Casting history
The various weights and widths were cut over a period of ten years: * ''Twentieth Century'' (1937) * ''Twentieth Century Bold Italic'' (1937) * ''Twentieth Century Extrabold Italic'' (1937) * ''Twentieth Century Extrabold Condensed Italic'' (1938) * ''Twentieth Century Ultrabold'' (1941) * ''Twentieth Century Ultrabold Condensed'' (1944) * ''Twentieth Century Medium Condensed Italic'' (1947) * ''Twentieth Century Ultrabold Italic'' (1947)Foundry type copies
The first American knock-off of '' Futura'' was Baltimore Type Foundry’s ''Airport''. No information exists on how this was produced, but it resembles ''Futura'' so closely, that it is thought to be electrotyped. After Monotype introduced ''Twentieth Century'', Baltotype began selling some weights of this face under the ''Airport'' name.Digital type copies
There presently exist two modern releases, by Monotype and Lanston Type (LTC). Monotype’s current release is much larger than that included with Microsoft products, and includes additional light, semi-bold, extra- and ultra-bold styles. Even less commonly seen are the quirky Art Deco-influenced display alphabet Twentieth Century Poster, intended to be complementary, and Twentieth Century Classified, a small print design with a very high x-height. This veers away from the strict geometry of the main design, featuring a more conventional double-story ‘a’, presumably to be more legible. A similar design was offered by Linotype’s Spartan, which may be an influence. Lanston's design is in a narrower range of styles, but includes a set of additional stylistic alternates and small capitals. LTC has also digitised other Hess sans-serif designs, such as Jefferson Gothic (a titling caps design similar to Twentieth Century Poster, but more condensed) and Tourist Gothic (an earlier grotesque design, to which Hess also added rounded caps). Twentieth Century Poster has also been revived under the name as Renard Moderne by the company Nick's Fonts, a release that includes small capitals as a lower case. Digitisations of the original design are sometimes marketed as ''Tw Cen MT'', possibly due to archaic file name length restrictions.Footnotes
#McGrew, Mac, ''American Metal Typefaces of the Twentieth Century,'' Oak Knoll Books, New Castle Delaware, 1993, ., p. 315. # McGrew, p. 9External links