Tianqi Porcelain
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Tianqi porcelain or refers to Chinese underglaze blue porcelain made in the unofficial kilns of
Jingdezhen Jingdezhen is a prefecture-level city in eastern Jiangxi province with a total population of 1,669,057 (2018), bordering Anhui to the north. It is known as the "Porcelain Capital" because it has been producing Chinese ceramics for at least 1,0 ...
for a largely Japanese market in the 17th century. The term Tianqi (天啓; ''Tenkei'' in Japanese) is a reference to the
era name A regnal year is a year of the reign of a sovereign, from the Latin meaning kingdom, rule. Regnal years considered the date as an ordinal, not a cardinal number. For example, a monarch could have a first year of rule, a second year of rule, a t ...
of the reign of the
Tianqi Emperor The Tianqi Emperor (23 December 1605 – 30 September 1627), personal name Zhu Youjiao, was the 16th emperor of the Ming dynasty, reigning from 1620 to 1627. He was the eldest son of the Taichang Emperor and an elder brother of the Chongzhen ...
(r. 1621–1628) during the late
Ming dynasty The Ming dynasty, officially the Great Ming, was an Dynasties of China, imperial dynasty of China that ruled from 1368 to 1644, following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming was the last imperial dynasty of ...
, but the style and the name are not limited to his reign. Over the same period the related transitional porcelain was being made. Generally speaking, Tianqi porcelain was one variety of porcelain among various styles of the
Jingdezhen Jingdezhen is a prefecture-level city in eastern Jiangxi province with a total population of 1,669,057 (2018), bordering Anhui to the north. It is known as the "Porcelain Capital" because it has been producing Chinese ceramics for at least 1,0 ...
unofficial kilns from the time of production breakdown of the official kilns at the death of the
Wanli Emperor The Wanli Emperor (4 September 1563 – 18 August 1620), also known by his temple name as the Emperor Shenzong of Ming, personal name Zhu Yijun, art name Yuzhai, was the 14th List of emperors of the Ming dynasty, emperor of the Ming dynasty, reig ...
in 1620 to a time of reorganization in 1683 during the reign of the
Kangxi Emperor The Kangxi Emperor (4 May 165420 December 1722), also known by his temple name Emperor Shengzu of Qing, personal name Xuanye, was the third emperor of the Qing dynasty, and the second Qing emperor to rule over China proper. His reign of 61 ...
during the
Qing dynasty The Qing dynasty ( ), officially the Great Qing, was a Manchu-led Dynasties of China, imperial dynasty of China and an early modern empire in East Asia. The last imperial dynasty in Chinese history, the Qing dynasty was preceded by the ...
. The Tianqi ware, and other associated wares, display a refreshing spontaneity of design that makes them unique in Chinese ceramic history. The influence of the master landscape artist
Dong Qichang Dong Qichang (; courtesy name Xuanzai (玄宰); 1555–1636) was a Chinese art theorist, Calligraphy, calligrapher, Painting, painter, and politician of the later period of the Ming dynasty. Life as a scholar and calligrapher Dong Qichang was a ...
(1555–1636) can be discerned in the use of a dark and light color contrast. Designs for this ware are usually landscapes, birds and flowers, animals, and human figures. Sizes are usually small to mid-size flatware and bowls. Many examples of the ware were treasured in Japan as part of the
tea ceremony Tea ceremony is a ritualized practice of making and serving tea (茶 ''cha'') in East Asia practiced in the Sinosphere. The original term from China (), literally translated as either "''way of tea''", "''etiquette for tea or tea rite''",Heiss, M ...
culture. Many examples of this ware show an unmistakable Japanese influence and it is thought that they were especially ordered from Japan by period tea masters. This ware is also known in Japan as ''ko sometsuke'' (古染付け) or "old blue-and white". Base inscriptions are usually those from previous reigns in the dynasty with a preference for the Chenghua reign mark.


References

* Hanaoka and Barberri trans., Masahiko Sato, ''Chinese Ceramics: A Short History'', Weatherhill, New York and Tokyo, 1981, pp. 195–205. {{Porcelain Chinese porcelain