''The Fatal Wedding'' is a play by Theodore Kremer and a 1911 Australian

silent film A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, w ...

directed by

Raymond Longford Raymond Longford (born John Walter Hollis Longford; 23 September 18782 April 1959) was a prolific Australian film director, writer, producer, and actor during the silent era. Longford was a major director of the silent film era of the Australia ...

based on the melodrama, which he and

Lottie Lyell Lottie Lyell (born Charlotte Edith Cox, 23 February 1890 – 21 December 1925) was an Australian actress, screenwriter, film editing, editor and filmmaker. She is regarded as Australia's first film star, and also contributed to the local industr ...

toured around Australia.Raymond Longford
at

Australian Dictionary of Biography The ''Australian Dictionary of Biography'' (ADB or AuDB) is a national co-operative enterprise founded and maintained by the Australian National University (ANU) to produce authoritative biographical articles on eminent people in Australia's ...

It was Longford's debut feature as director and one of the most popular Australian movies of its day. It is considered a

lost film A lost film is a feature film, feature or short film in which the original negative or copies are not known to exist in any studio archive, private collection, or public archive. Films can be wholly or partially lost for a number of reasons. ...

Original play

Theodore Kremer's play appeared on Broadway in 1901 and was popular in England, the US and Australia.

Mary Pickford Gladys Louise Smith (April 8, 1892 – May 29, 1979), known professionally as Mary Pickford, was a Canadian-American film actress and producer. A Canadian pioneers in early Hollywood, pioneer in the American film industry with a Hollywood care ...

appeared in productions of the play early in her career. Kremer later wrote a companion play in 1902, ''For Her Children's Sake''. The play was the subject of an unsuccessful plagiarism action.

Synopsis

An adventuress, Cora Williams is in love with Howard Wilson, even though he is happily married to Mabel, and they have small children. Cora gets a man called Curtis to pretend to be in love with Mabel and engineers a situation where Howard walks in on them and gets the wrong impression. It works, Howard divorces Mabel and gets custody of their children Jessie and Frankie. Mabel winds up abducting them. Five years later Cora discovers Mabel living in poverty with the children. She tries to poison Mabel and frame Jessie on a charge of theft but is unsuccessful. Howard and Mabel eventually reconcile and live with their children.

Film

Cast

as Mabel Wilson *

as Howard Wilson * Walter Vincent as Robert Curtis * Tom Cosgrove as Toto * Henry Saville as Peter Schwartz * George Ellis as Constable O'Reilly * Mr Henderson as Reverend Dr Lanceford * Miss Clare as Cora Williams * Helen Fergus as Bridget * Elsie Rennie as Jessie * Master Anson as Frankie

Production

Although Longford had appeared in several films as an actor and helped make a documentary about the

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–

Johnson Johnson may refer to: People and fictional characters *Johnson (surname), a common surname in English * Johnson (given name), a list of people * List of people with surname Johnson, including fictional characters *Johnson (composer) (1953–2011) ...

fight in 1908, this was his first feature as director. It was also Lottie Lyell's first movie. Longford and Lyell had acted in the play when it toured around Australia under the management of entrepreneur

Philip Lytton Philip Lytton, (died 21 November 1949) real name Charles Ernest Phillips, was an Australian actor and theatrical entrepreneur best known for producing theatre shows that toured throughout Australia in the early part of the twentieth century. He st ...

Shooting

Various figures have been given for the budget - the earliest report said it was more than £500. Higgins said £2,000 Shooting took place largely in an artist's studio in Bondi with a roof taken off and six-foot reflectors used to improve the lighting. Longford claimed it was the "first interior picture taken in Australia."

Differences from the play

According to contemporary reviews, the one departure from the stage show was the introduction of a motor car in the scene which shows little Jessie (Elsie Rennie) leaving Paradise Alley with a bodyguard of poor children. Another reviewer said the ending was changed; the play finished in the church but Longford "introduces for a finish the restoration of Mabel to her husband and family amidst the glow of glorious Australian scenery." The famous scene from the play involving the Tin Can Band was recreated. When the film was screened a real band played behind the screen.

Reception

Advertising claimed the film would "inaugurate a new era in motion photography". It was previewed on 21 April 1911.

