A tetratonic scale is a musical scale or

mode Mode ( meaning "manner, tune, measure, due measure, rhythm, melody") may refer to: Arts and entertainment * MO''D''E (magazine), a defunct U.S. women's fashion magazine * ''Mode'' magazine, a fictional fashion magazine which is the setting fo ...

with four

note Note, notes, or NOTE may refer to: Music and entertainment * Musical note, a pitched sound (or a symbol for a sound) in music * ''Notes'' (album), a 1987 album by Paul Bley and Paul Motian * ''Notes'', a common (yet unofficial) shortened versi ...

s per

octave In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referr ...

. This is in contrast to a

heptatonic A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: * the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode) * the melodic minor scale, l ...

(seven-note) scale such as the

major scale The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at doubl ...

and

minor scale In Classical_music, Western classical music theory, the minor scale refers to three Scale (music), scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending). ...

, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tetratonic scales are not common in modern

art music Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high culture, high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJa ...

, and are generally associated with

prehistoric music Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient mu ...

. (Reprinted, New York: Courier Dover Publications, 1991, ).

Distribution

Native American music

Tetratonic scales were common among the

Plains Indians Plains Indians or Indigenous peoples of the Great Plains and Canadian Prairies are the Native American tribes and First Nations peoples who have historically lived on the Interior Plains (the Great Plains and Canadian Prairies) of North ...

, though less common than the

pentatonic scale A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient ci ...

. Amongst the Arapaho, Blackfoot, Crow, Omaha, Kiowa, Pawnee, and Sioux, as well as some

Plateau tribes Indigenous peoples of the Northwest Plateau, also referred to by the phrase Indigenous peoples of the Plateau, and historically called the Plateau Indians (though comprising many groups) are Indigenous peoples of the Interior of British Columbi ...

, especially the Flathead, the tetratonic and pentatonic scales used are anhemitonic (that is, they do not include semitones).Bruno Nettl, Victoria Lindsay Levine, and

Elaine Keillor Frances Elaine Keillor C.M. (born 2 September 1939) is a Canadian musicologist and pianist. She has been a professor of music at Carleton University since 1977, specializing in the music of Canadian composers and the music of North American indig ...

(2001), "Amerindian Music", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition ...

and John Tyrrell. London: Macmillan Publishers, §2(ii). Tetratonic scales have also been noted among the music of the

Creek Indians The Muscogee, also known as the Mvskoke, Muscogee Creek or just Creek, and the Muscogee Creek Confederacy ( in the Muscogee language; English: ), are a group of related Indigenous peoples of the Southeastern Woodlands and in the

Great Basin The Great Basin () is the largest area of contiguous endorheic watersheds, those with no outlets to the ocean, in North America. It spans nearly all of Nevada, much of Utah, and portions of California, Idaho, Oregon, Wyoming, and Baja Californi ...

region among the Washo, Ute, Paiute, and Shoshone.Bruno Nettl, Victoria Lindsay Levine, and

(2001), "Amerindian Music", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

and John Tyrrell. London: Macmillan Publishers, §2(v). In the

Southwest The points of the compass are a set of horizontal, radially arrayed compass directions (or azimuths) used in navigation and cartography. A '' compass rose'' is primarily composed of four cardinal directions—north, east, south, and west— ...

, the

Navajo people The Navajo or Diné are an Native Americans in the United States, Indigenous people of the Southwestern United States. Their traditional language is Navajo language, Diné bizaad, a Southern Athabascan language. The states with the largest Din ...

also largely used the pentatonic and tetratonic, occasionally also tritonic scales.. Citation on 305.

Inuit

Tetratonic music was known among the Inuit, including the Greenlandic peoples.

Maori

A 1969 study by ethnomusicologist

Mervyn McLean Mervyn is a masculine given name and occasionally a surname which is of Old Welsh origin, with elements ''mer'', probably meaning "marrow", and ''myn'', meaning "eminent". Despite the misconception of the letter 'V' being an English spelling, thr ...

noted that tetratonic scales were the second-most common type among the Maori tribes surveyed, accounting for 31% of scales used. The most common were tritonic (3-note) scales at 47%, while the third-most was ditonic (two-note) scales at 17%.

Oceania

Tetratonic music was noted as common in Polynesia and

Melanesia Melanesia (, ) is a subregion of Oceania in the southwestern Pacific Ocean. It extends from New Guinea in the west to the Fiji Islands in the east, and includes the Arafura Sea. The region includes the four independent countries of Fiji, Vanu ...

