Ticho Parly

Ticho Parly (né Frederick Christiansen) (16 July 1928 – 21 June 1993) was a Danish-born Heldentenor who sang leading roles in most of the major opera houses of Europe as well as the United States, including the Metropolitan Opera, where he debuted in 1966 as Tristan opposite Birgit Nilsson in ''Tristan und Isolde''.Bargreen (1 July 1993 )

Biography

Parly was born in Copenhagen on 16 July 1928. He began singing as a treble in his homeland, and grew into a bass-baritone. After studying in Denmark, France, Italy and Switzerland, as well as Indiana University, he went to New Orleans, where he resided from 1957 to 1960. There he studied with Charles Paddock (also the teacher of Thaïs St Julien, Anthony Laciura and Greer Grimsley) who "insisted" he become a tenor. In 1958 he made his operatic debut with the New Orleans Opera Association, in the secondary role of Pong in the local premiere of ''Turandot'', conducted by Renato Cellini. The next year, he sang Flavio in ''Norma'', as well as in ''Eine Nacht in Venedig'', this last for The Experimental Opera Theatre of America.

Within a few months, however, Parly was starring in Continental theatres, including Aachen where he sang Radamès in ''Aïda''. In the next few seasons, he would become acclaimed as one of the world's leading Heldentenors, appearing at Brussels (''Les contes d'Hoffmann'' staged by Maurice Béjart, 1961), Wuppertal (as Mephisto in Busoni's ''Doktor Faust'' and in ''Peter Grimes'', 1962), Lisbon (the Kaiser in ''Die Frau ohne Schatten'', 1962; and Herodes in ''Salome'', 1975), Kassel (''Die Frau ohne Schatten'' and ''Siegfried'', 1962; and ''Tannhäuser'' conducted by Christoph von Dohnányi, 1964), Amsterdam (''Doktor Faust'', 1962; and as Prince Chouïsky in ''Boris Godunov'', 1989), and Vienna (Ariadne auf Naxos, 1965; Der fliegende Holländer, 1967; and Einem's ''Der Besuch der alten Dame'', 1973).

In the summer of 1963, he made his debut at the Bayreuth Festival as Kunz Vogelgesang in Wieland Wagner's production of ''Die Meistersinger'', with Anja Silja as Eva. In 1966 he returned for the leading role of Siegmund in ''Die Walküre'' and, two years later, portrayed Siegfried in ''Siegfried'' (which he also sang at the Salzburg Festival, under Herbert von Karajan) and ''Götterdämmerung''. These were his last appearances at Bayreuth.

For the San Francisco Opera, he was seen in ''Die Frau ohne Schatten'', in 1960. In his native Copenhagen, Parly sang in ''Fidelio'' (as Florestan, 1963), ''Der fliegende Holländer'' (as Erik, 1963), ''Tannhäuser'' (1964), ''Elektra'' (as Ägisth, 1966) and ''Boris Godunov'' (directed by Harry Kupfer, 1988).

In 1965 Parly returned to New Orleans, for Tannhäuser, in Tito Capobianco's production. The same year found him in Mexico City for the same opera, now with Montserrat Caballé. In 1966, he recorded a disc of Wagner excerpts for Deutsche Grammophon conducted by Peter Maag (published on Compact Disc in 2017, with previously-unpublished recordings of excerpts from ''Fidelio'' and ''Der Freischütz''), and made his Covent Garden debut in ''Siegfried'' (with Hans Hotter and Sir Georg Solti) and returned for Tristan in ''Tristan und Isolde'' in 1973. In 1966, he performed in ''Fidelio'' at the Teatro Colón; the next year he sang Tristan there.

In the summer of 1968 he made his debut at Bayerische Staatsoper in ''Tristan und Isolde'', but the conductor, Joseph Keilberth, died conducting the second act and the performance was cancelled.

On 3 April 1966 Ticho Parly's wife Azilda gave birth to a daughter, Tina. In November the same year, he made his first appearance at the Metropolitan Opera, as Tristan opposite the Isolde of Birgit Nilsson. Two years later he sang there in ''Der fliegende Holländer'' (with Cornell MacNeil) and ''Elektra'' (with Nilsson and Jean Madeira). In 1967, Parly made his debut at the Teatro alla Scala in ''Salome'', followed by ''Tannhäuser'' (1967), and returned in 1971 for the Tambourmajor in Berg's masterpiece, ''Wozzeck'', conducted by Claudio Abbado.

In 1967 he also appeared at the Paris Opéra as Tannhäuser, and the next year as Siegmund. In 1970 he sang in concert performances of the first and third acts of ''Parsifal'' in Washington DC and New York City, with the Washington National Symphony. In 1971, he was in ''Der Besuch der alten Dame'' with Astrid Varnay, at Zurich. The same year the tenor sang ''Siegfried'' at the Scottish Opera, following that with ''Peter Grimes'' in 1973. Returning to the States in 1974, he portrayed Loge in ''Das Rheingold'' at the San Diego Opera

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