The Teatro Santi Giovanni e Paolo (often written as Teatro SS. Giovanni e Paolo) was a theatre and

opera house An opera house is a theater building used for performances of opera. Like many theaters, it usually includes a stage, an orchestra pit, audience seating, backstage facilities for costumes and building sets, as well as offices for the institut ...

Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...

located on the Calle della Testa, and takes its name from the nearby Basilica of Santi Giovanni e Paolo, Venice. Built by the

Grimani family The House of Grimani was a prominent Venetian patrician family, including three Doges of Venice. They were active in trade, politics and later the ownership of theatres and opera-houses. Notable members Notable members included: * Antonio Gri ...

in 1638, in its heyday it was considered the most beautiful and comfortable theatre in the city. The theatre played an important role in the development of opera and saw the premieres of several works by

Francesco Cavalli Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Venetian composer, organist and singer of the early Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading op ...

, as well as

Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considere ...

's ''

Il ritorno d'Ulisse in patria ''Il ritorno d'Ulisse in patria'' ( SV 325, ''The Return of Ulysses to his Homeland'') is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first p ...

'' and ''

L'incoronazione di Poppea ''L'incoronazione di Poppea'' (Stattkus-Verzeichnis, SV 308, ''The Coronation of Poppaea'') is an Italian List of operas by Claudio Monteverdi, opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Buse ...

''.

History

The Grimani family originally built the theatre as a wooden structure on the Fondamenta Nuove around 1635. It was then rebuilt on a grander scale using both stone and wood in 1638 when it moved to the nearby Calle della Testa. It was built primarily for the performance of spoken drama, but from the very beginning operas were also performed there. In fact, the new theatre was inaugurated on 20 January 1639 with the premiere performance of

Francesco Manelli Francesco Manelli (Mannelli) ( 1595 – 1667) was a Roman Baroque composer, particularly of opera, and a theorbo player. He is most well known for his collaboration with fellow Roman composer Benedetto Ferrari in bringing commercial opera to Venic ...

's opera ''La Delia o sia La sera sposa del sole''. Anna Renzi

The librettist of ''La delia'',

Giulio Strozzi Giulio Strozzi (1583 - 31 March 1652) was a Venetian poet and libretto writer. His libretti were put to music by composers like Claudio Monteverdi, Francesco Cavalli, Francesco Manelli, and Francesco Sacrati. He sometimes used the pseudonym Luig ...

, became primarily based at the nearby Teatro Novissimo but returned to SS. Giovanni e Paolo for the 1642–1643 season, bringing with him the singers

Barbara Strozzi Barbara Strozzi (also called Barbara Valle; baptised 6 August 1619 – 11 November 1677) was an Italian composer and singer of the Baroque Period. During her lifetime, Strozzi published eight volumes of her own music, and had more secular ...

and

Anna Renzi Anna Renzi ( – after 1661) was an Italian soprano renowned for her acting ability as well as her voice, who has been described as the first diva in the history of opera. Career Born in Rome, Anna Renzi was highly popular in Vienna in the 1640s ...

(who sang Ottavia in the premiere of ''

'') and the pioneering set designer

Giacomo Torelli Giacomo Torelli (1 September 1608 – 17 June 1678) was an Italian stage designer, scenery painter, engineer, and architect. His work in stage design, particularly his designs of machinery for creating spectacular scenery changes and other spe ...

. According to Rosand, it may have been at Santi Giovanni e Paolo that Torelli developed his machinery for changing several sets simultaneously. In 1654 the theatre was remodelled specifically as an opera house by the architect

Carlo Fontana Carlo Fontana (1634/1638–1714) was an Italian people, Italian"Carlo Fontana."
''Encyclopæ ...

in one of his earliest commissions, and became the first fully developed horseshoe-shaped opera house in Italy, a design which remained essentially unchanged for over two centuries. Its magnificent interior could seat about 900 people with five tiers of boxes and additional seating on the U-shaped floor (or ''platea'') in front of the stage. The theatre was described in 1663 by an observer as having:

Marco Faustini Marco Faustini (17 May 1606 – 7 January 1676) was an Italian theatrical impresario and brother of the impresario and librettist Giovanni Faustini. Biography Marco Faustini was born in Venice. He began his career as an entrepreneur in the summer ...

became the theatre's

impresario An impresario (from Italian ''impresa'', 'an enterprise or undertaking') is a person who organizes and often finances concerts, Play (theatre), plays, or operas, performing a role in stage arts that is similar to that of a film producer, film or ...

in 1660, and for the next fifteen years the Teatro Santi Giovanni e Paolo and the Teatro di San Salvatore a San Luca (owned by the

Vendramin family The House of Vendramin (, ) was a rich merchant family of Venice, Italy, who were among the ''case nuove'' or "new houses" who joined the Patrician (post-Roman Europe), patrician class when the ''Libro d'Oro'' was opened after the battle of C ...

