Visual culture is the aspect of
culture
Culture ( ) is a concept that encompasses the social behavior, institutions, and Social norm, norms found in human societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, Attitude (psychology), attitudes ...
expressed in
visual images. Many academic fields study this subject, including
cultural studies
Cultural studies is an academic field that explores the dynamics of contemporary culture (including the politics of popular culture) and its social and historical foundations. Cultural studies researchers investigate how cultural practices rel ...
,
art history
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history.
Tradit ...
,
critical theory,
philosophy
Philosophy ('love of wisdom' in Ancient Greek) is a systematic study of general and fundamental questions concerning topics like existence, reason, knowledge, Value (ethics and social sciences), value, mind, and language. It is a rational an ...
,
media studies,
Deaf Studies, and
anthropology
Anthropology is the scientific study of humanity, concerned with human behavior, human biology, cultures, society, societies, and linguistics, in both the present and past, including archaic humans. Social anthropology studies patterns of behav ...
.
The field of visual culture studies in the United States corresponds or parallels the ''Bildwissenschaft'' ("image studies") in Germany.
Both fields are not entirely new, as they can be considered reformulations of issues of photography and
film theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for und ...
that had been raised from the 1920s and 1930s by authors like
Béla Balázs,
László Moholy-Nagy,
Siegfried Kracauer and
Walter Benjamin.
Overview
Among theorists working within contemporary culture, this field of study often overlaps with
film studies,
psychoanalytic theory
Psychoanalytic theory is the theory of the innate structure of the human soul and the dynamics of personality development relating to the practice of psychoanalysis, a method of research and for treating of Mental disorder, mental disorders (psych ...
,
sex studies,
queer theory
Queer theory is a field of post-structuralist critical theory that emerged in the early 1990s out of queer studies (formerly often known as gay and lesbian studies) and women's studies. The term "queer theory" is broadly associated with the study a ...
, and the
study of television; it can also include
video game studies,
comics
a Media (communication), medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of Panel (comics), panels of images. Textual devices such as speech balloons, Glo ...
,
traditional artistic media,
advertising
Advertising is the practice and techniques employed to bring attention to a Product (business), product or Service (economics), service. Advertising aims to present a product or service in terms of utility, advantages, and qualities of int ...
, the
Internet
The Internet (or internet) is the Global network, global system of interconnected computer networks that uses the Internet protocol suite (TCP/IP) to communicate between networks and devices. It is a internetworking, network of networks ...
, and any other medium that has a crucial
visual component.
The field's versatility stems from the range of objects contained under the term "visual culture", which aggregates "visual events in which information, meaning or pleasure is sought by the consumer in an interface with visual technology". The term "visual technology" refers to any media designed for purposes of perception or with the potential to augment our visual capability.
Because of the changing technological aspects of visual culture as well as a scientific method-derived desire to create taxonomies or articulate what the "visual" is, many aspects of Visual Culture overlap with the study of science and technology, including hybrid electronic media, cognitive science, neurology, and image and brain theory. In an interview with the ''
Journal of Visual Culture'', academic
Martin Jay explicates the rise of this tie between the visual and the technological: "Insofar as we live in a culture whose technological advances abet the production and dissemination of such images at a hitherto unimagined level, it is necessary to focus on how they work and what they do, rather than move past them too quickly to the ideas they represent or the reality they purport to depict. In so doing, we necessarily have to ask questions about ... technological mediations and extensions of visual experience."
"Visual Culture" goes by a variety of names at different institutions, including Visual and Critical Studies, Visual and Cultural Studies, and Visual Studies.
Pictorial Turn
In the development of Visual Studies,
WJT Mitchell's text on the "Pictorial Turn" was highly influential. In analogy to the
linguistic turn, Mitchell stated that we were undergoing a major paradigm shift in sciences and society which turned images, rather than verbal language, to the paradigmatic vectors of our relationship to the world.
Gottfried Boehm made similar claims in the German-speaking context, when talking about an "iconic turn", as did Marshall McLuhan when speaking of television in terms of creating an "intensely visual culture".
Visualism
The term "Visualism" was developed by the German anthropologist
Johannes Fabian to criticise the dominating role of vision in scientific discourse, through such terms as
observation
Observation in the natural sciences is an act or instance of noticing or perceiving and the acquisition of information from a primary source. In living beings, observation employs the senses. In science, observation can also involve the percep ...
. He points to an under theorised approach to the use of visual representation which leads to a corpuscular theory of knowledge and information which leads to their atomisation.
