The Adventures Of Amina Al-Sirafi
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''The Adventures of Amina al-Sirafi'' is a 2023
historical fantasy Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic (fantasy), magic) into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those c ...
novel by Shannon Chakraborty. It is the first novel in a planned trilogy. The novel was a finalist for the 2024
Hugo Award for Best Novel The Hugo Award for Best Novel is one of the Hugo Awards given each year by the World Science Fiction Society for science fiction or fantasy stories published in, or translated to, English during the previous calendar year. The novel award is ava ...
.


Plot

In a frame story, pirate captain Amina al-Sirafi narrates her tale to the scribe Jamal. After retiring, Amina lives a quiet life with her daughter Marjana. A woman named Salima tells Amina that her granddaughter Dunya is missing. Dunya’s father was Asif, one of Amina’s crew members who died under unclear circumstances. Dunya has disappeared after meeting with a
Frankish Frankish may refer to: * Franks, a Germanic tribe and their culture ** Frankish language or its modern descendants, Franconian languages, a group of Low Germanic languages also commonly referred to as "Frankish" varieties * Francia, a post-Roman ...
mercenary and occultist named Falco Palamenestra. Amina recruits a team of her former crewmates to retrieve Dunya. These include Dalila, an expert poisoner; Tinbu, her first mate; and Majed, her navigator. They sail aboard the ''Marawati''. Amina learns that Dunya is leading Falco to the Moon of Saba, a pearl rumored to have magical powers. The pearl is said to have been given to Queen Bilqis by the moon
manzil For the convenience of those who read the Quran in a week the text may be divided into seven portions, each known as Manzil. The following division to 7 equal portions is by Hamzah az-Zaiyyat (d.156/772): # Al-Fatiha (chapter 1) through an-Ni ...
Al-Dabaran. The ''Marawati'' tracks Falco to
Socotra Socotra, locally known as Saqatri, is a Yemeni island in the Indian Ocean. Situated between the Guardafui Channel and the Arabian Sea, it lies near major shipping routes. Socotra is the largest of the six islands in the Socotra archipelago as ...
. There, Amina is confronted by a demon named Raksh. Raksh is Amina’s husband, Marjana’s father, and the creature responsible for Asif’s death. He is still bound to Amina by their marriage contract and unbeknownst to Raksh, the existence of their daughter. The ''Marawati'' rescues Dunya. She tells Amina that the Moon of Saba is not a pearl at all, but a wash basin that holds the spirit of Al-Dabaran. Dunya admits that she was not kidnapped; she went with Falco willingly because she has been questioning her
gender identity Gender identity is the personal sense of one's own gender. Gender identity can correlate with a person's assigned sex or can differ from it. In most individuals, the various biological determinants of sex are congruent and consistent with the in ...
and is fleeing an
arranged marriage Arranged marriage is a type of Marriage, marital union where the bride and groom are primarily selected by individuals other than the couple themselves, particularly by family members such as the parents. In some cultures, a professional matchmaki ...
. Falco and his captive
marid A marid ( ') is a type of devil (''shayṭān'') in Islamic tradition. The Arabic word, meaning "rebellious," is applied to such supernatural beings. Hans Wehr's '' A Dictionary of Modern Written Arabic'' defines ''marid'' as a "demon" or "gian ...
capture the ''Marawati''. In exchange for Dunya’s cooperation, Falco agrees to let the ''Marawati’s'' crew live. He stabs Amina and throws her overboard. Amina and Raksh wash ashore on a magical island. Amina drinks water from the island, which grants her magical powers. This violates the laws of the peri who rule the island; they believe in a strict separation between human and magical realms. Amina is granted permission to leave the island in exchange for hunting down five magical artifacts, including the Moon of Saba. Amina has a flashback to the night that Asif died. Asif had died from a plague, but as a result of a contract with Raksh, his corpse rose from the dead and became violent. Amina was forced to burn the reanimated corpse, traumatizing herself and the rest of the crew. Back on Socotra, Amina reaches Dunya and Falco just as they retrieve the Moon of Saba. Amina and Dunya destroy the Moon of Saba, free Al-Dabaran, and kill Falco. Amina and her crew agree to continue hunting down magical relics. Amina returned to her family. Dunya embraces the name Jamal and lives as a
trans man A trans man or transgender man is a man who was assigned female at birth. Trans men have a male gender identity, and many trans men undergo medical and social transition to alter their appearance in a way that aligns with their gender identi ...
. Amina refuses to return him to Salima. She begins to recount her adventures to Jamal and Marjana.


