Yishay Garbasz
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Yishay Garbasz (; born 1970, Israel) is an interdisciplinary artist who works in the fields of photography,
performance A performance is an act or process of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Performance has evolved glo ...
and installation. Her main field of interest is trauma and the inheritance of post-traumatic memory. She also works on issues of identity and the invisibility of transgender women. She studied photography with Stephen Shore at
Bard College Bard College is a private college, private Liberal arts colleges in the United States, liberal arts college in Annandale-on-Hudson, New York. The campus overlooks the Hudson River and Catskill Mountains within the Hudson River Historic District ...
between 2000 and 2004. Garbasz received the Thomas J. Watson Fellowship in 2004/2005. She has lived in Berlin since 2005, and has also lived in Taiwan, Thailand, Japan, Korea, Israel, The United States and England. Despite having suffered
epoxy Epoxy is the family of basic components or Curing (chemistry), cured end products of epoxy Resin, resins. Epoxy resins, also known as polyepoxides, are a class of reactive prepolymers and polymers which contain epoxide groups. The epoxide fun ...
poisoning in 2014, from which she developed occupational asthma and chronic lung problems, she is also Germany's first trans woman triathlete. Garbasz has learned to write at the age of 25 at Landmark College. She is openly
lesbian A lesbian is a homosexual woman or girl. The word is also used for women in relation to their sexual identity or sexual behavior, regardless of sexual orientation, or as an adjective to characterize or associate nouns with female homosexu ...
.


Notable works

2004–2009 In her piece ''In my Mother's Footsteps'' the artist explores her inherited traumatic memories from her mother's
Holocaust The Holocaust (), known in Hebrew language, Hebrew as the (), was the genocide of History of the Jews in Europe, European Jews during World War II. From 1941 to 1945, Nazi Germany and Collaboration with Nazi Germany and Fascist Italy ...
experiences. For the project, the artist visited every single place her mother's life touched during that period. The project consisted of an exhibition (Tokyo Wonder Site, 2009, Wako Works of Art, 2009, and Busan Biennale 2010) and a book. This book was nominated for the German photo book prize in 2009. As of June 2017, the project had never been shown in Germany. 2008–2010 In her project ''Becoming,'' Garbasz explores her own body and the changes in her body one year before to one year after her gender affirmation surgery through the creation of a human-scale
zoetrope A zoetrope is a Precursors of film#Modern era, pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of ...
. That project was also a
flip book A flip book, flipbook, flicker book, or kineograph is a booklet with a series of images that very gradually change from one page to the next, so that when the pages are viewed in quick succession, the images appear to animate by simulating moti ...
published in 2010 by Mark Batty Publisher. The project was also included in the Busan Biennale 2010. She was awarded the Berlin Woman Filmmaker of the Year award for this. 2010 In "Eat Me Damien," Garbasz looks and pokes fun at the predatory practices of both the art world and world commerce. In this work the artist puts her testicles removed during gender clarification surgery in a fish tank with formaldehyde, reminiscent of
Damien Hirst Damien Steven Hirst (; né Brennan; born 7 June 1965) is an English artist and art collector. He was one of the Young British Artists (YBAs) who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingdom's richest ...
's shark. Shown at Seven at Miami Art Fair. Garbasz has stated that she always planned to use the genitals in some way, and that this particular idea won out due to its title. 2011 In the ''Number Project'' Garbasz brands herself with the Auschwitz number of her mother. In the same location and size, she photographed her arm as well as herself over the month as the flesh almost heals. This is a social project looking to link the number after her mother's death to daily life in order to create a link with the past and not lose something that was forming in her mother's life. 2014 ''Ritual and Reality'' explores the trauma from the nuclear catastrophe in Fukushima. Color photographs and videos (each a 9 to 12 minute single take) are accompanied by an audio guide that describes Garbasz's three-week journey through the Fukushima exclusion zone in 2013 as well as the more general consequences of the nuclear disaster. 2015 ''Severed Connections: Do what I say or they will kill you'' is an exploration of how fences as physical barriers create fear that allows governments to manipulate their people. This work was exhibited at the Ronald Feldman Gallery in New York in 2015. It centers around her travels to
Korea Korea is a peninsular region in East Asia consisting of the Korean Peninsula, Jeju Island, and smaller islands. Since the end of World War II in 1945, it has been politically Division of Korea, divided at or near the 38th parallel north, 3 ...
,
Belfast Belfast (, , , ; from ) is the capital city and principal port of Northern Ireland, standing on the banks of the River Lagan and connected to the open sea through Belfast Lough and the North Channel (Great Britain and Ireland), North Channel ...
, and the
West Bank The West Bank is located on the western bank of the Jordan River and is the larger of the two Palestinian territories (the other being the Gaza Strip) that make up the State of Palestine. A landlocked territory near the coast of the Mediter ...
where warring groups' close proximity is only separated by such barriers. She used a combination of photography, video, and sculpture for the exhibition. In an interview Garbasz says that the fences are about "othering" and that "the less contact you have, the easier it is to make the other a monster", hearkening back to her personal struggles as a trans woman.


References


External links

* http://yishay.com/ (Artist homepage - older art works) * * * http://www.juedische-allgemeine.de/article/view/id/4994 (article in German) * {{DEFAULTSORT:Garbasz, Yishay 1970 births Living people Feminist artists Jewish feminists Jewish women artists Israeli political artists Transgender Jews Transgender photographers Transgender women artists German women artists German transgender artists German LGBTQ photographers German transgender women 21st-century Israeli artists Israeli LGBTQ photographers Israeli transgender women 21st-century Israeli women artists Photographers from Berlin Bard College alumni Lesbian photographers Israeli lesbian artists Lesbian Jews Transgender lesbians