Timothy Brock

Timothy Brock (born 1963) is an American conductor and composer specializing in concert works of the early 20th century, orchestral performance practices of the 1920s and 1930s, and live performances to accompany silent film.

Silent film scores

Brock has restored silent film scores for various films including Dmitri Shostakovich's only silent film score, '' The New Babylon (Новый Вавилон)'' (1929), Manilo Mazza's Italian epic, '' Cabiria'' (1913), Erik Satie's dadaist score, '' Entr'acte'' (1924)Mereghetti, Paolo, “I film rari e restaurati che seducono la piazza”, La Repubblica, June 6, 2008 and George Antheil's score to '' Ballet mécanique'' (1924). Other film-score restorations include Max Butting's ''Opus I'' (1920), Camille Saint-Saëns' '' L'Assassinat du duc de Guise'' (1908) and Ildebrando Pizzetti's ''Sinfonia del fuoco'' (1914).

Charlie Chaplin scores

In 1998, the Charlie Chaplin estate commissioned Brock to restore the Chaplin-composed score to '' Modern Times''. Brock then restored 11 more Chaplin silent feature and short scores through 2012, including '' City Lights'' (1931), '' The Gold Rush'' (1924), and '' The Circus'' (1928). In 2004, Brock transcribed some 13 hours of unheard Chaplin compositions from a newly discovered acetate recording of Chaplin composing on the piano. This resulted in the creation of a new score for Chaplin's feature drama '' A Woman of Paris'' (1923), a work that Brock has conducted in concert a number of times, including at ''Cinema Ritrovato'' 2005 in Bologna, the Kino Babylon in Berlin in 2011, as well as a studio recording made with Orchestra Citta Aperta in Rome and London, with whom he has also conducted a complete recording of '' The Gold Rush'' in 2012.

Original scores

Brock has written 27 original scores for silent film, including '' Miss Europe'' (Orchestre National de Lyon), '' Steamboat Bill, Jr.'' (Berner Symphonie-Orchester), ''Sunrise'' (20th Century Fox), ''The Cameraman'' (Los Angeles Chamber Orchestra), '' Burlesque on Carmen'' (Teatro Zarzuela, Madrid) and '' The Cabinet of Dr. Caligari'' (Brussels Philharmonic/BMG). Brock's long-standing relationship with the world-leading film-preservation institution, the Cineteca di Bologna, has resulted in 7 scores. Among them are ''Nosferatu'' (1922), '' Lady Windermere's Fan'' (1925), '' 3 Bad Men'' (1926) and '' Feu Mathias Pascal'' (1926).Kehr, Dave, “New Identity, Same Old History” New York Times, February 15, 2013

Concert works

Brock's concert works include three symphonies, three concertos, a cantata, two operas, and a number of individual orchestral pieces. In 1995 he received a composer fellowship from the Artist Trust Foundation, during which he composed his first opera ''Billy'' (1995, libretto by Bryan Willis), the ''Divertimento: Five Picture-Postcards for Orchestra'', and his second opera, ''Mudhoney'' (1998, adaptation of the original Friday Locke screenplay by the composer and Bryan Willis). In 1999, he was commissioned to compose an orchestral song cycle for soprano Cyndia Sieden: ''The Funeral of Youth'', four orchestral settings to four poems of the English poet Rupert Brooke.

References

* Bloom, David. "Org orchestrates silent fete for Chaplin" ''Variety'' June 9–15, 2003, p. 59.
* King, Susan. "The score? Live music and lots of belly laughs" ''Los Angeles Times'' May 28, 2007, p. E8.
* Maland, Charles J. ''City Lights'' (London: British Film Institute, 2007), p. 128.
* Simels, Steve. "The Cabinet of Doctor Caligari" '' Entertainment Weekly'' no. 329 (May 31, 1996) p. 69.
* Tommasini, Anthony. "The Tramp Returns, with Exuberant backing by the Philharmonic" ''New York Times'' Sept. 21, 2014

External links

Timothy Brock website

Timothy Brock Imdb

{{DEFAULTSORT:Brock, Timothy
1963 births
American film score composers
American male film score composers
American male classical composers
American classical composers
Living people