Relationship with other areas of study
Art history
As visual culture studies, in the United States, have begun to address areas previously studied by
art history
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history.
Tradit ...
, there have been disputes between the two fields.
[Pinotti, Somaini (2016) ''Cultura visuale'', pp.67-8] One of the reasons for controversy was that the various approaches in art history, like
formalism,
iconology,
social history of art, or
New Art History, focused only on artistic images, assuming a distinction with non-artistic ones, while in visual culture studies there is typically no such distinction.
Performance studies
Visual culture studies may also overlap with another emerging field, that of
performance studies. As "the turn from art history to visual culture studies parallels a turn from theater studies to performance studies", it is clear that the perspectival shift that both emerging fields embody is comparable.
Image studies
While the image remains a focal point in visual culture studies, it is the relations between images and consumers that are evaluated for their cultural significance, not just the image in and of itself.
Martin Jay clarifies, "Although images of all kinds have long served as illustrations of arguments made discursively, the growth of visual culture as a field has allowed them to be examined more in their own terms as complex figural artifacts or the stimulants to visual experiences."
Likewise,
W. J. T. Mitchell explicitly distinguishes the two fields in his claim that visual culture studies "helps us to see that even something as broad as the image does not exhaust the field of visuality; that visual studies is not the same thing as image studies, and that the study of the visual image is just one component of the larger field."
''Bildwissenschaft''
Though the development of ''
Bildwissenschaft'' ("image-science") in the
German-speaking world to an extent paralleled that of the field of visual culture in the United Kingdom and United States, ''Bildwissenschaft'' occupies a more central role in the
liberal arts
Liberal arts education () is a traditional academic course in Western higher education. ''Liberal arts'' takes the term ''skill, art'' in the sense of a learned skill rather than specifically the fine arts. ''Liberal arts education'' can refe ...
and
humanities
Humanities are academic disciplines that study aspects of human society and culture, including Philosophy, certain fundamental questions asked by humans. During the Renaissance, the term "humanities" referred to the study of classical literature a ...
than that afforded to visual culture. Significant differences between ''Bildwissenschaft'' and Anglophone cultural and visual studies include the former's examination of images dating from the
early modern period
The early modern period is a Periodization, historical period that is defined either as part of or as immediately preceding the modern period, with divisions based primarily on the history of Europe and the broader concept of modernity. There i ...
, and its emphasis on continuities over breaks with the past. Whereas Anglo-American visual studies can be seen as a continuation of
critical theory in its attempt to reveal power relations, ''Bildwissenschaft'' is not explicitly political. WJT Mitchell and Gottfried Boehm have had a discussion about these potential differences in an exchange of letters.
History
Early work on visual culture has been done by
John Berger
John Peter Berger ( ; 5 November 1926 – 2 January 2017) was an English art critic, novelist, painter and poet. His novel '' G.'' won the 1972 Booker Prize, and his essay on art criticism '' Ways of Seeing'', written as an accompaniment to t ...
(''
Ways of Seeing'', 1972) and
Laura Mulvey (''
Visual Pleasure and Narrative Cinema'', 1975) that follows on from
Jacques Lacan
Jacques Marie Émile Lacan (, ; ; 13 April 1901 – 9 September 1981) was a French psychoanalyst and psychiatrist. Described as "the most controversial psycho-analyst since Sigmund Freud, Freud", Lacan gave The Seminars of Jacques Lacan, year ...
's theorization of the unconscious
gaze
In critical theory, philosophy, sociology, and psychoanalysis, the gaze (French: ''le regard''), in the figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself. Since the 20th ...
. Twentieth-century pioneers such as
György Kepes and
William Ivins Jr. as well as iconic phenomenologists like
Maurice Merleau-Ponty also played important roles in creating a foundation for the discipline. For the history of art,
Svetlana Alpers published a pioneering study on ''The Art of Describing: Dutch Art in the Seventeenth Century'' (Chicago 1983) in which she took up an earlier impulse of
Michael Baxandall to study the visual culture of a whole region of early-modern Europe in all its facets: landscape painting and perception, optics and perspectival studies, geography and topographic measurements, united in a common ''mapping impulse''.
Major works on visual culture include those by
W. J. T. Mitchell,
Griselda PollockGiuliana Bruno Stuart Hall,
Roland Barthes,
Jean-François Lyotard,
Rosalind Krauss,
Paul Crowther and
Slavoj Žižek. Continuing work has been done by
Lisa Cartwright,
Marita Sturken,
Margaret Dikovitskaya,
Nicholas Mirzoeff,
Irit Rogoff and
Jackie Stacey. The first book titled Visual Culture (Vizuális Kultúra) was written by
Pál Miklós in 1976.