) were to be the dominant opera houses in Venice, each putting on two new operas every year. By 1700, the Grimani family had built two more theatres in Venice, the

Teatro San Samuele Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 a ...

and the

Teatro San Giovanni Grisostomo The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a ...

. An economic crisis made the Teatro Santi Giovanni e Paolo increasingly difficult to maintain, and it finally closed in 1715.Todarello (2006) p. 348. The Grimani family went on to build a fourth opera house, the

Teatro San Benedetto The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's ''L'italiana in Algeri'', and was the th ...

, in 1755.

Premieres

Operas which had their first public performance at the theatre include: *''La Delia'' by

(1639) *''

'' by Monteverdi (1640) *''

'' by Monteverdi (carnival season 1642/43) *''

Xerse ''Il Xerse'', usually written ''Xerse'' (; ), is an Italian opera by Francesco Cavalli (specifically, a ''dramma per musica'') about Xerxes I. The libretto was written by Nicolò Minato and was later set by both Giovanni Bononcini ('' Xerse'', ...

'' by

(1654) *''

Statira principessa di Persia ''Statira principessa di Persia'' (' Stateira, Princess of Persia') is an opera (''dramma per musica'') in a prologue and three acts by Francesco Cavalli, set to a libretto by Giovanni Francesco Busenello. The opera was first performed in Venice ...

'' by Francesco Cavalli (1655, possibly 1656) *''

Scipione affricano ''Scipione affricano'' (''Scipio Africanus'') is an opera in a prologue and three acts by Francesco Cavalli. It was designated as a '' dramma per musica''. The Italian libretto was by Nicolò Minato, based on Livy's " The Continence of Scipio". ...

'' by Cavalli (1664) *''Il Tito'' by

Antonio Cesti Antonio Cesti (; baptised Pietro Cesti, 5 August 1623; died 14 October 1669), known today primarily as an Italian composer of the Baroque era, was also a singer (tenor) and organist. He was "the most celebrated Italian musician of his generatio ...

(1666) *''

Totila Totila, original name Baduila (died 1 July 552), was the penultimate King of the Ostrogoths, reigning from 541 to 552 AD. A skilled military and political leader, Totila reversed the tide of the Gothic War (535–554), Gothic War, recovering b ...

'' by Giovanni Legrenzi (1677) *''La Gerusalemme liberata'' by

Carlo Pallavicino Carlo Pallavicino (Pallavicini; 29 January 1688) was an Italian composer. Pallavicino was born at Salò. From 1666 to 1673, he worked at the Dresden court; from 1674 to 1685, at the ''Ospedale degli Incurabili'' (a conservatory where orphaned chi ...

(1687) *''L' Alboino in Italia'' by

Carlo Francesco Pollarolo Carlo Francesco Pollarolo (ca. 1653 – 7 February 1723) was an Italian composer, organist, and music director. Known chiefly for his operas, he wrote a total of 85 of them as well as 13 oratorios. His compositional style was initially indebted t ...

(1691) *'' Zenobia, regina de' Palmireni'' by Tomaso Albinoni, (carnival season 1694) * ''Marsia deluso'' by Francesco Pollarolo (1713)

Notes and references

Sources

* *Forsyth, Michael
''Buildings for Music: the architect, the musician and the listener from the seventeenth century to the present day''

CUP Archive Cambridge University Press was the university press of the University of Cambridge. Granted a letters patent by King Henry VIII in 1534, it was the oldest university press in the world. Cambridge University Press merged with Cambridge Assessm ...

, 1985. * Ringer, Mark, ''Opera's First Master: The Musical Dramas of Claudio Monteverdi'', Amadeus Press, 2006. . *Rosand, Ellen
''Opera in Seventeenth-Century Venice: The Creation of a Genre''
University of California Press, 2007. *Todarello, Nazzareno L.
''Le arti della scena: Lo spettacolo in Occidente da Eschilo al trionfo dell'opera''
Latorre Editore, 2006.

History

Premieres

Notes and references

Sources

See also