Critical

The ''Sydney Morning Herald'' wrote that

The acting throughout is of a very high standard and all the great features and powerful scenes of the drama are most vividly and clearly portrayed. The film itself is unusually good the objectionable flicker being reduced to a minimum and all the figures and background standing out with great clearness and definition. The "Tin Can Band" is here wonderfully pictured, the Little Mother is all the time excellent and the adult characters are seen to great advantage throughout.

The critic from the Sydney ''Sunday Times'' said that:

Although the play is American, Mr. C. Spencer is justified in presenting the
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.. as an example of Australian art. Everything about the play in its new form is Australian. A company which was formed in Sydney acted the melodrama for Mr. Spencer's operators, and one may recognise Bondi in the outdoor scenes – notably in the episode of the cliff house and the escape of the little heroine... After a cinematograph series of 'Australian Bushrangers,' it is a relief to see bright-faced and happy-hearted children representing the better, even if the poorer, side of life in this part of the world... Jessie, the little mother' with the Tin Can Band of youngsters, made ''The Fatal Wedding'' a success when it was first played here at the Criterion Theatre. And it is the kiddies who make the success of Mr. Spencer's reproduction under the direction of Mr. R. H. Longford. In the 'children's party' scene of the third act one song is cleverly counterfeited by a child behind the screen and 'hidden noises' lend an air of realism when the juvenile band shouts with joy or rattles the tin cans. To make up for the absence of songs at this point there is a good deal more dancing than one saw in the play itself.

The Perth ''Sunday Times'' said that " The lady who plays the she-villain... is without doubt the woodenest dolt that ever spoilt good celluloid." The ''Bulletin'' said the film "has been a howling success, just as it was in its drama form, and the measure of that success is a scathing commentary on the artistic taste of Sydney public — unless the Sydney public applauded it merely as a photographic masterpiece." The same magazine later said "the thing is spectacular, and some of the situations have thrills in them, while the drivel of the "book" is unheard. The result is that the picture-goer gets his money's worth, while the old theatre-goer got too much... the choice of light does the stripling igginscredit."

Box office

''The Fatal Wedding'' was a big success at the box office in Sydney – the Governor General even attended a screening. It then played Melbourne and the rest of Australia and was very popular, launching the cinema careers of Longford and Lyell, as well as enabling producer

Cosens Spencer Spencer Cosens (12 February 1874 – 10 September 1930) best known as Cosens Spencer and posthumously as Charles Cozens Spencer, was a British-born Canadian film exhibitor and producer, a significant figure in the early years of the Australian f ...

to establish a film studio at Rushcutter's Bay in Sydney. It was still screening in cinemas in 1914. Spencer sold the Queensland rights to E. J. Carroll for £5,000. Spencer reportedly made £5,000 from it. In 1922 Longford claimed the film made a profit of £16,000.

Historical significance

Longford later claimed the movie was the first domestic drama picture using interiors made in Australia. Some have also argued this film was the first to introduce the close up.

Arthur Higgins Arthur Embery Higgins (25 October 189122 September 1963) was a pioneering Australian cinematographer known for his use of trick photography during the silent era. His ongoing collaborations with director Raymond Longford include ''The Sentimen ...

backed this claim in the 1960s, saying it was he who suggested it. He said he was taking the usual long shot when he mentioned to Longford, "Ray, I think we'll move in closer for this shot."

Other versions

The play was filmed in 1914 by

Biograph Studios Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York, which was preceded by two locations in Manhattan. History 841 Broadway ...

in the US. In November 1922 Longford announced he would remake the film but this did not happen. In 1933

Cinesound Productions Cinesound Productions Pty Ltd was an Australian feature film production company. Established in June 1931, Cinesound developed out of a group of companies centred on Greater Union, Greater Union Theatres that covered all facets of the film proc ...

announced plans to make a sound version of the play but this did not eventuate.

References

External links

* * {{DEFAULTSORT:Fatal Wedding, The 1911 films Australian silent feature films Australian black-and-white films Films directed by Raymond Longford Lost Australian drama films 1911 drama films 1910s melodrama films 1911 lost films Silent Australian drama films 1910s Australian films Australian films based on plays 1910s English-language films English-language drama films