Treny Normal

The ''Laments'' (also '' Lamentations'' or ''Threnodies''; pl, Treny, originally spelled ''Threny'') are a series of nineteen threnodies (elegies) by Jan Kochanowski. Written in Polish and published in 1580, they are a highlight of Polish Renaissance literature, and one of Kochanowski's signature achievements.Poet's Corner: "Jan Kochanowski's ''Threnodies''
", in ''Warsaw Voice'', no. 43 (470) (October 26, 1997). Includes ''Threnody V''. "Jan KOCHANOWSKI
, by Prof. Edmund Kotarski, in the ''Virtual Library of Polish Literature''.
Excerpts from the book, ''Jan Kochanowski, The Threnodies, and The Dismissal of the Greek Envoys'', by Barry Keane. Includes ''Threnodies'' I, III, VI, XII and XIX.

Composition

Jan Kochanowski was a prominent Polish poet. Kochanowski wrote the ''Laments'' on the occasion of the 1579 death of his daughter Urszula (in English, "Ursula").

Little is known of Urszula (or ''Urszulka''—"little Ursula"), except that at her death she was two and a half years old. Her tender age has caused some critics to question Kochanowski's truthfulness, when he describes her as a budding poetess — a "Slavic Sappho". There is, however, no doubt as to the unaffected sentiments expressed in the nineteen Roman-numbered ''Laments'', of varying length, which still speak to readers across the four and a quarter centuries since they were composed.

The poems express Kochanowski's boundless grief; and, standing in sharp contrast to his previous works, which had advocated such values as stoicism, can be seen as the poet's own critique of his earlier work. In a wider sense, they show a thinking man of the Renaissance at a moment of crisis when he is forced, through suffering and the stark confrontation of his ideals with reality, to re-evaluate his former humanistic philosophy of life.

The ''Laments'' belong to a Renaissance poetic genre of grief ( threnody, or elegy), and the entire work comprises parts characteristic of epicedia: the first poems introduce the tragedy and feature a eulogy of the decedent; then come verses of lamentation, demonstrating the magnitude of the poet's loss and grief; followed at last by verses of consolation and instruction.

Kochanowski, while drawing on the achievements of classical poets such as Homer, Cicero, Plutarch, Seneca and Statius, as well as on later works by Petrarch and his own Renaissance contemporaries such as Pierre de Ronsard, stepped outside the borders of known genres, and his ''Laments'' constitute a mixed form ranging from epigram to elegy to epitaph, not to mention psalmodic song.

When the ''Treny'' were published (1580), Kochanowski was criticized for having taken as the subject of his ''Laments'' the death of a young child, against the prevailing literary convention that this form should be reserved for "great men" and "great events."

Influence

The ''Laments'' are numbered among the greatest attainments of Polish poetry. Their exquisite conceits and artistry made them a model to ''literati'' of the 16th and especially the 17th century. The ''Laments'' have also inspired musician

and painters such as Jan Matejko.

Translation into English

* 1920 by Dorothea Prall
* 1995 by Stanisław Barańczak and Nobel-laureate poet Seamus Heaney

''Lament 1''

All Heraclitus' tears, all threnodies

And plaintive dirges of Simonides,

All keens and slow airs in the world, all griefs,

Wrung hands, wet eyes, laments and epitaphs,

All, all assemble, come from every quarter,

Help me to mourn my small girl, my dear daughter,

Whom cruel Death tore up with such wild force

Out of my life, it left me no recourse.

So the snake, when he finds a hidden nest

Of fledgling nightingales, rears and strikes fast

Repeatedly, while the poor mother bird

Tries to distract him with a fierce, absurd

Fluttering — but in vain! the venomous tongue

Darts, and she must retreat on ruffled wing.

"You weep in vain," my friends will say. But then,

What is not in vain, by God, in lives of men?

All is in vain! We play at blindman's buff

Until hard edges break into our path.

Man's life is error. Where, then, is relief?

In shedding tears or wrestling down my grief?From the Stanisław Barańczak-Seamus Heaney translation, p. 3.

See also

* Elegy
* Lament
* Sapphic stanza in Polish poetry
* Threnody
* Mikołaj Rej
* Anna Stanisławska

Notes

References

*Barry Keane, ''Jan Kochanowski, Threnodies and The Dismissal of the Greek Envoys''.
* Jan Kochanowski, ''Laments'', translated by Stanisław Barańczak and Seamus Heaney, New York, Farrar, Straus and Giroux, 1995.
* Jan Kochanowski, ''Laments'', translated by Michael J. Mikos, Warsaw, Constanz, 1995.
* Jan Kochanowski, ''Treny: the Laments of Kochanowski'', translated by Adam Czerniawski, Oxford, Legenda, 2001.
*Michael J. Mikos, ''Polish Renaissance Literature: an Anthology'', Slavica Publishers, 1995.

External links

*, review of ''Laments'' translation by Barańczak and Heaney, by Felicity Rosslyn, ''Cambridge Quarterly'', volume 26, issue 4.
Bringing a Great Poet Back to Life
review of ''Laments'' translation by Barańczak and Heaney. by Czesław Miłosz, ''New York Review of Books'', vol. 43, no. 3 (February 15, 1996). See als
this reply


* ttp://www.instytutksiazki.pl/index.php?id=19&L=1&user_fragmenty_pi1%5BshowUid%5D=149&cHash=abd83f038c Treny. Short descriptions and translation of 1 and 8 by Adam Czerniawskibr>Treny. The Laments of Kochanowski
Review of Czerniawski's translation, by Steven Clancy, ''Sarmatian Review'', vol. XXIII, no. 1 January 2003.

Treny
nbsp;– all the poems of the ''Treny'' series.

and possible image of Urszula

''Laments''
translated by Dorothea Prall
* {{librivox book , title=Treny - Laments, author=Kochanowski (English and Polish)

1580 books
Polish poems
Laments