Thomas Duffet
   HOME

TheInfoList



OR:

Thomas Duffet (
fl. ''Floruit'' ( ; usually abbreviated fl. or occasionally flor.; from Latin for 'flourished') denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indic ...
1673 – 1676), or Duffett, was an Irish playwright and songwriter active in England in the 1670s. He is remembered for his popular songs and his burlesques of the serious plays of
John Dryden John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate of the United Kingdom, Poet Laureate. He is seen as dominating the literary life of Restoration (En ...
,
Thomas Shadwell Thomas Shadwell ( – 19 November 1692) was an English poet and playwright who was appointed Poet Laureate of the United Kingdom, Poet Laureate in 1689. Life Shadwell was born at either Bromehill Farm, Weeting-with-Broomhill or Santon House, Ly ...
,
Elkanah Settle Elkanah Settle (1 February 1648 – 12 February 1724) was an English poet and playwright. Biography He was born at Dunstable, and entered Trinity College, Oxford, in 1666, but left without taking a degree. His first tragedy, '' Cambyses, King ...
and Sir
William Davenant Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned bo ...
. By profession, Duffet was a milliner who maintained a shop in the New Exchange in London. Virtually nothing is known of his life apart from his surviving works. A Thomas Duffet confessed to forgery in 1677 and this may have been the author. Duffet's plays show a close familiarity with the lower and criminal classes of London society, perhaps suggesting first-hand knowledge.


Plays

Duffet's dramatic canon is uncertain and in dispute among scholars and critics. Six plays are generally attributed to him with a fair degree of certainty: *'' The Spanish Rogue'', 1673 (printed 1674) * '' The Amorous Old Woman'', 1674 * '' The Mock Tempest, or the Enchanted Castle'', 1674 (1675) * ''The Empress of Morocco: a Farce'', 1674 * '' Psyche Debauch'd'', 1675 (1678) * ''Beauty's Triumph'', 1676. (The plays were first printed in the years they were staged, except where noted.) Duffet started as a conventional dramatist. His earliest two works were comedies. The market steered him in a different direction. ''The Spanish Rogue'' has been called "the best of all this author's dramatic works, yet it met with very indifferent success". Upon publication, the play was dedicated to
Nell Gwyn Eleanor Gwyn (also spelled Gwynn, Gwynne; 2 February 1650 – 14 November 1687) was an English people, English stage actress and celebrity figure of the Stuart Restoration, Restoration period. Praised by Samuel Pepys for her comic performances ...
. Duffet had much greater success in mocking other men's plays. Burlesque was a new development in English theatre in Duffet's generation. Sir
William Davenant Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned bo ...
's '' The Playhouse to Be Let'' (1663; printed 1673) has been called the first burlesque in English drama. Duffett was the one author who took the greatest advantage of this new development in theatrical fashion, prior to
Henry Fielding Henry Fielding (22 April 1707 – 8 October 1754) was an English writer and magistrate known for the use of humour and satire in his works. His 1749 comic novel ''The History of Tom Jones, a Foundling'' was a seminal work in the genre. Along wi ...
and other writers of the following century. Like other practitioners of
farce Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical comedy, physical humor; the use of delibe ...
and burlesque, Duffet often responded quickly to developments in contemporary society. '' The Tempest, or the Enchanted Island'', Dryden and Davenant's 1667 adaptation of
Shakespeare's William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
''
The Tempest ''The Tempest'' is a Shakespeare's plays, play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone. After the first scene, which takes place on a ship at sea during a tempest, th ...
'', was first staged in Thomas Shadwell's "opera" version in 1674 and his parody of it was on the stage before the end of the year. Duffet also parodied Settle's ''The Empress of Morocco'' (1673) and Shadwell's opera ''Psyche'' (1675). As a dramatist, Duffet worked primarily for the
King's Company The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure 1642, London theatre closure had been lifted at the start of the English Restoration. It existed from 166 ...
; the plays he parodied were works staged by the rival
Duke's Company The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under the patronage of Prince James, Duke of York. During that period, theatres ...
. The King's Company was in major difficulty in the years after its grand venue, the
Theatre Royal, Drury Lane The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and listed building, Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) an ...
, burned down in 1672. Duffet's burlesques show the King's Company's determination to compete with its rivals despite this immediate disadvantage. Subsequent generations of critics, who took their drama very seriously, did not look kindly upon Duffet's effusions. "As pearls before swine, so were Shakspere's plays in the eyes of the hog Duffet" is one of many hostile comments in the relevant literature. Much of this reaction is a response to the abundant sexual humor in Duffet's work, though modern critics with a greater tolerance for such material have taken a less harsh view of Duffet. In contrast to most of Duffet's drama, ''Beauty's Triumph'' was a
masque The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A mas ...
, staged, as its
title page The title page of a book, thesis or other written work is the page at or near the front which displays its title (publishing), title, subtitle, author, publisher, and edition, often artistically decorated. (A half title, by contrast, displays onl ...
attests, "by the Scholars of Mr. Jeffrey Banister and Mr. James Hart, at their new Boarding School for Young Ladies and Gentlewomen ... at Chelsea".


Songs

Duffet's songs have been compared to the songs of
Henry Purcell Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version o ...
and
Thomas Arne Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song " Rule, Britannia!" and the song " A-Hunting We Will Go", the latter composed for a 1777 production of '' The Beggar's Opera'', w ...
in style. "Come All You Pale Lovers", "To Francelia", "The Mistake", "Uncertain Love" and "Since Cœlia's My Foe" are considered among his best.Charles A. Read: ''The Cabinet of Irish Literature'' vol. 1 (London: Blackie & Son, 1893), p. 69-70. Duffet's collection ''New Poems, Songs, Prologues and Epilogues'' was published in 1676 by the bookseller Nicholas Wolfe. The title page states that the musical arrangements for the songs were "set by the most eminent musicians about the town".


References

{{DEFAULTSORT:Duffet, Thomas Year of birth unknown 1676 deaths 17th-century Irish dramatists and playwrights English dramatists and playwrights Irish male dramatists and playwrights 17th-century Irish male writers Irish male classical composers Irish male songwriters English male dramatists and playwrights Irish milliners British milliners 17th-century Irish songwriters 17th-century Irish classical composers