The Humorous Courtier
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''The Humorous Courtier'', also called ''The Duke'', is a
Caroline era The Caroline era is the period in English and Scottish history named for the 24-year reign of Charles I of England, Charles I (1625–1649). The term is derived from ''Carolus'', Latin for Charles. The Caroline era followed the Jacobean era, the ...
stage play, a
comedy Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greec ...
written by
James Shirley James Shirley (or Sherley) (September 1596 – October 1666) was an English dramatist. He belonged to the great period of English dramatic literature, but, in Charles Lamb (writer), Charles Lamb's words, he "claims a place among the worthies of ...
, first published in
1640 Events January–March * January 6 – The Siege of Salses ends almost six months after it had started on June 9, 1639, with the French defenders surrendering to the Spanish attackers. * January 17 – A naval battle over ...
. ''The Humorous Courtier'' was licensed for performance by Sir Henry Herbert, the
Master of the Revels The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberla ...
, on 17 May
1631 Events January–March * January 23 – Thirty Years' War: Sweden and France sign the Treaty of Bärwalde, a military alliance in which France provides funds for the Swedish army invading northern Germany. * February 5 &ndas ...
, under the title ''The Duke.'' Like most of Shirley's plays, it was acted by
Queen Henrietta's Men Queen Henrietta's Men was an important playing company or troupe of actors of the Caroline era in London, England. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnin ...
at the
Cockpit Theatre The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a s ...
. As ''The Humorous Courtier'', the play was entered into the
Stationers' Register The Stationers' Register was a record book maintained by the Stationers' Company of London. This was a trade guild given a royal charter in 1557 to regulate the various professions associated with England's publishing industry, including prin ...
on 29 July
1639 Events January–March * January 19 – Hämeenlinna () is granted privileges, after it separates from the Vanaja parish, as its own city in Tavastia. *c. January – The first printing press in British North America is ...
. The 1640
quarto Quarto (abbreviated Qto, 4to or 4º) is the format of a book or pamphlet produced from full sheets printed with eight pages of text, four to a side, then folded twice to produce four leaves. The leaves are then trimmed along the folds to produc ...
, printed by Thomas Cotes for the bookseller William Cooke, contains an interesting bibliographic feature in its prefatory material: a catalogue of 20 plays by Shirley published to that date.David Moore Bergeron, ''Textual Patronage in English Drama, 1570–1640'', London, Ashgate, 2006; p. 207. Such catalogues were only then coming into existence. (Since Cooke had already published a number of Shirley's plays, this promotional catalogue served his own interest.) As its title indicates, the play is a ''humors'' comedy. That subgenre was initiated by
George Chapman George Chapman ( – 12 May 1634) was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman is seen as an anticipator of the metaphysical poets of the 17th century. He is ...
with his '' An Humorous Day's Mirth'' (
1597 Events January–March * January 4 – Japan's Chancellor of the Realm, Toyotomi Hideyoshi, sends 26 European Christians, arrested on December 8, 1596, on a forced march from Kyoto to Nagasaki. * January 24 – Battle of Turnhout: M ...
), but is most strongly associated with
Ben Jonson Benjamin Jonson ( 11 June 1572 – ) was an English playwright, poet and actor. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satire, satirical ...
, whose plays ''
Every Man in His Humour ''Every Man in His Humour'' is a 1598 play by the English playwright Ben Jonson. The play belongs to the subgenre of "humours comedy", in which each major character is dominated by an over-riding humour or obsession. First performance All th ...
'' and ''
Every Man Out of His Humour ''Every Man out of His Humour'' (also spelled ''Humor'' in some early editions) is a satirical comedy play written by English playwright Ben Jonson, acted in 1599 by the Lord Chamberlain's Men. The play The play is a conceptual sequel to his 15 ...
'' defined the form. Later writers also worked in the humors vein, as John Fletcher did in his
tragicomedy Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the ov ...
''The Humorous Lieutenant'' (c. 1619). As the Duchess of
Mantua Mantua ( ; ; Lombard language, Lombard and ) is a ''comune'' (municipality) in the Italian region of Lombardy, and capital of the Province of Mantua, eponymous province. In 2016, Mantua was designated as the "Italian Capital of Culture". In 2 ...
says of her courtiers, "They are mad humours, and I must physic them."


Synopsis

The Duke of
Parma Parma (; ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmesan, cheese and surrounding countryside. With a population of 198,986 inhabitants as of 2025, ...
, Foscari, has been plying his marriage suit to the Duchess of Mantua—but he suddenly disappears from her court. The Duchess announces that she intends to select a husband from her own courtiers. Egged on by her new favorite Giotto and her lady in waiting Laura, each lord flatters himself that he is the favored candidate. Depazzi practices his eloquence with rehearsed speeches, while Volterre prides himself on his command of foreign languages. Contarini, a married man, actually tries to convince his wife to kill herself to leave him single again; when she naturally declines, he attempts to bribe Giotto into committing adultery with her so that a divorce can result. The misogynistic Orseolo portrays himself as a great lover; the elderly Comachio joins his compatriots in making a fool of himself. In the end, the Duchess gently mocks and reproves her eccentric courtiers, and announces that she will marry Giotto—who turns out to be the Duke of Parma in disguise.


References

{{DEFAULTSORT:Humorous Courtier, The English Renaissance plays 1631 plays Plays by James Shirley