The 1

"The 1" is a song by the American singer-songwriter Taylor Swift and the opening track from her eighth studio album, ''Folklore'' (2020). She wrote the song with its producer, Aaron Dessner. A folk and soft rock tune with elements of indie folk, "The 1" sets Swift's conversational vocals over a production consisting of piano and percussion. In its lyrics, the narrator fondly introspects a failed romance and details the time when she found "the one" who never came to be. Republic Records released the song for download in Germany on October 9, 2020.

"The 1" received generally positive reviews from critics, who discussed the song's significance as the album's opening track and praised the songwriting and production. Commercially, the song debuted and peaked at number four on the US ''Billboard'' Hot 100 and was certified platinum by the Recording Industry Association of America (RIAA). It charted within the top 10 and received certifications in several countries. Swift included "The 1" as part of the concert documentary '' Folklore: The Long Pond Studio Sessions'' (2020), and the Eras Tour (2023–2024).

Background and development

The American singer-songwriter Taylor Swift began work on her eighth studio album, ''Folklore'', during the COVID-19 lockdowns in early 2020. She conceived the record as figments of mythopoeic visuals in her mind, as a result of her imagination "running wild" while isolating herself during lockdown. For the album's sound, Swift recruited the first-time collaborator, Aaron Dessner, as a producer on ''Folklore''. "The 1" was one of the tracks written by both Swift and Dessner, who produced the song. Due to the lockdown, they were separated and had to send them via digital files to create the album.

Although much of the songs they worked on started from Desnner's instrumental tracks, "The 1" was written first and then produced. It was one of the last two songs written for ''Folklore'', the other being "Hoax"; Dessner thought the album was finished before Swift sent a voice memo with lyrics of "The 1" days prior to the album's release. Dessner subsequently worked on some of its production and tracked Swift's vocals, and then his brother Bryce Dessner added orchestration to the song. Aaron Dessner described the song's development as "one of the very last things heydid" for ''Folklore''.

Music and lyrics

"The 1" is three minutes and thirty seconds long. It was recorded by Aaron Dessner and Jonathan Low at Long Pond in Hudson Valley. The vocals were recorded by Laura Sisk at Kitty Committee Studio in Los Angeles. Aaron Dessner provided drum programming and instruments for the track, including acoustic guitar, electric guitar, Mellotron, OP1, piano, and synth bass. Other musicians on the song are Jason Treuting (percussion), Thomas Bartlett (OP1, synthesizer), and Yuki Numata Resnick (viola, violin). It was mixed by Low at Long Pond and mastered by Randy Merrill at Sterling Sound in New York City.

"The 1" is a folk and soft rock tune with elements of indie folk. The production begins with a piano that has a bit reverb to it, labeled by critics as "optimistic" and "soft". It incorporates a number of percussion instruments, including sparse and crisp programmed drums, slapped guitar strums, and finger-snaps; these bring what critics deemed a lively beat to the track. Combined with the piano, this resulted in an instrumentation they thought was "bouncy", "breezy", "brooding", and one of the most upbeat on ''Folklore''. It also includes vocal harmonies. Some critics commented that aspects of the production were influenced by the music of Aaron Dessner and his bands the National and Big Red Machine.

The lyrics of "The 1" has a theme of introspection. The song describes the narrator positively reminiscing on a past relationship during her "roaring 20s". It explores on how she found "the one" at the time and wishes they could have been together: "It would have been fun, if you would've been the one". The lyrics also addresses the narrator's languid contemplation for an ideal romance: "You know, the greatest loves of all time are over now". Swift's conversational singing on the track contains elliptical wording and humorous one-liners juxtaposed against the sadness. Her voice is also "enigmatic" and clear, according to ''MusicOMH'' Chloe Johnson, who believed it allowed her to highlight the song's narrative and imagery. Allegra Frank of '' Vox'' thought the song was less a "kiss-off utmore a solitary, gray-skied stroll through her day-to-day". ''Rolling Stone'' writer Rob Sheffield connected it to the fellow album track "Peace", opining that they "tell both sides" of the same narrative.

Release and commercial performance

On July 24, 2020, "The 1" was released as the opening track on ''Folklore''. It was also released by Republic Records for download in Germany on October 9. On November 25, Swift recorded a stripped-down rendition of the track for the Disney+ concert documentary '' Folklore: The Long Pond Studio Sessions'' and its live album. "The 1" was included on the set list of Swift's Eras Tour on March 3, 2023, and was removed on May 9, 2024. On July 13, Swift sang it as part of a mashup with her song "Wonderland" (2014) during an Eras Tour show in Milan. On August 15, Coldplay and Maggie Roggers performed the track at Ernst-Happel-Stadion in Vienna as part of Coldplay's Music of the Spheres World Tour, dedicating it as a tribute to the cancelled shows of the Eras Tour following the uncovering of a terror plot on the same venue earlier that month.

"The 1" debuted and peaked within the top 10 at number four on the US ''Billboard'' Hot 100, alongside the fellow album tracks " Cardigan" and "Exile" at numbers one and six, respectively. This made Swift the first artist to debut two songs in the top four and three songs in the top six at the same time. It also debuted and peaked on the ''Rolling Stone'' Top 100 chart at number two behind "Cardigan". The song received a platinum certification from the Recording Industry Association of America (RIAA). On the ''Billboard'' Global 200, "The 1" appeared and peaked at number 114 when the chart was inaugurated on September 19, 2020, nine weeks following the release of ''Folklore''.

