Plot summary
The novel alternates between episodes featuring Benny, Stencil and other members of the Whole Sick Crew (including Profane's sidekick Pig Bodine) in 1956 (with a few minor flashbacks), and a generation-spanning plot that comprises Stencil's attempts to unravel the clues he believes will lead him to "V." (or to the various incarnations thereof). Each of these "Stencilised" chapters is set at a different moment ofChapter One: "In which Benny Profane, a schlemihl and human yo-yo, gets to an apocheir"
The opening chapter is set inChapter Two: "The Whole Sick Crew"
The chapter opens with Rachel Owlglass confronting the plastic surgeon Shale Schoenmaker whom she accuses of manipulating her friend and roommate Esther Havitz into debt through repeated rhinoplasty. Schoenmaker responds by entering into a monologue on the nature of Jewish women and the nature of appearance. Section II is set during a party at Rachel's apartment attended by the "Sick Crew", Paola, Esther, and Debb. This section introduces the character Herbert Stencil, a troubled man who is obsessed with his father's mysterious death in Malta (even more mysterious as Sidney Stencil, Herbert's father, was a British secret agent) and the identity of "V", a woman mentioned in his journal.Chapter Three: "In which Stencil, a quick-change artist, does eight impersonations"
This chapter, set among the British community in Egypt toward the end of the 19th century, consists of an introduction and a series of eight relatively short sections, each of them from the point of view of a different person. The eight sections come together to tell a story of murder and intrigue, intersecting the life of a young woman, Victoria Wren, the first incarnation of V. The title is a hint as to how this chapter is to be understood: Stencil imagines each of the eight viewpoints as he reconstructs—we do not know on how much knowledge and how much conjecture—this episode. This chapter is a reworking of Pynchon's short story "Under the Rose", which was first published inChapter Four: In Which Esther Gets a Nose Job
Section I details the history of Shale Schoenmaker, M.D. and how he began his career as a plastic surgeon. During World War I he eagerly enlists in the A.E.F. hoping to become a pilot but, is instead given a position as an engineer. While serving he witnesses Evan Godolphin, a handsome pilot whom he idealized, become horribly disfigured during an air raid. A month later Schoenmaker visits Godolphin in the hospital while he is recovering from reconstructive surgery, discovering that an incompetent surgeon, Halidom, treated him using the archaic method that would inevitably lead to further disfigurement by infection. This event traumatizes Schoenmaker, causing him to now see it as his mission to help people like Godolphin, a conviction that slowly decays over time. Stencil comes across Schoenmaker in his search for V. and refers Esther to him for her nose job. At a follow-up appointment Esther and Schoenmaker become lovers.Chapter Five: In Which Stencil Nearly Goes West with an Alligator
Only marginally part of the Stencil/V. material, this chapter follows Benny and others, as Benny has a job hunting alligators in the sewers under Manhattan. It figures in the Stencil/V. story in that there is a rat named "Veronica" who figures in a subplot about a mad priest — Father Linus Fairing, S.J. — some decades back, living in the sewers and preaching to the rats; we hear from him in the form of his diary. Stencil himself makes a brief appearance toward the end of the chapter.Chapter Six: In which Profane returns to street level
The chapter follows Profane, Geronimo, Angel, and his sister Josephine "Fina" into the city over several nights of drinking. Fina and Profane's relationship develops amid concerns over her status within a local mercenary street gang known as the Playboys, who see her as a spiritual figurehead. The chapter ends amid a massive brawl, nearby which Fina is found lying naked and smiling.Chapter Seven: She hangs on the western wall
In Florence in 1899, Victoria appears again, briefly, but so does the place name "Vheissu", which may or may not stand for Vesuvius, Venezuela, a crude interpretation of ''wie heißt du'', translating into ''who are you'' in the German language, or even (one character jokes) Venus. The chapter also revolves around an attempted burglary of Botticelli's '' The Birth of Venus'' by Hugh Godolphin through the Venezuelan consulate.Chapter Eight: In which Rachel gets her yo-yo back, Roony sings a song, and Stencil calls on Bloody Chiclitz
