Théâtre De La Cité-Variétés
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The Théâtre de la Cité-Variétés, also known simply as the Théâtre de la Cité, was an entertainment venue now demolished, located in the former rue Saint-Barthélemy, now the , on the
Île de la Cité The Île de la Cité (; English: City Island, "Island of the City") is one of the two natural islands on the Seine River (alongside, Île Saint-Louis) in central Paris. It spans of land. In the 4th century, it was the site of the fortress of ...
in the modern
4th arrondissement of Paris The 4th arrondissement of Paris (''IVe arrondissement'') is one of the twenty Arrondissements of Paris, arrondissements of Paris, the capital city of France. In spoken French, this arrondissement is referred to as ''quatrième''. Along with the 1 ...
. The theatre had a capacity of 1,800–2,000 spectators.


History

Built by the architect (who also designed the
Théâtre de la Porte Saint-Martin The Théâtre de la Porte Saint-Martin () is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to hou ...
) on the site of the Église Saint-Barthélemy, which façade it retained, the hall was inaugurated on 20 October 1792.Wild 1989, pp. 86–89. From October 1792 to November 1793 it was named Théâtre du Palais-Variétés because of its proximity to the Palais de Justice. The venue was later renamed Théâtre de la Cité-Variétés. From October 1792 to May 1800 the theatre was managed by Nicolas Lenoir, also known as Lenoir du Romain, and his nephew, known as Lenoir de Saint-Edme. Thereafter, it had a number of different managers, including Nicolas Cammaille-Saint-Aubin (May 1800 – February 1801), César Ribié and Louis Ferville (3 February – August 1801), Lenoir de Saint-Edme (November 1802 – September 1803, 23 October 1803 – June 1805), and an association of actors under the direction of Jean-François de Brémond de la Rochenard, ''dit'' Beaulieu (4 August 1805 – September 1806). The repertory included comedies, '' comédies-vaudevilles'',
melodramas A melodrama is a dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on dial ...
, patriotic scenes, '' opéras-bouffes'', '' opéras-folies'', '' opéras-comiques'', '' ballets-pantomimes'', and
pantomimes Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or f ...
. From 16 November to 6 December 1801 a German troupe known as the Théâtre Mozart, directed by Haselmayer and the bass Elmenreich, presented the first operas to be performed in German in Paris: ''
Die Entführung aus dem Serail ' () (Köchel catalogue, K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's . The plot concer ...
'' by Mozart (16 November), ''Das rothe Käppchen'' by
Carl Ditters von Dittersdorf Carl Ditters von Dittersdorf (2 November 1739 – 24 October 1799) was an Austrian composer and violinist. He was a friend of both Haydn and Mozart. (webpage has a translation button) His best-known works include the German singspiel '' Doktor un ...
(21 November), ''Das Neusonntagskind'' by
Wenzel Müller Wenzel Müller (26 September 1767 – 3 August 1835) was an Austrian composer and Conducting, conductor. He is regarded as the most prolific opera composer of all time with his 166 operas. Life and career Müller was born in Městečko Trnávka ...
(25 November), ''Der Spiegel von Arkadien'' by
Franz Xaver Süssmayr Franz Xaver Süssmayr or Süßmayr (; 1766 – September 17, 1803), also anglicized as Suessmayr, was an Austrian composer and conductor. Popular in his day, he is now known primarily as the composer who completed Wolfgang Amadeus Mozart's unfini ...
(29 November), ''Der Tiroler Wastel'' by Jakob Haibel (30 November), and ''Das Sonnenfest der Braminen'' by Müller (3 December). The conductor of the French orchestra was
Frédéric Blasius Frédéric Blasius (24 April 1758, in Lauterbourg – 1829, in Versailles) was a French violinist, clarinetist, conductor, and composer. Born Matthäus ( French: Matthieu, Mathieu) Blasius, he used Frédéric as his pen name on his publicatio ...
, who came from a German family.Wild 1989, p. 87; Castil-Blaze 1856, p. 468. Other groups sometimes used the theatre on the odd nights, when the resident company was not performing. From 11 June to 1 October 1799, the artists of the Odéon (destroyed by fire on 18 March) found sanctuary at the Cité. Beginning on 22 January 1804 the artists of the Théâtre Olympique on the Rue de la Victoire performed at the Cité for one year. From 22 January 1804 to 4 June 1807 the troupe of the Variétés-Montansier, evicted from their theatre at the Palais-Royal, appeared at the Cité. Napoleon's
decree on the theatres On 10 thermidor year 15 (29 July 1807), Napoleon I of France signed a decree reducing the number of theatres in Paris to eight, giving the force of law to a decree of the interior minister of 25 April that same year. This measure cut short an exp ...
of 29 July 1807 condemned the Théâtre de la Cité to oblivion. The final performance was on 10 August 1807.


Bal du Prado

Lenoir constructed a ballroom on the site in January 1809, which in 1846 took the name Bal du Prado, itself razed in 1859 to allow for the construction of the
tribunal de commerce de Paris The Tribunal de commerce de Paris ("Paris commercial court ouse), until 1968 Tribunal de commerce de la Seine, refers both to the tribunal de commerce of Paris, a commercial court, and to the building that hosts it on the Île de la Cité in Pa ...
. File:Quai aux fleurs, 1855.jpg, Le bal du Prado, on the site of the former theatre, c. 1855 File:Bal du Prado, 1855.jpg, Le bal du Prado in 1855, by Theodor Josef Hubert Hoffbauer


See also

*
List of former or demolished entertainment venues in Paris This page is a list of former or demolished theatres and other entertainment venues. For currently operating theatres, see List of theatres and entertainment venues in Paris. List Bibliography

* Philippe Chauveau, ''Les Théâtres pa ...


Notes


Bibliography

*
Castil-Blaze François-Henri-Joseph Blaze, known as Castil-Blaze (1 December 1784 – 11 December 1857), was a French musicologist, music critic, composer, and music editor. Biography Blaze was born and grew up in Cavaillon, Vaucluse. He went to Paris ...
(1856). ''Théâtres lyriques de Paris. Opéra italien de 1548 à 1856''. Paris: Castil-Blaze
Copy
at Google Books. * Donnet, Alexis (1821). ''Architectonographie des théâtres de Paris''. Paris: P. Didot l'ainé
Copy
at Google Books. See the chapte
"Théâtre de la Cité"
* Lecomte, L.-Henry (1910). ''Le Théâtre de la Cité''. Paris: Daragon
View
at the Internet Archive. * Loewenberg, Alfred (1978). ''Annals of Opera 1597–1940'' (third edition, revised). Totowa, New Jersey: Rowman and Littlefield. . * Wild, Nicole (
989 Year 989 ( CMLXXXIX) was a common year starting on Tuesday of the Julian calendar. Events By place Byzantine Empire * Emperor Basil II uses his contingent of 6,000 Varangians to help him defeat Bardas Phokas (the Younger), who suffe ...
. ''Dictionnaire des théâtres parisiens au XIXe siècle: les théâtres et la musique''. Paris: Aux Amateurs de livres. . (paperback)
View formats and editions
at
WorldCat WorldCat is a union catalog that itemizes the collections of tens of thousands of institutions (mostly libraries), in many countries, that are current or past members of the OCLC global cooperative. It is operated by OCLC, Inc. Many of the O ...
. {{DEFAULTSORT:Theatre de la Cite varietes Former buildings and structures in Paris Cite varietes