Victor Burgin

Victor Burgin (born 1941) is a British artist and writer.

Early life and education

Burgin was born in Sheffield in England. He studied art at the Royal College of Art, in London, from 1962 to 1965 (A.R.C.A., 1st Class, 1965) before going to the United States to study at Yale University (M.F.A. 1967).

Work

Burgin first came to attention as a conceptual artist in the late 1960s and at that time was most noted for being a political photographer of the left, who would fuse photographs and words in the same picture. He has worked with photography and film, calling painting "the anachronistic daubing of woven fabrics with coloured mud". His work is influenced by a variety of theorists and philosophers, most especially thinkers such as Sigmund Freud, Henri Lefebvre, André Breton, Maurice Merleau-Ponty, Michel Foucault and Roland Barthes. (European Graduate School Staff Page)

Academic career

Burgin taught at Trent Polytechnic from 1967 to 1973 and at the School of Communication, Polytechnic of Central London from 1973 to 1988. From 1988 to 2001 Burgin lived and worked in San Francisco. He taught in the History of Consciousness program at the University of California, Santa Cruz, where he became Professor Emeritus of History of Consciousness. In 2000 he was Robert Gwathmey Chair in Art and Architecture, The Cooper Union for the Advancement of Science and Art, New York. From 2001 to 2006 he was Millard Professor of Fine Art at Goldsmiths College, University of London. He is currently Professor of Visual Studies, Winchester School of Art, University of Southampton.

Honours and awards

In 1986, Burgin was nominated for the Turner Prize for his exhibitions at the Institute of Contemporary Arts and Kettle's Yard Gallery in Cambridge and for a collection of his theoretical writings (''The End of Art Theory'') and a monograph of his visual work (''Between''). In 2005 he received an Honorary Degree of Doctor of Sheffield Hallam University (Hon. DUniv). In 2010 he received a ''Doctorat Honoris Causa'' from the Université de Liège.

Public commissions

* 1976 'What does possession mean to you?,' color poster, 1000 copies posted in the streets in the center of Newcastle upon Tyne, summer; other poster works, various dates.
* 1987 ''Fall'', Video-wall (36 monitors), two-minute videodisk programme, Mississauga Shopping Mall, and other locations, Toronto.
* 1989 ''Fall'', Video-wall dited version (9 monitors) two-minute videodisk programme, Tate Gallery, London.
* 1989 Original print for ‘Estampes et Revolution: 200 Ans Après,’ Centre National des Arts Plastiques, Ministère de la Culture et de la Communication, France (100 sets of prints, commissioned from an international selection of artists, and distributed throughout France as part of the Bicentennial Celebration of the French Revolution).
* 1993 Poster for 'Images pour la lutte contre le sida', Ministère de la Culture et de la Communication, France/Agence française de lutte contre le sida: national poster campaign with posters commissioned from an international selection of 35 artists.
* 1993 ''Venise'', 30 min video, Ville de Marseille, France.
* 1994 Design for permanent video installation for the Hotel Furkablick, Furkapasshöhe, Switzerland.
* 1994 Permanent video installation for the Médiatheque d'Orléans, Ville d'Orléans, France.
* 2004 ''Restored'', Permanent video installation for London Symphony Orchestra, St. Luke's, Old Street, London.
* 2021 'Division/Revision', poster project curated by Uta Kögelsberger, Newcastle University

