Young Men's Institute Building, also known as the YMI Building, is a historic
meeting hall
In architecture, a hall is a relatively large space enclosed by a roof and walls. In the Iron Age and the Early Middle Ages in northern Europe, a mead hall was where a lord and his retainers ate and also slept. Later in the Middle Ages, the gre ...
located at
Asheville
Asheville ( ) is a city in Buncombe County, North Carolina, United States. Located at the confluence of the French Broad and Swannanoa rivers, it is the county seat of Buncombe County. It is the most populous city in Western North Carolina a ...
,
. It was designed by architect
Richard Sharp Smith
Richard Sharp Smith (July 7, 1853 – February 8, 1924) was an English-born American architect, noted for his association with George Washington Vanderbilt II, George W. Vanderbilt's Biltmore Estate and Asheville, North Carolina. Smith worked f ...
and built in 1892–1893. It is a -story,
pebbledash
Roughcast and pebbledash are durable coarse plaster surfaces used on outside walls. They consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. The materials are mixed into a slurry and are then thrown ...
coated masonry building with brick, stone, and wood accents. From its early days, the YMI building has housed shops, residence rooms, meeting rooms, and a wide variety of functions serving the African American community of Asheville.
The building was restored and reestablished as the YMI Cultural Center in 1980, and now hosts a variety of intercultural programs and events.
It is located in the
Downtown Asheville Historic District.
History
The YMI was built after African American leaders Mr.
Isaac Dickson and
Dr. Edward S. Stephens originally approached
George Vanderbilt in 1892 to commission the building for the African American men who helped build the
Biltmore Estate
Biltmore Estate is a historic house museum and tourist attraction in Asheville, North Carolina, United States. The main residence, Biltmore House (or Biltmore Mansion), is a Châteauesque-style mansion built for George Washington Vanderbilt II ...
. While living in Asheville, Dr. Stephens was frustrated with racial discrimination he witnessed and the perception from white Asheville residents that black people were not capable of being self-reliant or assuming the responsibilities of citizenship.
George Vanderbilt and his estate superintendent Charles McNamee agreed to fund the YMI and provide an opportunity for black leaders to "demonstrate their ability to learn the art of self-government." In providing funding to the YMI, Vanderbilt's goal was to test whether the YMI could achieve financial solvency, and thereby show that the black community could self-govern. Economic self sufficiency was challenging to the black community in Asheville, however, in these post-civil war years, as they faced discrimination and wage disparity in the service sector jobs available.
The YMI was designed to serve as a multipurpose space, with meeting spaces, a library and reading room, and a gymnasium. Programming in its early days included lectures by prominent African Americans, as well as musical and dramatic performances. A musical chorus and orchestra were formed early on, and YMI officials also sought to bring performers from the wider regional and national arts scene to the area, succeeding in attracting Elizabeth Davis,
Joseph Douglass, and "Queen of Song"
Flora Batson in 1895.
Entrepreneurial activities were also supported in the space: the outside ground floor was dedicated as retail and business space for black-owned businesses. Rent from businesses was intended to defray expenses, contribute to payment of the loan from the building's construction, and make the YMI financially self-sustaining.
In June 1906, the YMI's Board of Directors purchased the building from the Vanderbilt Estate for $10,000.
The YMI continued to flourish during the period of segregation, but suffered decline in use during the 1960s and 1970s. In 1980, a coalition of nine black churches purchased the building and reestablished it as the YMI Cultural Center.
The building has been listed on the
National Register of Historic Places
The National Register of Historic Places (NRHP) is the Federal government of the United States, United States federal government's official United States National Register of Historic Places listings, list of sites, buildings, structures, Hist ...
since 1977.
Current use
The YMI Cultural Center continues both to provide a home for local businesses and to host a variety of cultural programs and exhibitions of art and artifacts in order to preserve the heritage of African Americans in Buncombe County. Permanent exhibitions feature African masks and sculpture, drawings by the African-American artist
Charles W. White, and a photographs that highlight the history of the YMI and its ties to the building and history of Biltmore Estate.
References
External links
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{{National Register of Historic Places in North Carolina
African-American history of North Carolina
Clubhouses on the National Register of Historic Places in North Carolina
Buildings and structures completed in 1893
Buildings and structures in Asheville, North Carolina
National Register of Historic Places in Buncombe County, North Carolina
Historic district contributing properties in North Carolina
Tourist attractions in Asheville, North Carolina
Tourist attractions in Buncombe County, North Carolina
Brick buildings and structures in North Carolina