''You Were Never Lovelier'' is a 1942 American
musical
Musical is the adjective of music.
Musical may also refer to:
* Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance
* Musical film
Musical film is a film genre in which songs by the Character (arts), charac ...
romantic comedy
Romantic comedy (also known as romcom or rom-com) is a sub-genre of comedy and Romance novel, romance fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount all obstacles. Ro ...
film directed by
William A. Seiter and starring
Fred Astaire and
Rita Hayworth. The supporting cast also features
Adolphe Menjou,
Xavier Cugat and
Adele Mara. The music was composed by
Jerome Kern and the lyrics by
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Wallichs Music Cit ...
.
The picture was released by
Columbia Pictures
Columbia Pictures Industries, Inc., Trade name, doing business as Columbia Pictures, is an American film Production company, production and Film distributor, distribution company that is the flagship unit of the Sony Pictures Motion Picture Group ...
and includes the elaborate "Shorty George" and romantic "I'm Old Fashioned" song and dance sequences.
The film, a
Hollywood remake of the 1941
Argentine
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their ...
romantic comedy ''
Los martes, orquídeas'' (''On Tuesdays, Orchids''), is set in
Buenos Aires
Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
.
Plot
Robert "Bob" Davis is a well-known American dancer with a weakness for betting on the horses. After he loses his money gambling in
Buenos Aires
Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
, he goes looking for a job with Eduardo Acuña, the wealthy owner of a nightclub. Acuña, however, does not wish to see him. Bob's friend, bandleader
Xavier Cugat, invites him to perform at the wedding of Acuña's eldest daughter, Julia. Acuña insists his daughters must wed in order of age, from oldest to youngest. Maria is next in line to get married but refuses to, much to the disappointment of her two younger sisters, Cecy and Lita, who both have boyfriends and want to marry as soon as possible.
During Julia's wedding reception, Bob is attracted to Maria, but his advances are rebuffed by her, and she refuses to speak to him. While talking with Acuña, Bob remarks that Maria's personality is like "the inside of a refrigerator". Aware of his younger daughters' plight, Acuña works out a plan: he sends orchids and anonymous love notes from a supposed secret admirer to Maria to help get her in the mood. One day, when Bob once again tries to see Acuña at his office, Acuña orders the unseen Bob, mistakenly assuming him to be a bellboy, to deliver the latest note and flower. Maria, who by now is feeling amorous and eagerly awaiting the next love letter from her secret admirer, sees Bob dropping off the note and flower and assumes that he is her admirer. When Maria sees Bob at her father's office, she asks her father to introduce them and invite Bob to dinner. At the dinner, after Mrs. Acuña almost shoots Bob, Maria invites Bob to the garden, where they dance. Finding that Maria is truly in love with Bob, Mr. Acuña makes a deal with Bob: in exchange for a contract to perform at the club at some later, unspecified date, Bob will court Maria and repel her with his "obnoxious" personality.
Despite Bob's efforts to disappoint Maria, the two quickly fall in love. With his plan gone awry, Acuña orders Bob to leave Buenos Aires. At the Acuña's 25th anniversary, Mr. Acuña plans to compose a farewell love note from Bob while Cecy and Lita try to separate Bob and Maria, but fail. Mrs. Acuña sees him writing the note in his office and accuses him of cheating on her with another Maria, her dear friend Maria Castro. While Mr. Acuña tries to defend himself, Bob and Maria come into the office, where Bob has to confess that he has not been writing the love letters to Acuña's daughter, disappointing Maria, who apologizes to Maria Castro.
Impressed by Bob's behavior, Acuña grants him permission to begin dating Maria. After repeated deliveries of flowers fail to impress Maria, Bob asks for Mr. Acuña's help, who tells him about
Lochinvar, a fictional knight who was Maria's first love interest. Bob imitates him and tries to dance, which impresses Maria who decides to forgive Bob and stay with him.
Cast

*
Fred Astaire as Bob Davis
*
Rita Hayworth as Maria Acuña
*
Adolphe Menjou as Eduardo Acuña
*
Isobel Elsom as Maria Castro
*
Leslie Brooks as Cecy Acuña
*
Adele Mara as Lita Acuña
*
Xavier Cugat as himself
*
Gus Schilling as Fernie, Acuña's secretary
*
Barbara Brown as Mrs. Delfina Acuña, Eduardo's wife
* Douglas Leavitt as Juan Castro, Maria's husband
*
Mary Field as the Acuña Maid
Production
The film was the second of two films starring the duo of Astaire and Hayworth, following the box-office success of the previous year’s ''
You'll Never Get Rich''. The new film avoided the wartime themes of the previous film, while benefiting from lavish production values – a consequence of the box-office success of the earlier film. Kern created a
standard with "
I'm Old Fashioned". Initially, Kern was unhappy about the selection of Cugat and his orchestra; however, when production was complete, he was so pleased with the band's performance that he presented Cugat with a silver baton. Although Hayworth had a fine voice,
Harry Cohn insisted on her singing being dubbed throughout by
Nan Wynn.