The chapter begins with Benny Profane, freshly unemployed after being laid-off from sewer-alligator hunting, in search of a job in Manhattan. After briefly contemplating the nature of money on a park bench, he, by chance, looks at an advertisement issued by The Time/Space Employment Agency. Once arriving at the agency he finds, much to his annoyance, that the secretary is his former lover Rachel Owlglass. In section IV Stencil continues his investigation of the perplexing "V." (whom he now believes is either Victoria or the rat Veronica) meeting up with a Yoyodyne engineer Kurt Mondaugen.Chapter Nine: Mondaugen's story
Kurt Mondaugen, who will appear again in '' Gravity's Rainbow'', is the central character in a story set in South West Africa (now Namibia) partly during a siege in 1922 at which one Vera Meroving is present, but most notably in 1904, during the Herero Wars, when South West Africa was a German colony.Chapter Ten: In which various sets of young people get together
Chapter Eleven: Confessions of Fausto Maijstral
Fausto Maijstral, Maltese civilian suffering under the German bombardment and working to clear the rubble during World War II writes a long letter to his daughter Paola, who figures in the Benny Profane story; the letter comes into Stencil's hands. The letter includes copious quotations from Fausto's diary. Besides the place name Valletta, V. figures in the story as an old — or possibly not-so-old — woman crushed by a beam of a fallen building.Chapter Twelve: In which things are not so amusing
Roony and Mafia continue fighting, so Roony meets up with McClintic at the V-Note, and they travel to Lenox, Massachusetts. Returning to Matilda's boardinghouse, they meet up with Ruby, who Roony recognizes as being a member of the Crew in disguise. Esther tells Slab she is pregnant. He wants to send her to Cuba to get an abortion, and raises the money by announcing his intentions and asking for money at a party the Crew is throwing in an abandoned warehouse. Roony's attempts to deal with his wife then take a dark turn, but he is saved by Pig. At an airport, Esther and Slab attempt to catch Esther a flight to Cuba, but meet some resistance. Paola, traveling with McClintic, reveals her true identity to him. He delivers the line, "Keep cool, but care," considered the novel's central theme, as they drive off into the Berkshires.Chapter Thirteen: In which the yo-yo string is revealed as a state of mind
Benny loses his job at Anthroresearch Associates by sleeping in and not being at work to notify the attendant technician that several calamities have occurred in the lab. Rachel nudges him to get a new job, and says that she will find one for him herself. An amusing story unfolds about Benny and Pig during their ''Scaffold'' days. Benny, unable and unwilling to get work, instead takes a self-described vacation and chooses to spend his spare time at the Rusty Spoon. He gets drunk with Stencil, who relates the entirety of his knowledge of V. as it stands to this point in the novel. Valletta being the last place on Stencil's journey to find information about V., he asks Benny to accompany him and Paola to the island. Benny and Stencil commit a robbery in perilous circumstances, and then, in late September, they embark for Malta with Paola on board the ''Susanna Squaducci''.Chapter Fourteen: V. in love
In this chapter V. is entranced by a young ballerina, Mélanie l'Heuremaudit. The story centers on a riotous ballet performance, almost certainly modeled in part on the premiere ofChapter Fifteen: Sahha
Benny and Pig Bodine have one last adventure with two girls, Flip and Flop, as they all get drunk and wander around Washington D.C.. There are two going away parties for Benny, and the chapter ends with Benny, Stencil, and Paola leaving for Malta aboard the ''Susanna Squaducci'' as the Crew looks on and says goodbye.Chapter Sixteen: Valletta
As the Royal Navy mass on Malta in the early stages of theEpilogue
