Tod Dockstader

Tod Dockstader (March 20, 1932 – February 27, 2015) was an American electronic music composer and sound designer. He is regarded as one of the first American ''musique concrète'' composers.

Biography

Dockstader was born in Saint Paul, Minnesota, United States. In the 1950s, he studied painting and film while at the University of Minnesota before moving to Hollywood to become an apprentice film editor. He moved into work as a sound engineer in 1958, and apprenticed at Gotham Recording Studios, where he first started composing; he also worked for Terrytoons alongside Gene Deitch. From 1961 to 1962, when Deitch directed thirteen new ''Tom and Jerry'' shorts, Dockstader was responsible for creating the unusual, heavily reverberated sound effects heard throughout them; he also wrote the shorts '' Mouse into Space'' and '' Landing Stripling''.

Dockstader's first record, ''Eight Electronic Pieces'', was released in 1960, and segments were later used as the soundtrack to Italian film director Federico Fellini's '' Fellini Satyricon'' (1969). He continued to create music throughout the first half of the decade, working principally with tape manipulation effects. In 1966, Owl Records released four albums of his work from this period, including ''Quatermass''. He achieved modest recognition and radio play alongside the likes of Karlheinz Stockhausen, Edgard Varèse, and John Cage.

In 1961, he applied to use the facilities at the Columbia-Princeton Electronic Music Center and was denied access in separate rejection letters penned by Vladimir Ussachevsky and Milton Babbitt. Ussachevsky’s official reason was the “overstrained” scheduling of the studios, although it was suspected that Dockstader's lack of academic training was a factor in the decision. After leaving Gotham Recording Studios in the late 1960s, he formed the audio-visual service Westport Communications Group along with business partner, and former Gotham executive, Fred Hertz. The company focused on corporate clients and produced award-winning educational films for the American Heritage series.

Dockstader was also a prolific writer, with several articles published by Electronic Music Review and The Musical Quarterly.

In the early 1990s, Starkland re-released most of the content of Dockstader’s out-of-print Owl records, along with previously unreleased material. The two CDs brought new, significant acclaim to the composer. ''The Washington Post'' called Dockstader "a highly imaginative pioneer," and ''The Wire'' concluded, "The obsessive care with which Starkland have compiled these extraordinary recordings should ensure that Dockstader will be remembered as the innovative, visionary figure he undoubtedly was." Reinvigorated, Dockstader returned to music at the start of the 21st century, adopting computer composition in favor of tapes. New CDs appeared from Sub Rosa and ReR Megacorp.

Work on a documentary about his life, ''Unlocking Dockstader'', was begun in 2011, however lack of funding has stalled the project.

He died in Arlington, Massachusetts, on February 27, 2015, at the age of 82.

In 2016, Starkland released ''From the Archives,'' a CD that premiered 15 works selected from the unexpected discovery of 4,200 sound files found on Dockstader's private computer after his death. Created from 2000-2008, these were among the last pieces composed by Dockstader, before dementia made his studio work too difficult.

Influence

Alvin Lee of the band Ten Years After took influence from Dockstader when recording the band's experimental album ''Stonedhenge'' (1969); he said he was in a "musique concrete phase." ''Classic Rock''s Hugh Fielder deemed Dockstader an "avant garde industrial composer".

Discography

* 1961 ''Eight Electronic Pieces'' (re-released by Folkways Records, 1968 and Locust Music, 2003)
* 1966 ''Luna Park, Traveling Music, Apocalypse'' (Owl Records)
* 1966 ''Drone, Two Fragments from Apocalypse, Water Music'' (Owl Records)
* 1966 ''Quatermass'' (Owl Records)
* 1966 ''Omniphony 1'' (with James Reichart) (Owl Records)
* 1979 ''Electronic Vol. 1'' (Boosey & Hawkes Library)
* 1981 ''Electronic Vol. 2'' (Boosey & Hawkes Library)
* 1992 ''Water Music, Two Moons, Quatermass'' ( Starkland)
* 1993 ''Apocalypse'' (Starkland)
* 2004 ''Pond'' (with David Lee Myers (Arcane Device)) (ReR Megacorp)
* 2005 ''Bijou'' (with David Lee Myers) (ReR Megacorp)
* 2005 ''Aerial #1'' (Sub Rosa)
* 2005 ''Aerial #2'' (Sub Rosa)
* 2005 ''Aerial #3'' (Sub Rosa)
* 2016 ''From The Archives'' (Starkland)

References

External links

Dockstader's From the Archives CD from StarklandRemembering Tod Dockstader at New Music BoxUnlocking DockstaderThe Unofficial Tod Dockstader Web Site''Eight Electronic Pieces'' Album Details
at Smithsonian Folkways

{{DEFAULTSORT:Dockstader, Tod
1932 births
2015 deaths
University of Minnesota College of Liberal Arts alumni
20th-century American classical composers
21st-century American classical composers
American experimental composers
Electroacoustic music composers
American male classical composers
20th-century American male musicians
21st-century American male musicians
Animation composers
Sub Rosa Records artists
Folkways Records artists
Musique concrète
American industrial musicians