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Tilang is a
raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a ...
in
Indian classical music Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as ''Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not ...
, that belongs to the Khamaj Thaat.


Scale

*
Arohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we g ...
(ascending scale): * Avarohana (descending scale): This raga has a Ni flat (ni komal) in the descent. Its defining characteristics are: PS'NS'nP, PS'NS'PnP; some ragis add a R (S*R*NS*PnP).


Vadi and samvadi

* Vadi note: Ga * Samvadi : Ni


In Carnatic music

This raga originated in Hindustani classical music and has been taken into
Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is o ...
.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is derived from the 28th Melakarta (parent scale) Harikambhoji. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. *
Arohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we g ...
: * Avarohana:


Compositions

''Shree Ganesha charanam'' composed by
Papanasam Sivan Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cine ...
is a popular composition set in this ragam. ''Ramakrishnaru Manege'', ''Tarakka Bindige'' By
Purandara Dasa Purandara Dasa ( IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding ...
''Satyavantara Sangaviralu'' By Kanaka Dasa


Film songs


Tamil


Scale similarities

* Gambhiranata raga is a symmetrical raga with N3 (Kakali nishadha) in both ascending and descending scales, while Tilang uses Kaisiki nishada (N2) in descending scale. * Savitri raga is a symmetrical raga with N2 (Kaisiki nishadha) in both ascending and descending scales, while Tilang uses Kakali nishada (N3) in ascending scale. Hence, Tilang has arohana of Gambhiranata, and avarohana of Savitri.


Notes


References

{{Rāgas as per Performance Time Janya ragas Ragas