The last chapter is a flashback to Valletta when Stencil, Sr. was still alive. After World War I he is sent to Malta to observe the various crises going on involving the natives and their desire for independence. He is implored by Maijstral's wife (who is pregnant with Fausto) to relieve him of his duties as a double agent because she fears for his life. Stencil, Sr. meets Veronica Manganese or V and implicitly has sex with her (she is now largely made up of artificial limbs). It is revealed they had trysted in Florence after the riots. He finds out that Maijstral is having an affair with her as well. Linus Fairing is also working as a double agent for Stencil, and when he leaves for America, having tired of the life of a spy, Stencil's purpose for being in Malta is null. V releases Stencil from her auspices and Maijstral as well. Stencil sails off into the Mediterranean and a waterspout blows the ship up into the air, then down into the depths, not too dissimilar from the conclusion of another American masterpiece, '' Moby-Dick'', also a sailor's story.Characters
Major characters
* Benny Profane – The protagonist and a self-proclaimed human yo-yo * Rachel Owlglass – An upper-class woman from the affluent Five Towns on the south shore of Long Island * Herbert Stencil – A troubled Englishman who is obsessed with the identity of "V." a woman who is mentioned in his father's journal written shortly before he disappeared in Malta. Stencil speaks almost exclusively in theMinor characters
* Clayton "Bloody" Chiclitz, the founder of Yoyodyne Inc. * Angel – Puerto Rican sewer alligator hunter and friend of Profane * Fina – Angel's sister, she acts as a saint to the Playboy gang, often quelling disputes between them and other gangs over territory. In chapter six it is heavily implied that she is raped by the same gang. * Geronimo * Slab * Melvin * Raoul * Debb Sensay * Brad * Roony Winsome * Mafia Winsome * Paola Maijstral –Analysis and reception
''Time'' wrote "In this sort of book, there is no total to arrive at. Nothing makes any waking sense. But it makes a powerful, deeply disturbing dream sense. Nothing in the book seems to have been thrown in arbitrarily, merely to confuse, as is the case when inept authors work at illusion. Pynchon appears to be indulging in the fine, pre-Freudian luxury of dreams dreamt for the dreaming. The book sails with majesty through caverns measureless to man. What does it mean? Who, finally, is V.? Few books haunt the waking or the sleeping mind, but this is one. Who, indeed?" Tony Tanner considered the novel an exploration of the plots individuals ascribe to the ambivalent universe they have no choice but to confront, during a 20th-century period in which genuine communication between individuals has been eroded and in which ambiguous societal forces are at work (intentionally or inadvertently) towards a state of entropy; "SHROUD asks, 'Has it occurred to you there may be no more standards for crazy or sane, now that it's started?' And Benny answers, 'What, for Christ's sake?' What the 'it' is that has started (if there is an 'it'), what common process links remote imperialist incidents with contemporary automation, tourism, Hitler, and the Whole Sick Crew (if there is any linking common process)—this is what the whole book is about." Writing in '' The New York Times'', George Plimpton called Pynchon "a young writer of staggering promise", lauding his "vigorous and imaginative style", "robust humor" and "tremendous reservoir of information". In 1964, the novel was awarded aEditions
In 2012 it emerged that there were multiple versions of ''V.'' in circulation. This was due to the fact that Pynchon's final modifications were made after the first edition was printed and thus were only implemented in the British, or Jonathan Cape, edition and the Bantam paperback. The fact was forgotten soon after in the U.S., so most US editions, including the newly released eBook, follow the first printing and are therefore unauthorized versions of the text, while the British editions, which follow the first edition printed by Jonathan Cape, contain Pynchon's final revisions.In popular culture
*The line "Yesterday's headlines blown by the wind" in English rock bandReferences
Bibliography
* Grant, J. Kerry. ''A Companion to'' V. Athens: University of Georgia Press, 2001. * Simonetti, Paolo, and Umberto Rossi (eds.). ''Dream Tonight of Peacock's Tails: Essays on the Fiftieth Anniversary of Thomas Pynchon's'' V. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015.External links