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''Timecode'' is a 2000 American experimental film written and directed by Mike Figgis and featuring a large
ensemble cast In a dramatic production, an ensemble cast is one that is composed of multiple principal actors and performers who are typically assigned roughly equal amounts of screen time.Random House: ensemble acting Linked 2013-07-17 Structure In contrast to ...
, including Salma Hayek, Stellan Skarsgård, Jeanne Tripplehorn, Suzy Nakamura, Kyle MacLachlan, Saffron Burrows, Holly Hunter, Julian Sands, Xander Berkeley, Leslie Mann and
Mía Maestro Mía Maestro (born 19 June 1978) is an Argentine actress and singer. She is known for her roles as Nora Martinez in '' The Strain'', Nadia Santos in the television drama '' Alias'', as Christina Kahlo in '' Frida'', as Carmen in ''The Twilight ...
. The film is constructed from four continuous 93-minute takes that were filmed simultaneously by four cameras; the screen is divided into quarters, and the four shots are shown simultaneously. The film depicts several groups of people in Los Angeles as they interact and conflict while preparing for the shooting of a movie in a production office. The dialogue was largely improvised, and the sound mix of the film is designed so that the most significant of the four sequences on screen dominates the soundtrack at any given moment.


Plot

The film takes place in and around a film production company office, and involves several interweaving plot threads which include a young actress named Rose who tries to score a screen test from her secret boyfriend Alex Green, a noted but disillusioned director. Meanwhile, Rose's tryst with him is discovered by her girlfriend Lauren, an insanely jealous businesswoman who plants a microphone in Rose's purse and spends most of the time in the back of her limousine parked outside the office building listening in on Rose's conversations. Elsewhere, Alex's wife Emma is seen with a therapist debating about asking him for a divorce. In the meantime, numerous film industry types pitch ideas for the next big hit film.


Cast

In the first run through, Headly's role as Dava Adair was performed by Laurie Metcalf.


Production

The movie was shot with four hand-held digital cameras, in one take, on the sixteenth performance. Largely improvised, Figgis provided the actors with blank, four-staff music manuscript paper, with each octave representing a camera view at that particular moment in time, up to the 93 minutes of camera capacity. The actors themselves personally kept track of the activities occurring in other camera points of view that were relative to their performance. Rehearsals were
single-take A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each s ...
performances, filmed over fifteen days. Filmed in the mornings, with the actors fully involved, the footage was reviewed and discussed in the afternoons. Four separate monitors replayed each camera point of view simultaneously. The first rehearsal recording was included as a bonus feature on the film's 2000 DVD release. The film's action ends with closing activity in three quadrants and the following statement (no capitalization beyond film's title) in the fourth quadrant:


Reception

The review aggregator website Rotten Tomatoes gave ''Timecode'' a rating of 68% from 81 reviews. The website's consensus reads, "Not much of a story, but the execution is interesting." Metacritic gave the film a score of 65 out of 100, based on 31 critic reviews.


See also

* List of films featuring surveillance * Minimalist film


References


External links

* * * *
Los Angeles, the City in Cinema: Timecode essay by Colin Marshall on Vimeo
{{Mike Figgis 2000 films 2000 drama films American drama films American independent films 2000 independent films Films directed by Mike Figgis Camcorder films One-shot films American avant-garde and experimental films Screen Gems films Films scored by Anthony Marinelli Self-reflexive films Films about time Hyperlink films 2000s avant-garde and experimental films Films about Hollywood, Los Angeles 2000s American films Films set in Los Angeles Films set in offices 2000s English-language films