Virtuality is a concept with a long history in
philosophy
Philosophy ('love of wisdom' in Ancient Greek) is a systematic study of general and fundamental questions concerning topics like existence, reason, knowledge, Value (ethics and social sciences), value, mind, and language. It is a rational an ...
, its most notable recent version being that developed by French thinker
Gilles Deleuze
Gilles Louis René Deleuze (18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes o ...
.
Overview
Deleuze used the term virtual to refer to an aspect of
reality
Reality is the sum or aggregate of everything in existence; everything that is not imagination, imaginary. Different Culture, cultures and Academic discipline, academic disciplines conceptualize it in various ways.
Philosophical questions abo ...
that is ideal, but nonetheless real. An example of this is the meaning, or sense, of a proposition that is not a material aspect of that proposition (whether written or spoken) but is nonetheless an attribute of that proposition. In ''Bergsonism'', Deleuze writes that "virtual" is not opposed to "real" but opposed to "actual", whereas "real" is opposed to "possible". Deleuze identifies the virtual, considered as a continuous
multiplicity, with Bergson's "
duration": "it is the virtual insofar as it is actualized, in the course of being actualized, it is inseparable from the movement of its actualization."
Deleuze argues that
Henri Bergson
Henri-Louis Bergson (; ; 18 October 1859 – 4 January 1941) was a French philosopher who was influential in the traditions of analytic philosophy and continental philosophy, especially during the first half of the 20th century until the S ...
developed "the notion of the ''virtual'' to its highest degree" and that he based his entire philosophy on it. Both Henri Bergson, and Deleuze himself build their conception of the virtual in reference to a quotation in which writer
Marcel Proust
Valentin Louis Georges Eugène Marcel Proust ( ; ; 10 July 1871 – 18 November 1922) was a French novelist, literary critic, and essayist who wrote the novel (in French – translated in English as ''Remembrance of Things Past'' and more r ...
defines a virtuality,
memory
Memory is the faculty of the mind by which data or information is encoded, stored, and retrieved when needed. It is the retention of information over time for the purpose of influencing future action. If past events could not be remembe ...
as "real but not actual, ideal but not abstract".
Reception
Another core meaning has been elicited by
Denis Berthier, in his 2004 book ''Méditations sur le réel et le virtuel'' ("Meditations on the real and the virtual"), based on uses in science (
virtual image
In optics, the ''image'' of an object is defined as the collection of Focus (optics), focus points of Ray (optics), light rays coming from the object. A ''real image'' is the collection of focus points made by Vergence (optics), converging ray ...
), technology (
virtual world
A virtual world (also called a virtual space or spaces) is a Computer simulation, computer-simulated environment which may be populated by many simultaneous users who can create a personal Avatar (computing), avatar and independently explore th ...
), and
etymology
Etymology ( ) is the study of the origin and evolution of words—including their constituent units of sound and meaning—across time. In the 21st century a subfield within linguistics, etymology has become a more rigorously scientific study. ...
(derivation from virtue—
Latin
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ...
''virtus''). At the same
ontological
Ontology is the philosophical study of being. It is traditionally understood as the subdiscipline of metaphysics focused on the most general features of reality. As one of the most fundamental concepts, being encompasses all of reality and every ...
level as "the possible" (i.e. ideally-possible) abstractions, representations, or imagined "fictions", the actually-real "material", or the actually-possible "probable", the "virtual" is "ideal-real". It is what is ''not real'', but displays the full qualities of the real—in a plainly actual (i.e., not potential)—way. The
prototypical case is a
reflection in a
mirror
A mirror, also known as a looking glass, is an object that Reflection (physics), reflects an image. Light that bounces off a mirror forms an image of whatever is in front of it, which is then focused through the lens of the eye or a camera ...
: it is already there, whether or not one can see it; it is not waiting for any kind of actualization. This definition allows one to understand that real effects may be issued from a virtual object, so that our perception of it and our whole relation to it, are fully real, even if it is not. This explains how
virtual reality
Virtual reality (VR) is a Simulation, simulated experience that employs 3D near-eye displays and pose tracking to give the user an immersive feel of a virtual world. Applications of virtual reality include entertainment (particularly video gam ...
can be used to cure
phobia
A phobia is an anxiety disorder, defined by an irrational, unrealistic, persistent and excessive fear of an object or situation. Phobias typically result in a rapid onset of fear and are usually present for more than six months. Those affected ...
s.