For history of science and technology,
Klaus Hentschel has published a systematic comparative history in which various patterns of their emergence, stabilization and diffusion are identified.
[See Klaus Hentschel]
''Visual Cultures in Science and Technology - A Comparative History''
Oxford: Oxford Univ. Press 2014.
In the German-speaking world, analogous discussions about "Bildwissenschaft" (image studies) are conducted, a.o., by Gottfried Boehm,
Hans Belting, and Horst Bredekamp. In the French-speaking world, the visual culture and the visual studies have been recently discussed, a.o., b
Maxime Boidy André GunthertGil Bartholeyns
Visual culture studies have been increasingly important in religious studies through the work of
David Morgan,
Sally M. Promey,
Jeffrey F. Hamburger, and S. Brent Plate.
See also
*
Art education
*
Art history
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history.
Tradit ...
*
Asemic writing
*
Media influence
*
Mediascape
*
Sublime
*
Visual anthropology
*
Visual communication
*
Visual ethics
*
Visual literacy
*
Visual rhetoric
*
Visual sociology
References
Further reading
*
* Alloa, Emmanuel; Cappelletto, Chiara (eds.), ''Dynamis of the Image. Moving Images in a Global World'', New York: De Gruyter, 2020.
*
*
*
* Bartholeyns, Gil (ed.) (2016), ''Politiques visuelles'', Dijon: Presses du réel, with a French translation of the Visual Culture Questionnaire (''October'' 1996) by Isabelle Decobecq. .
* Berger, John (1972). ''Ways of Seeing''. London: BBC and Penguin. ISBN 9780563122449.
* Conti, Uliano (2016), Lo spazio del visuale. Manuale sull'utilizzo dell'immagine nella ricerca sociale, Armando, Roma,
*
*
*
*
*
Oliver Grau: ''Virtual Art. From Illusion to Immersion.'' MIT-Press, Cambridge/Mass. 2003.
*
Oliver Grau, Andreas Keil (Hrsg.): ''Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound''. Fischer, Frankfurt am Main 2005.
*
Oliver Grau (Hrsg.): ''Imagery in the 21st Century''. MIT-Press, Cambridge 2011.
*
Klaus Hentschel:
Visual Cultures in Science and Technology- A Comparative History'', Oxford, Oxford Univ. Press, 2014. .
*
*
* Jay, Martin (ed.), 'The State of Visual Culture Studies', themed issue of ''Journal of Visual Culture'', vol.4, no.2, August 2005, London:
SAGE. . e
*
*
*
*
* Plate, S. Brent, ''Religion, Art, and Visual Culture''. (New York:
Palgrave Macmillan
Palgrave Macmillan is a British academic and trade publishing company headquartered in the London Borough of Camden. Its programme includes textbooks, journals, monographs, professional and reference works in print and online. It maintains offi ...
, 2002)
* Smith, Marquard, 'Visual Culture Studies: Questions of History, Theory, and Practice' in
Jones, Amelia (ed.) ''A Companion to Contemporary Art Since 1945'', Oxford:
Blackwell, 2006.
* Yoshida,Yukihiko, ''Leni Riefenstahl and German Expressionism: A Study of Visual Cultural Studies Using Transdisciplinary Semantic Space of Specialized Dictionaries'', Technoetic Arts: a journal of speculative research (Editor Roy Ascott),Volume 8, Issue3,intellect,2008
*
External links
''Journal of Visual Culture''''Publisher's Website''''Visual Studies'' journal''Culture Visuelle'' social media viz.: Rhetoric, Visual Culture, PedagogyWilliam Blake and Visual Culture: A Special Issue of the Journal ''Imagetext''* Material collection from
', by Professor Martin Irvine
Visual Culture CollectiveDuke University Visual Studies InitiativeGoldsmiths Visual Cultures Department
Visual Studies @ University of HoustonInternational Visual Sociology AssociationVisual Studies @ University of California, IrvineCentre for Visual & Cultural Studies, Edinburgh College of Art, ScotlandVisual Studies @ University of California, Santa Cruz*
Contemporary International Visual CultureVisual Culture and Communication @ Zurich University of the ArtsSciences et Cultures du Visuel @ University of Lille''Master SCV''
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Cultural studies