''Timecode'' is a 2000 American
experimental film written and directed by
Mike Figgis and featuring a large
ensemble cast
In a dramatic production, an ensemble cast is one that is composed of multiple principal actors and performers who are typically assigned roughly equal amounts of screen time.Random House: ensemble acting Linked 2013-07-17
Structure
In contrast to ...
, including
Salma Hayek,
Stellan Skarsgård,
Jeanne Tripplehorn,
Suzy Nakamura,
Kyle MacLachlan,
Saffron Burrows,
Holly Hunter,
Julian Sands,
Xander Berkeley,
Leslie Mann and
Mía Maestro
Mía Maestro (born 19 June 1978) is an Argentine actress and singer. She is known for her roles as Nora Martinez in '' The Strain'', Nadia Santos in the television drama '' Alias'', as Christina Kahlo in '' Frida'', as Carmen in ''The Twilight ...
.
The film is constructed from four continuous 93-minute
takes that were filmed simultaneously by four cameras; the screen is divided into quarters, and the four shots are shown simultaneously.
The film depicts several groups of people in
Los Angeles as they interact and conflict while preparing for the shooting of a movie in a production office. The dialogue was largely
improvised, and the sound mix of the film is designed so that the most significant of the four sequences on screen dominates the soundtrack at any given moment.
Plot
The film takes place in and around a film production company office, and involves several interweaving plot threads which include a young actress named Rose who tries to score a screen test from her secret boyfriend Alex Green, a noted but disillusioned director. Meanwhile, Rose's tryst with him is discovered by her girlfriend Lauren, an insanely jealous businesswoman who plants a microphone in Rose's purse and spends most of the time in the back of her limousine parked outside the office building listening in on Rose's conversations. Elsewhere, Alex's wife Emma is seen with a therapist debating about asking him for a divorce. In the meantime, numerous film industry types pitch ideas for the next big hit film.
Cast
In the first run through, Headly's role as Dava Adair was performed by
Laurie Metcalf.
Production
The movie was shot with four hand-held digital cameras, in one take, on the sixteenth performance. Largely improvised, Figgis provided the actors with blank,
four-staff music manuscript paper, with each octave representing a camera view at that particular moment in time, up to the 93 minutes of camera capacity. The actors themselves personally kept track of the activities occurring in other camera points of view that were relative to their performance.
Rehearsals were
single-take
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production.
Film
In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each s ...
performances, filmed over fifteen days. Filmed in the mornings, with the actors fully involved, the footage was reviewed and discussed in the afternoons. Four separate monitors replayed each camera point of view simultaneously.
The first rehearsal recording was included as a bonus feature on the film's 2000 DVD release.
The film's action ends with closing activity in three quadrants and the following statement (no capitalization beyond film's title) in the fourth quadrant:
Reception
The
review aggregator website
Rotten Tomatoes gave ''Timecode'' a rating of 68% from 81 reviews. The website's consensus reads, "Not much of a story, but the execution is interesting."
Metacritic gave the film a score of 65 out of 100, based on 31 critic reviews.
See also
*
List of films featuring surveillance
*
Minimalist film
References
External links
*
*
*
*
Los Angeles, the City in Cinema: Timecode essay by Colin Marshall on Vimeo
{{Mike Figgis
2000 films
2000 drama films
American drama films
American independent films
2000 independent films
Films directed by Mike Figgis
Camcorder films
One-shot films
American avant-garde and experimental films
Screen Gems films
Films scored by Anthony Marinelli
Self-reflexive films
Films about time
Hyperlink films
2000s avant-garde and experimental films
Films about Hollywood, Los Angeles
2000s American films
Films set in Los Angeles
Films set in offices
2000s English-language films