Publications

Books by Burgin

* 1973 ''Work and Commentary'', London, Latimer
* 1976 ''Two Essays on Art, Photography and Semiotics'', London, Robert Self Publications
* 1977 ''Victor Burgin'', Eindhoven, Stedelijk van abbemuseum
* 1977 ''Family'', New York, Lapp Princess, in association with Printer Matter
* 1982 ''Hôtel Latône'', Calais, Musée de Calais
* 1982 ''Thinking Photography'', Victor Burgin (ed.), urgin: Introduction, three essays, bibliography Macmillan, London and Basingstoke, and Humanities Press International, New Jersey (1982), reprinted 1983, 1984, 1985, 1987 (twice), 1988, 1990, 1992, 1993, 1994
* 1986 ''Formations of Fantasy'', (co-edited with Donald, J. and Kaplan, C.), Methuen, London
* 1986 ''Between'', Basil Blackwell, Oxford and New York
** 2020 (second edition), Mack, London
* 1986 ''The End of Art Theory: Criticism and Postmodernity'', Macmillan, London and Basingstoke, and Humanities Press International, New Jersey (1986), reprinted 1987, 1988, 1992, 1993, 1996
** 1995 Japanese translation of ''The End of Art Theory: Criticism and Postmodernity'', Tokyo, Keiso Shobo
* 1988 ''Victor Burgin: Office at Night and Danaïdes/Dames'', Charlotte, North Carolina, Knight Gallery, City of Charlotte
* 1988 ''Victor Burgin, Opere'' 1982–1986, Milan, Le Case d'Arte
* 1989 ''Taideteorian Loppu'', Helsinki, Suomen Valokuvataiteen Museon Säätiö, Literos, collection of essays by Burgin in Finnish translation
* 1991 ''Passages'', Lille, Musée d'art moderne de la Communaté Urbaine de Lille, Villeneuve d'Ascq
* 1995 ''History Painting'', Buffalo, University at Buffalo Art Gallery/Research Center in Art + Culture
* 1996 ''Some Cities'', Berkeley and Los Angeles, University of California Press, and London, Reaktion
* 1996 ''In/Different Spaces: place and memory in visual culture'', Berkeley and Los Angeles, University of California Press
* 1997 ''Szerelmes Levelek/Love Letters'', Mücsarnok Museum, Budapest
* 2000 ''Victor Burgin: Robert Gwathmey Lectures'', New York, Cooper Union for the Advancement of Science and Art 1997 Venise, London, Black Dog Publishing
* 2000 ''Shadowed'', London, Architectural Association
* 2001 ''Victor Burgin'', Barcelona, Fundació Antoni Tàpies
* 2002 ''Relocating'', London and Bristol, Arnolfini
* 2004 ''Ensayos'', Barcelona, Gustavo Gili
* 2004 ''The Remembered Film'', London, Reaktion
** 2019 ''Le Film qui me reste en mémoire'', French translation of ''The Remembered Film'', Mimesis, Paris
* 2006 ''Victor Burgin: Voyage to Italy'', Hatje Cantz
* 2009 ''Situational Aesthetics'', Leuven University Press
* 2013 ''Palmanova'', Victor Burgin, Teresa Castro, Evgenia Giannouri, Lucia Monteiro, Clara Schulmann, Form , Paris
* 2014 ''Five Pieces for Projection'', Museum für Gegenwartskunst, Seigen
* 2016 ''Scripts'', Musée d'Art Moderne et Contemporain, Geneva
* 2016 ''Barthes/Burgin: Research Notes for an Exhibition'', Ryan Bishop and Sunil Manghani (eds), Edinburgh University Press
* 2018 ''The Camera – Essence and Apparatus'', Mack, London
* 2019 ''Mandarin'', Juxta, Milan
* 2019 ''Afterlife'', Galerie Thomas Zander & Walther König

Books about Burgin

* 2014 ''Projective – Essays on the works of Victor Burgin'', Victor Burgin, Gülru Çakmak, David Campany, Homay King, David Rodowick, Anthony Vidler, Musée d'Art Moderne et Contemporain, Geneva
** 2014 'Projectif – Essais sur l'oeuvre de Victor Burgin'', French translation of ''Projective''
* 2017 ''Victor Burgin's Parzival in Leuven – Reflections on the "Uncinematic"'', Stéphane Symons (ed.), Leuven University Press
* 2019 ''Seeing Degree Zero, Barthes/Burgin and Political Aesthetics'', Ryan Bishop and Sunil Manghani (eds), Edinburgh University Press
* 2020 Alexander Streitberger, ''Psychical Realism – The work of Victor Burgin'', Leuven University Press

References

External links

Burgin at Lia Rumma Gallery, Milan and NaplesBurgin at Thomas Zander Gallery, CologneBurgin at Cristin Tierney Gallery, New York"'Art is not a spectator sport': the confounding work of Victor Burgin – in pictures"
at ''The Guardian'', 2020

at the UbuWeb-Anthology of Conceptual Writing
The Separateness of Things
at Tate

{{DEFAULTSORT:Burgin, Victor
1941 births
Living people
Academics of Goldsmiths, University of London
Artists from Sheffield
Photographers from Yorkshire
Yale School of Art alumni
English contemporary artists
British conceptual artists
Academics of Nottingham Trent University