Valerio Laccetti
   HOME

TheInfoList



OR:

Valerico Laccetti or Valerio Laccetti (1836 – April 8, 1909) was an Italian painter, mainly of pastoral
genre Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
themes. He was born in
Vasto Vasto ( Abruzzese: '; , ) is a ''comune'' on the Adriatic coast of the Province of Chieti, in southern Abruzzo, Italy. During the Middle Ages it was called ''Guastaymonis'', '' Vasto d'Aimone'' or ''Waste d'Aimone''. Fascist Italy called the city ...
,
Province of Chieti The province of Chieti (; Neapolitan language, Abruzzese: ') is a Provinces of Italy, province in the Abruzzo region of Italy. Its provincial capital is the city Chieti, which has a population of 50,770 inhabitants. The province has a total popul ...
, and enrolled in the Academy of Fine Arts at Naples, where he won a prize at a competition. He studied under
Giuseppe Mancinelli Giuseppe Mancinelli (17 March 1813 – 25 May 1875) was an Italian painter of religious and historical scenes. Biography Mancinelli was born in Naples, Italy. His father, Pietro, was in the service of the noble Ventignano family. With their su ...
and Francesco Palizzi. He painted many landscapes of rural and agricultural scenes with animals. He also completed
scenography Scenography is the practice of crafting stage environments or atmospheres. In the contemporary English usage, scenography can be defined as the combination of technological and material stagecrafts to represent, enact, and produce a sense of plac ...
, and painted in France and Austria. In 1863, he exhibited ''Interior with Animals'' in Naples. He moved to Rome in 1865, and displayed ''Dog and Cat in a Stall'' and ''Cow in a Stall'' at the Mostre degli Amatori e Cultori. In 1870 at the Promotrice of Naples, he displayed ''Remembrance of Fontainebleau'' and ''Colosseum at Sunrise in Autumn''. He exhibited at the Roman Exhibitions until 1902, including ''The Widow'' (1875); ''The Girl'' (1878); ''A Mother Plays With her Child'' (1879); ''The Prayer'', ''La preghiera'', ''Catechism in the Countryside'' (1881, province of Salerno); ''The Winter'', ''New and Old Soldiers''; and ''Le gioie della famiglia'' (1885). He exhibited often at the Neapolitan Promotrice (1871, 1873, 1874, 1879). In 1873 at Vienna, he displayed three canvases depicting peasants at work, and won a medal. In 1877 at the National exposition of Naples he displayed ''Solo!'', ''Campagna romana'', and ''La civiltà fuga l'ignoranza'' (Civilization banishes Ignorance), which was reprised at the next year's Paris International Exposition. After 1880, he also painted some historical and religious canvases influenced by
Domenico Morelli Domenico Morelli (4 August 182313 August 1901) was an Italians, Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Ac ...
, including ''Christus imperat!'' (completed 1884, exhibited in Rome, 1883 and 1888; now in Chieti, Pinacoteca Provinciale Barbella). He was an honorary member of the Academy of Fine Arts of Fologini and Ferrara. He died in 1909 Rome.Bollettino della Deputazione abruzzese di storia patria
(1908), obituary,, page 92.


References

1836 births 1908 deaths Kingdom of the Two Sicilies people 19th-century Italian painters 19th-century Italian male artists Italian male painters 20th-century Italian painters 20th-century Italian male artists Painters from Naples People from Vasto Accademia di Belle Arti di Napoli alumni {{Italy-painter-19thC-stub