels=no, first=t, t= , s=广信), an outpost established in Han dynasty ...
of
China China, officially the People's Republic of China (PRC), is a country in East Asia. With population of China, a population exceeding 1.4 billion, it is the list of countries by population (United Nations), second-most populous country after ...
, one of three artists in the
artist collective An artist collective or art group or artist group is an initiative that is the result of a group of artists working together, usually under their own management, towards shared aims. The aims of an artist collective can include almost anything t ...
known as
Yangjiang Group The Yangjiang Group is a Chinese artist collective founded in 2002 by Zheng Guogu (born 1970), Chen Zaiyan (born 1971), and Sun Qinglin (born 1974). The group's name takes after their hometown in Yangjiang, Guangdong Province. The Yangjiang Group' ...
. In 1992, he graduated from the printmaking department of the
Guangzhou Academy of Fine Arts The Guangzhou Academy of Fine Arts (GAFA; ; also known as Guangzhou Institute of Fine Arts) is a Chinese national university based in Guangzhou which provides doctoral, master and bachelor's degrees in fine arts and design.It is the only fine art ...
. Guogu makes work in different media including
photography Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is empl ...
, installation,
painting Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with ...
and
sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...
. His photographic work questions the post-
Cultural Revolution The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a Social movement, sociopolitical movement in the China, People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until his de ...
generation’s attitudes to the world around them and has used of
contact sheet A contact print is a photographic image produced from Photographic film, film; sometimes from a film negative (photography), negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or ...
s to make
storyboard A storyboard is a graphic organizer that consists of simple illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding proce ...
-like images. Guogu ives and works in Yangjiang, Guangdong province. He was the winner of the 2006 Chinese Contemporary Art Reward.


Early life

Zheng Guogu was born in 1970 in Yangjiang, in the southwest part of Guangdong province. Known for its knife and scissor factories, it is situated on the edge of the China South Sea. Yangjiang became a town in 1988 when farmers and others from the outlying rural areas were encouraged to move there to participate in a new economic enterprise zone. Zheng Guogu comes from an artistic family. His father is a traditional instrument maker and a singer, who has at times worked for the Hong Kong Opera, a five-hour drive east from Yangjiang. During the years that Zheng Guogu was growing up, things were already changing in China as the Maoist period receded into the past and the country opened up to the rest of the world. He and his generation had access to the West and Hong Kong through television, pirated CVDs of Hollywood films and computer games. So although he was physically isolated, he was accessing the West, albeit virtually, at a young enough age so as to take these new experiences and freedoms for granted. He attended the Guangdong Academy of Art in Guangzhou, China's third culture capital, with a focus on printmaking. While a student there, he was introduced to a slightly older group of artists that formed the Big Tail Elephant Group (Lin Yilin, Chen Shaoxiong, Xu Tan and Liang Juhui) in 1991, and they encouraged the younger artist to experiment with performance and conceptual art.


Artist profile

Zheng Guogu is one among a growing number of postmodern artists who have been reacting to the rapid shifts taking place in China over the past ten years by giving artistic shape to the phases of social and economic transformation. What distinguishes him is his commitment to the local culture of his hometown and his role in directing attention to it, while engaging with trends in global contemporary art. The international art world has fallen in love with contemporary Chinese art, and somehow Zheng Guogu, although often included in group exhibitions in Asia and Europe, has not been singled out often enough. He juggles fact with fiction or myth, while controlling the entry points to his community for visitors from the art world, who make the trek to visit him in the small town where he lives and works.


"Through Popular Expression" display

Zheng Guogu’s works in his "Through Popular Expression" display are the response of the artist to commercial trends. His work ''Computer controlled by pig’s brain No. 59'' belongs to his series ''Computer controlled by pig’s brain'' (豬腦控制電腦). Put on the leatherette-canvas, the elements engender a corresponding ‘fancy’ effect. The ''Computer controlled by pig’s brain'' series is a refraction of how the media is overflowing and stimulating our everyday life. In this series, Zheng uses different elements of Hong Kong pop-culture magazines, which address people’s senses and their attraction to our consumerist branding culture. The M+ Museum has ''Computer controlled by pig’s brain No. 44'', one of the works in this series, in its permanent collection. Sewing for another two thousands years is a textile work and part the needlepoint series, typical of his style in which traditional canvas-painting takes on the traits of embroidered carpet or wallpaper. The One hundred and fifty 10000 customers series was made as an homage to Hans van Dijk, the late Dutch curator who had a major influence in Chinese art after 1985, and a challenge to the contemporary art market to find 10,000 buyers for this series of works which, theoretically, consists of as many pieces. Each single work shows a daily news image composed out of a grid of hundreds of small photos of motorcycles. 150 different pieces together shows the massiveness of our volume-oriented, consumer culture. Zheng Guogu’s works aren’t judgments or counter-attacks, they are just enlargements of our reality


Selected exhibitions

2019 ''Zheng Guogu: Visionary Transformation'', MoMA PS1, New York 2016 ''Chinese Whispers'', Museum of Fine Arts Bern, Bern, Switzerland ''Unwritten Rules Cannot Be Broken '', Guggenheim Museum, New York 2007 ''The Real Thing: Contemporary Art from China'', Tate Liverpool, UK 2006 ''Through Popular Expression'', The University of Central England in Birmingham, UK ''Take Down'', Beijing Kunstmuseum Bern, Switzerland 2005 ''Out of Sight'', Amsterdam ''Puzzle—It is from Yangjiang'', Grace Alexander Contemporary Art Gallery, Switzerland ''Millennium'', Mori Art Museum, Tokyo 2004 ''A l’ouest du sud de l’est'', Center of Contemporary Art, Sète/Villa Arson in Nice, France ''From China'', ICP International Center of Photography, New York ''My Home Is Your Museum'', Vitamin Creative Space, Guangzhou 2003 ''50th Biennale di Venezia'', Venezia, Italy 2002 ''Paris-Pekin'', Espace Pierre Cardin, Paris ''Are You Going to Enjoy Calligraphy or Measure Blood Pressure?'' Shanghai 2000 ''More Dimensional'', Caaw, Beijing 2001 Hamburger Bahnhof Museum für Gegenwart, Berlin Art Forum


Individual Pieces Of Work

* Guogu's piece titled "Ad, Rust For Another Two Thousand Years (set of 33, various sizes)"—auction results


References


External links

*Zheng Guogu o
ArtNet.comZheng Guogu at 88MoCCA: The Museum of Chinese Contemporary Art on the Web
*Further information, texts and images from th

*Additional information o
ChinaArtNetworks.com
{{DEFAULTSORT:Zheng, Guogu Painters from Guangdong Chinese photographers Living people 1970 births People from Yangjiang Chinese contemporary artists