Style

The story is narrated by Amina in first person narration as she speaks to a scribe. Throughout the book, interludes relate tales of the Moon of Saba.


Background

The novel is set in the same universe as Chakraborty's '' Daevabad Trilogy'', though it is set several centuries earlier. In an interview with Kalyani Saxena, Chakraborty explains that she wrote the book during the
COVID-19 pandemic The COVID-19 pandemic (also known as the coronavirus pandemic and COVID pandemic), caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), began with an disease outbreak, outbreak of COVID-19 in Wuhan, China, in December ...
, mostly between the hours of 4 A.M. and 6 A.M. before her daughter's online school began. This inspired the theme of motherhood which is explored in the novel. Chakraborty also stated that Amina's journey away from
Islam Islam is an Abrahamic religions, Abrahamic monotheistic religion based on the Quran, and the teachings of Muhammad. Adherents of Islam are called Muslims, who are estimated to number Islam by country, 2 billion worldwide and are the world ...
and back to faith is "an intrinsic part of my religion and my journey ... I wanted to show that you can fail and you can do terrible things and you can still even struggle ... but that that’s okay."


Reception

''Bookpage'' gave the novel a starred review, calling it "a swashbuckling high seas quest that’s rousing, profound, and irresistible." The review praised the chemistry between the main characters as well as the "impressively researched history" underpinning the setting. ''Kirkus'' gave the novel a starred review, writing that the novel has "swashbuckling that puts Sindbad to shame". The review praised Chakraborty's decision to use a middle-aged mother as a protagonist as opposed to the more common "young, inexperienced hero or ... grizzled loner veteran". Amina "exists in a society where women are expected to stay home and tend to family", and must balance her love for her daughter and her love for adventure. Writing for the ''New York Times'', author Tochi Onyebuchi noted that "there's a reason why 'one last job' remains such a popular and powerful subgenre". Onyebuchi also noted that "what is most refreshing about he novelis how concerned Amina is for the state of her soul." Despite the fact that she often drinks alcohol and misses prayer, he feels that "Amina's religiosity feels intimate and lived-in". He also praised the "adroit commentary on class conflict, piety, warfare and gender politics, particularly how these things are perpetuated through myth and storytelling". A review by Chris Kluwe in ''Lightspeed'' notes that the novel feels "like a heist movie à la Ocean’s Eleven or
The Italian Job ''The Italian Job'' is a 1969 British comedy Caper story, caper film written by Troy Kennedy Martin, produced by Michael Deeley, directed by Peter Collinson (film director), Peter Collinson, and starring Michael Caine. The film's plot centres ...
." Kluwe also commented on the snappy dialogue and the novel's complex portrayal of the major characters. Lacy Baugher Milas of ''Paste Magazine'' wrote that the novel is "one part traditional heist story and one part magical adventure". She believes that the novel pushes back against the traditional tropes in pirate stories, which can include "swordfights, rum, probably some treasure, ndmaybe a little misogyny". In contrast to many fantasy stories, in which the heroine may start as a young woman who goes on a journey of self-discovery, the novel starts in the middle of Amina's life. This is "a perspective and a character type we see very infrequently in this genre". A review in ''Grimdark Magazine'' praised the "nuanced treatment of queer characters within the historical and religious context of the story" as well as the "weaving in of stories, using the past as something of a mythologized tale to create a larger-than-life version of Amina". ''Publishers Weekly'' praised the novel, stating "this swashbuckling adventure is sure to delight". The review positively commented on the cast, the plot, and the dry humor. A review for Tor.com notes that the ending is "maybe a little too wacky", but praised the characterization of Amina and her crew.


References

{{DEFAULTSORT:Adventures of Amina al-Sirafi, The Historical fantasy novels Novels with multiple narrators Novels about transgender topics Novels set in the 12th century Novels set in the Indian Ocean Novels set in Yemen LGBTQ speculative fiction novels 2023 LGBTQ-related literary works American LGBTQ novels