Family
Born in Prague on 13 January 1921, he committed himself to photography in his teens. During the German occupation in World War II he documented for the Resistance atrocities in the Terezin ( Theresienstadt) concentration camp. When in 1942 the Gestapo caught up with his group Forman evaded arrest by joining a trainload of young Czechs who had been conscripted to work in labor camp in Germany. There he later contracted scarlet fever and was transferred back to Prague where he slipped away again, only to be arrested with his brother, father and Jewish mother and sent to a concentration camp. At that time the men and woman were separated and, ironically, Forman’s mother was sent to Terezin, where she stayed until liberation. Forman is survived by his only child, Jofka Forman, who now lives in the United States, where she continues to work with Forman's digital archives.Career
After the war Forman developed his interest in oriental art, contributing articles and photographs to the journal ''Nový Orient'' (''New Orient''). The subject of his first book was Chinese art in Czech collections with a text by the editor of ''Nový Orient'', Lubor Hájek. It was published in 1954 not only in Czech but also with huge success in English and German by Artia, Prague's foreign language publishing house. Werner Forman's sensitive photography and his brother Bedřich's striking design made the book an international bestseller. To satisfy the unexpected demand it had to be reissued several times in both languages. Forman's photography impressed the Chinese authorities and in 1956 the brothers were invited to spend two months visiting museums and holding seminars for Chinese photographers. The Forman brothers were later invited to visit North Korea and Vietnam on similar missions. In 1962 the People's Art Publishing House in Beijing published a volume of 268 full-page photographs taken by Werner Forman in ten museums, with captions in Chinese, English and Russian. No sooner it was completed than the whole print run was destroyed following the fall from grace of the official responsible for the project. Only a few copies of the book remain. In the years that followed Artia produced forty Werner Forman volumes including monographs on five important collections in the British Museum, with texts by their curators. These were realised due to the commitment of the publisherBooks (selected)
*1954 ''A Book of Chinese Art''. Spring Books (text by Lubor Hájek) *1955 ''Hokusai: the Man Mad-on-Drawing''. Spring Books (text by Joe Hloucha) *1956 ''Prehistoric Art''. Spring Books (text by Josef Poulík) *1956 ''Exotic Art''. Spring Books (edited by Lubor Hájek) *1957 ''Art of Far Lands''. Spring Books (edited by Lubor Hájek) *1957 ''Harunobu''. Spring Books (text by Lubor Hájek) *1957 ''Japanese Woodcuts: Early Periods''. Spring Books (text by Lubor Hájek) *1958 ''Utamaro: Portraits in the Japanese Woodcut''. Spring Books (text by Lubor Hájek) *1961 ''Tapestries from Egypt: Woven by the Children of Harrania'', Paul Hamlyn Publisher (text by Ramses Wissa Wassef) *1967 ''Lamaistische Tanzmasken: der Erlik-Tsam in der Mongolei''. Leipzig: Koehler & Amelang (text by Bjamba Rintschen) *1970 ''Assyrian palace reliefs in the British Museum''. British Museum (text by R. D. Barnett) *1972 ''Woven by Hand'', Paul Hamlyn Publisher, (text by Ramses Wissa Wassef)External links