. Citation on p. 146. On Guadalcanal in particular, anhemitonic pentatonic and tetratonic scales are the predominant types, although the minor second does nevertheless occasionally appear as a melodic interval. The most often used melodic intervals, however, are the major second, minor third, perfect fourth, perfect fifth, and octave. Citation on p. 491.

Africa

The main instrument in the Lobi area of

Ghana Ghana, officially the Republic of Ghana, is a country in West Africa. It is situated along the Gulf of Guinea and the Atlantic Ocean to the south, and shares borders with Côte d’Ivoire to the west, Burkina Faso to the north, and Togo to t ...

is the xylophone, some of which are tuned to a tetratonic scale.J. H. Kwabena Nketia (2001) "Ghana, Republic of ormerly Gold Coast, ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

and John Tyrrell. London: Macmillan Publishers. In eastern Uganda, the Gwere use for their six-string harp (called ''tongoli'') a tetratonic scale in which all the intervals are nearly equal, which to Western ears sounds like a chain of

minor third In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval numb ...

s.Sue Carole DeVale (2001) "Harp, §III: Africa", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

and John Tyrrell, London: Macmillan Publishers. In

South Africa South Africa, officially the Republic of South Africa (RSA), is the Southern Africa, southernmost country in Africa. Its Provinces of South Africa, nine provinces are bounded to the south by of coastline that stretches along the Atlantic O ...

, the San use a tetratonic scale approaching 5 equal temperament, but lacking the second step.

India

Tetratonic, as well as tritonic scales, were commonly used by the tribal peoples of India, such as the Juang and

Bhuyan The Bhuiyan or Bhuiya are an indigenous community found in the Indian states of Bihar, Jharkhand, Madhya Pradesh, Odisha, Assam, Uttar Pradesh and West Bengal. They are not only geographically disparate but also have many cultural variations an ...

Orissa Odisha (), formerly Orissa ( the official name until 2011), is a state located in Eastern India. It is the eighth-largest state by area, and the eleventh-largest by population, with over 41 million inhabitants. The state also has the thir ...

state.

Russia

The music of the Volga-Finnic Cheremis (

Mari people The Mari ( ), also formerly known as the Cheremis or Cheremisses, are a Finno-Ugric peoples, Finno-Ugric people in Eastern Europe, who have traditionally lived along the Volga and Kama River, Kama rivers in Russia. They live mostly in the Mari E ...

) of central Russia was primarily pentatonic, but used tetratonic scales 20% of the time.

Western Europe

The second-earliest scales of Scandinavian, German, English, and Scottish folk music are believed to have been pentatonic, themselves developed from an earlier tetratonic scale. Tetratonic scales, along with pentatonic scales, account for 54% of songs in the traditional ''

joik A joik or yoik (anglicised, where the latter spelling in English conforms with the pronunciation; also named , , , or in the Sámi languages) is a traditional form of song in Sámi music performed by the Sámi people of Sápmi in Northern E ...

'' repertoire of the European Arctic

Sami people Acronyms * SAMI, ''Synchronized Accessible Media Interchange'', a closed-captioning format developed by Microsoft * Saudi Arabian Military Industries, a government-owned defence company * South African Malaria Initiative, a virtual expertise ...

, where the singing range extends to a tenth or eleventh. Citation on p. 52. The predominant style of traditional music from the Peloponnese region of Greece is a mixture of Christian, Albanian, and

Vlach Vlach ( ), also Wallachian and many other variants, is a term and exonym used from the Middle Ages until the Modern Era to designate speakers of Eastern Romance languages living in Southeast Europe—south of the Danube (the Balkan peninsula) ...

. It employs tetratonic, pentachordal, and pentatonic scales, around the notes of which

microtonal Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal interv ...

ornamentation An ornament is something used for decoration. Ornament may also refer to: Decoration * Ornament (art), any purely decorative element in architecture and the decorative arts * Ornamental turning * Biological ornament, a characteristic of animals ...

(''stolidia''/''psevtikes'') occurs.Sotirios Chianis and Rudolph M. Brandl (2001) "Greece, §IV: Traditional Music", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

and John Tyrrell, London: Macmillan Publishers.

Art music

A rare example of an art-music composition based entirely on a tetratonic scale is the early minimalist work ''

Reed Phase Reed or Reeds may refer to: Science, technology, biology, and medicine * Reed bird (disambiguation) * Reed pen, writing implement in use since ancient times * Reed (plant), one of several tall, grass-like wetland plants of the order Poales * Re ...

'' (1966), by

Steve Reich Stephen Michael Reich ( ; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich descr ...

, which is based entirely on a single five-note cell, or "basic unit", repeated continually throughout the entire work. Because the note A occurs twice in this pattern, there are only four pitches in all.