Elsewhere, "The 1" reached the top 10 in the countries of Malaysia (5), Singapore (5), Canada (7), Ireland (7), and New Zealand (7). In Australia, the song debuted on the ARIA Singles Chart alongside the rest of ''Folklore''—peaking at number four—and helped made Swift have the most debuts in one week with 16 entries. It was certified double platinum by the Australian Recording Industry Association (ARIA). In the United Kingdom, the song peaked at number 10 on the OCC's UK Singles Chart and increased Swift's top-10 entries to 16. It received a gold certification from the British Phonographic Industry (BPI). The song additionally received certifications in Brazil (double platinum), New Zealand (platinum), and Spain (gold).

Critical reception

"The 1" received generally positive reviews from critics. They discussed the song regarding its placement on the album as the opening track, the majority of whom found its style for ''Folklore'' to deviate from her previous works and to set the album's tone. Allegra Frank of '' Vox'' found the production danceable like her other album openers but "markedly slowed down" in comparison. ''Business Insider'' critics Callie Ahlgrim and Courtney Lacrossa believed the song was Swift's best opening track since " State of Grace" from her 2012 album '' Red''. John Wohlmacher from ''Beats Per Minute'' found the track had a vocal melody and song structure similar to " I Forgot That You Existed"—the opener of her 2019 album '' Lover''—but thought their aesthetics were quite distinct from each other. Channing Freeman of '' Sputnikmusic'' wrote that the song's placement was a little detrimental as the rest of ''Folklore'' employs its style and believed this made the song somewhat less engaging.

Critics mainly praised the song's production and songwriting. Ahlgrim included the song on her mid-year list of the best songs of 2020 and lauded it as one of Swift's "most relatable and stirring" tracks. Lacrossa believed the track was "incredibly solid" and her delivery had "a breezy attention to rhythm" that complements the narrative. Frank thought it was "wistful, introspective, and impressionistic" that does not neglect Swift's signature "melodic pop" and one of the defining tracks of ''Folklore''. Wohlmacher was impressed by how "poignant and mature" the lyrics were. Johnson believed it was thoroughly written and produced. ''The New Yorker'' writer Amanda Petrusich thought Swift's rumination on the track was "heartening" and "serene" in a comical manner. '' The Telegraph'' critic Neil McCormick said that the song was full of narrative details and opined that its theme of "defeated love" may "suggest Swift's social isolation has been a lonely one". Caleb Campbell from '' Under the Radar'' deemed the song's lyrics about a crumbling romance one of her most mature takes on the subject to date.

Ellen Johnson of '' Paste'' described the lyrics as "bright, vivid and occasionally funny" but in a more sophisticated way compared to Swift's previous songs. Katie Moulton from '' Consequence'' thought the track was one of the first songs she did not write for radio formats and highlighted the "self-awareness and willingness to both hold herself responsible and forgive" that makes it distinguishable from other album tracks. Anna Leszkiewicz of the ''New Statesman'' found the lyrics " stful but refreshingly lacking in regret" and believed the song blended her skill of "romantic nostalgia with a novel ease and acceptance". Eloise Bulmer from ''The Line of Best Fit'' said Swift embodied an "unlucky-in-love" character on the track and thought it showcased her wit. In contrast, Roisin O'Connor of ''The Independent'' favored the song's smaller details more than the one-liners. Hannah Mylrea from ''NME'' wrote that the instrumentation accompanies Swift's vocals and the hook very well. ''Slant Magazine'' Jonathan Keefe stated that the song's use of repetitions succeeded, along with "Invisible String".

A few reviewers were more reserved in their praise. Spencer Kornhaber from ''The Atlantic'' said the track was reminiscent of the English singer-songwriter Ed Sheeran and felt that its "solemnity asforced". Jason Lipshutz of '' Billboard'' listed the song at number eleventh on his ranking of the tracks from ''Folklore'' and said that it stays "unadorned" for the majority of its length. The ''Los Angeles Times'' Mikael Wood placed the song as the weakest track on his ranking of the album and believed it was "less emotionally daring" than the rest of the tracks.

Personnel

Credits are adapted from ''Pitchfork''.

* Taylor Swift – vocals, songwriting
* Aaron Dessner – songwriting, production, drum programming, acoustic guitar, electric guitar, Mellotron, OP1, piano, synth bass, synthesizer, recording
* Bryce Dessner – orchestration
* Jason Treuting – percussion, recording
* Thomas Bartlett – OP1, synthesizer, recording
* Yuki Numata Resnick – viola, violin
* Kyle Resnick – recording
* Laura Sisk – vocal recording
* Jonathan Low – mixing, recording
* Randy Merrill – mastering

Charts

Certifications

Release history

See also

* List of ''Billboard'' Hot 100 top-ten singles in 2020
* List of top 10 singles in 2020 (Australia)
* List of top 10 singles in 2020 (Ireland)
* List of UK top-ten singles in 2020

Notes

References

{{DEFAULTSORT:1, The
Single chart usages for Australia
Single chart usages for Canada
Single chart usages for Ireland4
Single chart usages for Dutch100
Single chart usages for New Zealand
Single chart usages for Portugal
Single chart usages for Scotland
Single chart usages for Switzerland
Single chart usages for UK
Single chart usages for Billboardhot100
2020 songs
American soft rock songs
Taylor Swift songs
Songs written by Taylor Swift
Songs written by Aaron Dessner
Song recordings produced by Aaron Dessner
Breakup songs
American folk songs