The film is a reworking of the 1941 Argentine musical ''
Los martes, orquídeas'' (''On Tuesdays, Orchids'') directed by
Francisco Múgica.
It follows the usual conventions established by Astaire in his earlier musicals, such as an anti-romantic first meeting between the two leads, a virtuoso dance solo for Astaire, a playful dance duet and a romantic dance duet.
Key songs/dance routines
The film's dance director was Val Raset, the only time he collaborated with Astaire, and his choreographic input into the film is unclear. According to Astaire’s biography, he worked out all the numbers with Hayworth while rehearsing above a funeral parlour. Although the setting is a Latin one, Kern felt unable to compose in this style, but Astaire was determined to continue his exploration of
Latin dance, which he did with the help of special arrangements by Cugat and Murphy, and the inspiration provided by the enthusiastic and talented Hayworth. This became an important counterbalance to Kern’s tendency to compose sweet, occasionally saccharine, melodies. Hayworth's performance here establishes her claim as one of Astaire’s foremost dance partners.
* "Chiu Chiu": Cugat’s band performs this showpiece
samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or ...
with music and lyrics by
Nicanor Molinare sung and danced by
Lina Romay,
Miguelito Valdés and chorus in front of Astaire.
* "Dearly Beloved": Kern & Mercer’s
ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Eur ...
became a major hit for Astaire – who sings it here – and it was nominated for an
Academy Award for Best Original Song
The Academy Award for Best Original Song is one of the awards given annually to people working in the Film industry, motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the ''songwriters'' who h ...
. Shortly after, Hayworth (singing dubbed by
Nan Wynn) reprises the song with a brief but erotic dance, alone in her bedroom.
* "Audition Dance": "One of my best solos" was Astaire's verdict on his first solo routine on the theme of Latin dance, celebrated for its comic inventiveness and dexterity. Astaire’s number also inspired
Jerome Robbins’ solo Latin dance in the latter’s first
ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
''Fancy Free'', created in 1944.
* "
I'm Old Fashioned": A Kern melody, with Mercer’s lyrics mimed by Hayworth, inspires Astaire’s second Latin romantic partnered dance, and one of his best known. This dance was chosen by Jerome Robbins as the centerpiece to his
ballet of the same name, created by him for the
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's fir ...
in 1983, as a tribute to Astaire.
* "The Shorty George": Required more rehearsal time than all other dances together.
A synthesis of
American Swing or
Jive, and virtuoso
tap dancing by Astaire and Hayworth, both in top form and exuding a sense of fun in an arrangement by Lyle "Spud" Murphy. The title refers to a popular dance step of the time, attributed to
George "Shorty" Snowden, a champion
African-American dancer at
Harlem
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street on the north; Fifth Avenue on the east; and Central Park North on the south. The greater ...
’s
Savoy Ballroom and reputed inventor of the
Lindy Hop or
Jitterbug dance styles. Here, as in the "
Pick Yourself Up" and "Bojangles of Harlem" numbers from ''
Swing Time'', Kern belied his claim that he couldn't write in the
Swing style.
* "Wedding in the Spring": Overly sweet and soppy number performed tongue-in-cheek by Cugat’s band.
* "You Were Never Lovelier": A Kern melody, Mercer lyrics, sung by Astaire to Hayworth, with a celebratory dance reprise at the film’s end, initiated by an armour-suited Astaire falling off a horse, and shedding his knight’s armour, only to reveal himself in white tie and tails. According to Astaire, the original dance number that followed the song was cut from the film after the preview as the studio felt it "held up the story".
* "These Orchids": Cugat's band provides an orchestral serenade in
rumba style to Hayworth outside her bedroom window with this Kern melody.
Award nominations
The following received
Academy Award
The Academy Awards, commonly known as the Oscars, are awards for artistic and technical merit in film. They are presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) in the United States in recognition of excellence ...
nominations:
*
Leigh Harline:
Music (Scoring of a Musical Picture)
*
Jerome Kern (music) and
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Wallichs Music Cit ...
(lyrics) for
Music (Song), for "Dearly Beloved"
*
John P. Livadary:
Sound Recording
Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of ...
References
Bibliography
* Fred Astaire: ''Steps in Time'', 1959, multiple reprints.
* John Mueller: ''Astaire Dancing - The Musical Films of Fred Astaire'', Knopf 1985,
External links
*
*
*
{{William A. Seiter
1942 films
1942 musical comedy films
1942 romantic comedy films
1940s American films
1940s English-language films
1940s romantic musical films
American black-and-white films
American musical comedy films
American remakes of Argentine films
American romantic comedy films
American romantic musical films
Columbia Pictures films
Comedy film remakes
Films directed by William A. Seiter
Films set in Argentina
Films set in Buenos Aires
Films scored by Leigh Harline
Musical film remakes
Romance film remakes
English-language romantic comedy films
English-language romantic musical films
English-language musical comedy films