William Pether (c. 1739 – 19 July 1821) was primarily an English

mezzotint Mezzotint is a monochrome printmaking process of the intaglio (printmaking), intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzo ...

engraver, but also decorated porcelain, made oil paintings and pastel drawings, and invented gadgets.

Life

He was born in London in 1739, and became a pupil of

Thomas Frye Thomas Frye (c. 1710 – 3 April 1762) was an Anglo-Irish artist, best known for his portraits in oil and pastel, including some miniatures and his early mezzotint engravings. He was also the patentee of the Bow porcelain factory, London, ...

, with whom he entered into a partnership in 1761. Pether was a fellow of the Incorporated Society of Artists and contributed to its exhibitions' paintings, miniatures, and engravings from 1764 to 1777. He was also an occasional exhibitor with the Free Society and the Royal Academy. He had many pupils, including

Henry Edridge Henry Edridge (1768 in Paddington – 23 April 1821 in London) was the son of a tradesman and apprenticed at the age of fifteen to William Pether, a mezzotinter and landscapist, and became proficient as a painter of miniatures, portraits ...

and Edward Dayes. He often changed his residence from London to the provinces and back again; and gradually sank into obscurity and neglect. At the beginning of the 19th century Pether appears to have settled at

Bristol Bristol () is a City status in the United Kingdom, cathedral city, unitary authority area and ceremonial county in South West England, the most populous city in the region. Built around the River Avon, Bristol, River Avon, it is bordered by t ...

, where he made a living as a drawing-master and picture-cleaner; and there he engraved portraits of

Edward Colston Edward Colston (2 November 1636 – 11 October 1721) was an English merchant, Atlantic slave trade, slave trader, philanthropy, philanthropist and Tories (British political party), Tory Member of Parliament. Colston followed his father in th ...

the slave trader and Bristol benefactor, after Jonathan Richardson the Elder, and Samuel Syer, the historian of Bristol (1816). His nephew was the eminent landscape painter Abraham Pether (1752–1812). Pether died in Montague Street, Bristol, on 19 July 1821, aged 82 or 83, having long been forgotten in the art world.

Works

In 1762 he engraved Frye's portrait of George III in three sizes, and during the following fifteen years executed engravings after English, Dutch, and Italian masters, especially

Rembrandt Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in ...

and

Joseph Wright of Derby Joseph Wright (3 September 1734 – 29 August 1797), styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as "the first professional painter to express the spirit of the Industrial Revolution". Wr ...

, with strong effects of light and shade. His plates of ''The Jewish Bride'', 1763, ''Jewish Rabbi'', 1764, ''Officer of State'', 1764, and ''Lord of the Vineyard'', 1766, after Rembrandt, and ''A Lecture on the Orrery'', 1768, ''Drawing from the Gladiator'', 1769, ''The Hermit'', 1770, and ''The Alchymist'', 1775, after Wright, were noted as mezzotint work. Pether engraved altogether about fifty plates, some of which were published by

John Boydell John Boydell ( ; – 12 December 1804) was an English publisher noted for his reproductions of engravings. He helped alter the trade imbalance between Britain and France in engravings and initiated an English tradition in the art form. A former ...

, but the majority by himself at various addresses in London. Pether was also a miniaturist and painted some life-sized portraits in oil, three of which— Sarah Bates the singer, the brothers Smith of Chichester, and himself in Spanish dress—he also engraved. In 1777 he sent his own portrait with the disguised title, ''Don Mailliw Rehtep''. His last plate published in London is dated 1793, and he exhibited at the Royal Academy for the last time in 1794.

References

* *Dominika Cora, 'New Light on the Life and Work of the Mezzotint Engraver William Pether (1739–1821)',

Print Quarterly ''Print Quarterly'' is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first centuries. It is published in London four times a year, in March, June, September, and Decemb ...

, vol. XXXVIII, no.3 (September 2021) pp. 289–301. ;Attribution {{DEFAULTSORT:Pether, William 1730s births 1821 deaths English engravers People from Carlisle, Cumbria Artists from Bristol