Yaoya Oshichi
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, literally "greengrocer Oshichi", was a daughter of the greengrocer Tarobei, who lived in the Hongō neighborhood of
Edo Edo (), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a (castle town) centered on Edo Castle located in Musashi Province, became the '' de facto'' capital of Japan from 1603 as the seat of the Tokugawa shogu ...
at the beginning of the
Edo period The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengok ...
. She was burned at the stake for attempting to commit arson. The story (see below) became the subject of '' joruri'' plays. The year of her birth is sometimes given as 1666.


Biography

In December 1682, she fell in love with Ikuta Shōnosuke (or Saemon), a temple page, during the great fire in the Tenna Era, at Shōsen-in, the family temple (danna-dera). The next year she attempted arson, thinking she could meet him again if another fire occurred. She was caught by the police and burnt at the stake in Suzugamori for her crimes. The
magistrate The term magistrate is used in a variety of systems of governments and laws to refer to a civilian officer who administers the law. In ancient Rome, a '' magistratus'' was one of the highest ranking government officers, and possessed both judi ...
at her trial, though knowing she was sixteen years old, asked her, "You must be fifteen years old, aren't you?" At the time, boys and girls under the age of sixteen were not subject to the
death penalty Capital punishment, also known as the death penalty and formerly called judicial homicide, is the state-sanctioned killing of a person as punishment for actual or supposed misconduct. The sentence ordering that an offender be punished in s ...
, and since strict family registration systems were not yet widely implemented, confirmation of age by a bureaucrat was sufficient. Misunderstanding the magistrate's intentions to try her as a minor, she replied that she was sixteen. At a loss, the magistrate asked her firmly again, "You must be fifteen years old, are you not?" Not taking the hint again, she honestly stated her age as sixteen, leaving the magistrate no alternative but to sentence her to burn at the stake.


Legacy

There is a memorial to Oshichi at
Enjō-ji is a Shingon temple in the northeast of Nara, Nara, Nara, Japan. A number of its buildings and images have been designated National Treasures of Japan, National Treasures and Important Cultural Properties of Japan, Important Cultural Propert ...
in Tokyo. Daien-ji in Tokyo has a ''Hōroku Jizō'' (ほうろく地蔵, hot pot Jizō) with a cooking pot on his head to symbolically take away the heat from the fire of the stake that Oshichi was sentenced upon. Cooking pots and origami cranes are still offered to this day. In the calendar then used in Japan, a year is known by five elements, and one of 12 animals. Oshichi was born in 1666, the year of the fire horse ( ''Hinoe Uma''), which recurs every 60 years. Since then, it has been thought inauspicious for a girl to be born in the year of the fire horse – and in Japan, fewer children are born in such years (the most recent being 1966).


Novels

Three years later, Ihara Saikaku described this case in the book ''Kōshoku Gonin Onna'' (English translation, ''Five Women Who Loved Love''). Twenty years after Yaoya Oshichi's death, a playwright, Ki no Kaion, took great liberties with the story to create a play for the traditional puppet theater entitled ''Yaoya Ohichi''. In 1773, three playwrights (Suga Sensuke, Matsuda Wakichi, and Wakatake Fuemi further revised Ki no Kaion's play to produce ''Date musume koi no higanoko''. In these two versions, Oshichi does not commit arson, instead she climbs a fire tower on a snowy night to ring the alarm bell to open the city gates in order to save the life of her lover, whom she cannot otherwise reach because of the nightly curfew. The penalty, however, for sounding a false fire alarm is death, a fate Oshichi chooses to face. In the puppet plays, the character of Oshichi is presented not as the seemingly impetuous, foolish girl of the historical record, but instead as a noble figure whose selfless devotion saves the man she loves. Later playwrights developed Oshichi's story for the stage: Tamenaga Tarobei in ''Junshoku Edo Murasaki'', and Tsuruya Nanboku in ''Katakiuchi Yagura daiko''.


''Bunraku'' and ''Kabuki''

A ''
kabuki is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes ...
'' play about her uses the technique called ''ningyo buri'', where the actor moves around as if a puppet. This in turn is taken from the ''
bunraku is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters) ...
'' play.


See also

* Herostratus, another classical youth arsonist.


References


External links

{{DEFAULTSORT:Oshichi 1660s births 1683 deaths Commoners of the Edo period Executed Japanese people 17th-century executions by Japan Japanese arsonists Executed Japanese women People from Chiba Prefecture Executed children People executed by Japan by burning Date of birth unknown People from Bunkyō Kabuki characters