Sérgio Sampaio
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Sérgio Moraes Sampaio (April 13, 1947 — May 15, 1994) was a Brazilian singer and songwriter. His compositions span several musical genres from
samba Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or ...
and
choro ''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fa ...
to rock and roll, blues and ballads. Sampaio was considered an outsider name (" maldito") in Brazilian music.


Life and career

Sampaio was born in
Cachoeiro de Itapemirim Cachoeiro de Itapemirim () is a municipality and a major town, located in the south of Espírito Santo, Brazil, on the banks of the Itapemirim River. It is the economic hub of southern Espírito Santo, being the most important producer of marble ...
, to Raul Gonçalves Sampaio, owner of a shoestore and bandleader, and Maria de Lourdes Moraes, schoolteacher A fan of radio programs, where he followed the singers of the time such as Orlando Silva,
Sílvio Caldas Sílvio Antônio Narciso de Figueiredo Caldas (23 May 1908 – 3 February 1998) was a Brazilian singer and composer. Early life Caldas was born on 23 May 1908 in the Imperial de São Cristóvão, São Cristóvão neighborhood of Rio de Janeiro. ...
, and
Nelson Gonçalves Nelson Gonçalves (June 21, 1919 – April 18, 1998) was a Brazilian singer and songwriter. Nelson Gonçalves had a very productive collaboration with lyricist Adelino Moreira and recorded numerous successful albums. One of the great crooners ...
, who inspired him, he made impressions of radio broadcasters such as Luiz Jatobá and Saint-Clair Lopes, getting a job at a radio station in his hometown, XYL-9. In 1964, he tried to work in Rio de Janeiro at Rádio Relógio, returning after four months. In late 1967, he moved permanently to Rio, initially to try his hand at a career as a radio broadcaster, and to attend the city's nightlife. Sampaio could not keep a job; he lived in cheap boarding houses and even on the street, even begging for food. Sergio had started singing at night in bars, until February 1970, when he resigned from Rádio Continental to dedicate himself entirely to music. He applied to the Festival Fluminense da Canção, a stage of the Festival Internacional da Canção (III FIC) of that year, and was among the twenty finalists with the song "Hei, você".. In Rio de Janeiro he met
Raul Seixas Raul Santos Seixas (; 28 June 1945 – 21 August 1989) was a Brazilian rock musician foundational to the genre.allmusic Biography/ref> ''Rolling Stone'' Brazil named Seixas among the greatest artists in Brazilian music. Throughout his career, S ...
, then a record producer at CBS (currently
Sony Music Sony Music Entertainment (SME), commonly known as Sony Music, is an American multinational music company owned by Japanese conglomerate Sony Group Corporation. It is the recording division of Sony Music Group, with the other half being the ...
) company, and a long friendship and partnership began. After a test with Paulo Diniz's partner Odibar, he was hired in his place the following year, participating in several recordings, as part of the chorus of
Renato e seus Blue Caps Renato e Seus Blue Caps (also known as Bacaninhas do Rock da Piedade) is a Brazilian rock band formed in Rio de Janeiro in the late 1950s. They are described in their AllMusic biography as one of the most important groups of the Jovem Guarda move ...
. He signed, under the pseudonym Sérgio Augusto, the lyrics to the song "Sol 40 graus", recorded by Trio Ternura and which was a hit in 1971. The Trio recorded other of his compositions, such as "Vê se dá um jeito nisso" - a partnership with Raul Seixas, with whom he also shared "Amei você um pouco demais", recorded by José Roberto. Raul produces his first compact in which Sergio experienced some success with "Coco Verde", soon re-recorded by Dóris Monteiro. He returned to his hometown in July, where he participated in the "II Festival de MPB", winning first place and also taking fourth place. Together with Raul Seixas he started the production of an opera-rock project, whose lyrics were censored by representatives of the
Brazilian military dictatorship The military dictatorship in Brazil (), occasionally referred to as the Fifth Brazilian Republic, was established on 1 April 1964, after a coup d'état by the Brazilian Armed Forces, with support from the United States government, against presi ...
. In spite of this, the songs became part of Raul Seixas' first record: " Sociedade da Grã-Ordem Kavernista Apresenta Sessão das 10", featuring Miriam Batucada and Edy Star. In 1973, he released his first LP by Philips, produced by Raul and named "Eu Quero Botar Meu Bloco na Rua", with several renowned musicians; the record failed in sales, despite his appearance in television programs and the good airplay of songs like "Cala a boca, Zebedeu", by his father, in the radios.


Discography


Albums

*1973 - ''Eu Quero É Botar meu Bloco na Rua'' * 1976 - ''Tem que Acontecer'' * 1982 - ''Sinceramente'' * 2006 - ''Cruel''


Anthologies and participations

*1971 - Sociedade da Grã-Ordem Kavernista Apresenta Sessão das 10 *1972 - Carnaval Chegou (LP, 1972) *1973- Phono 73 *1975- Convocação geral nº 2 *1998- Balaio do Sampaio (CD, 1998) *2002- Sergio Sampaio


References

{{DEFAULTSORT:Sampaio, Sergio 1947 births 1994 deaths Brazilian male singer-songwriters Brazilian singer-songwriters Brazilian guitarists People from Cachoeiro de Itapemirim