Brian Massumi
Brian Massumi (; born 1956) is a Canadian philosopher and social theorist. Massumi's research spans the fields of art, architecture, cultural studies, political theory and philosophy. His work explores the intersection between power, perception, ...
shows the political implications of this. According to Massumi in ''Parables for the Virtual'', the virtual is something "inaccessible to the senses" and can be felt in its effects. His definition goes on to explain virtuality through the use of a topological figure, in which stills of all of the steps in its transformation superposed would create a virtual image. Its virtuality lies in its inability to be seen or properly diagramed, yet can be figured in the
imagination
Imagination is the production of sensations, feelings and thoughts informing oneself. These experiences can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes ...
.
However, note that the writers above all use terms such as "possible", "potential" and "real" in different ways and relate the virtual to these other terms differently. Deleuze regards the opposite of the virtual as the actual.
Rob Shields argues that the opposite of the virtual is the material for there are other actualities such as a probability (e.g., "risks" are actual dangers that have not yet materialized but there is a "probability" that they will).
[Shields, Rob ''The Virtual'' Routledge 2003.] Among Deleuzians,
Alexander Bard
Alexander Bengt Magnus Bard (born 17 March 1961) is a Swedish musician, author, lecturer, artist, songwriter, music producer, TV personality, religious and political activist, and one of the founders of the Syntheism, Syntheist religious movement ...
&
Jan Söderqvist
Jan Söderqvist (born 1961) is an author, lecturer, writer and consultant, and among other things also working as a literary and film critic for the Swedish newspaper Svenska Dagbladet.
Söderqvist has written three books on the Internet revolut ...
even argue (in agreement with
Quentin Meillassoux
Quentin Meillassoux (; ; born 26 October 1967) is a French philosopher. He teaches at the Pantheon-Sorbonne University, Université Paris 1 Panthéon-Sorbonne.
Biography
Quentin Meillassoux is the son of the anthropologist Claude Meillassoux. He ...
) in ''Process and Event'' that virtuality must be separated from potentiality, and consequently suggest the potential of the current as the link between the virtual of the future and the actual of the past.
See also
*
*
Notes
References
Sources
*
Deleuze, Gilles. 1966. ''
Bergsonism''. Trans. Hugh Tomlinson and Barbara Habberjam. NY: Zone, 1991. .
* ---. 2002a. ''Desert Islands and Other Texts 1953-1974.'' Trans. David Lapoujade. Ed. Michael Taormina. Semiotext(e) Foreign Agents ser. Los Angeles and New York: Semiotext(e), 2004. .
* ---. 2002b. "The Actual and the Virtual." In ''Dialogues II''. Rev. ed. Trans. Eliot Ross Albert. New York and Chichester: Columbia UP. 148-152. .
*
Christine Buci-Glucksmann
Christine Buci-Glucksmann is a French philosopher and Professor Emeritus from University of Paris VIII specializing in the aesthetics of the Baroque and Japan, and computer art. Her best-known work in English is ''Baroque Reason: The Aesthetics of ...
, ''La folie du voir: Une esthétique du virtuel'', Galilée, 2002
*
Massumi, Brian. 2002. ''Parables for the Virtual: Movement, Affect, Sensation''. Post-Contemporary Interventions ser. Durham and London: Duke UP. .
* "Origins of Virtualism: An Interview with Frank Popper conducted by
Joseph Nechvatal
Joseph Nechvatal (born January 15, 1951) is an American post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom computer viruses.
Life and work
Joseph Nechva ...
", CAA Art Journal, Spring 2004, pp. 62–77
*
Frank Popper
Frank Popper (17 April 1918 – 12 July 2020) was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the L� ...
, ''From Technological to Virtual Art'', Leonardo Books, MIT Press, 2007
*
Rob Shields, ''The Virtual'' Routledge 2003.
*
Rob Shields "Virtualities", ''Theory, Culture & Society'' 23:2-3. 2006. pp. 284–86.
{{Deleuze-Guattari
Reality
Gilles Deleuze
Metaphysical properties
Philosophical concepts