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Mario Davidovsky (March 4, 1934 – August 23, 2019) was an Argentine-American
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ...
. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called '' Synchronisms'', which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.


Biography

Davidovsky was born in Médanos, Buenos Aires Province, Argentina, a town nearly 600 km southwest of the city of Buenos Aires and close to the seaport of Bahía Blanca. Aged seven, he began his musical studies on the violin. At thirteen he began composing. He studied composition and theory under at the University of Buenos Aires, from which he graduated. In 1958, he studied with Aaron Copland and Milton Babbitt at the Berkshire Music Center (now the Tanglewood Music Center) in Lenox, Massachusetts. Through Babbitt, who worked at the Columbia-Princeton Electronic Music Center, and others, Davidovsky developed an interest in electroacoustic music. Copland encouraged Davidovsky to emigrate to the United States, and in 1960, Davidovsky settled in New York City, where he was appointed associate director of the Columbia-Princeton Electronic Music Center. It was at that time he began to compose electo-acoustic works called '' Synchronisms''. Most of his published compositions since the 1970s have been nonelectronic. His only published electroacoustic compositions since that time are ''Synchronisms No. 9'' (1988) and ''Synchronisms No. 10'' (1992). However, Davidovsky received a commission by a group led by the Society for Electro-Acoustic Music in the United States (SEAMUS) to compose two more electroacoustic works in the ''Synchronisms'' series. No. 11 and No. 12 premiered in 2007 at the SEAMUS National Conference in Ames, Iowa. Davidovsky's association with the Columbia-Princeton Electronic Music Center continued, and from 1981 to 1993 he was the lab's director as well as professor of music at Columbia. In 1994 he became professor of music at
Harvard Harvard University is a private Ivy League research university in Cambridge, Massachusetts, United States. Founded in 1636 and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher lear ...
. During his career, Davidovsky has also taught at many other institutions:
University of Michigan The University of Michigan (U-M, U of M, or Michigan) is a public university, public research university in Ann Arbor, Michigan, United States. Founded in 1817, it is the oldest institution of higher education in the state. The University of Mi ...
(1964), the Di Tella Institute of Buenos Aires (1965), the Manhattan School of Music (1968–69),
Yale University Yale University is a Private university, private Ivy League research university in New Haven, Connecticut, United States. Founded in 1701, Yale is the List of Colonial Colleges, third-oldest institution of higher education in the United Stat ...
(1969–70), and the City College of New York (1968–80). He served on the composition faculty of Mannes College The New School for Music. In 1982, Davidovsky was elected a member of the
American Academy of Arts and Letters The American Academy of Arts and Letters is a 300-member honor society whose goal is to "foster, assist, and sustain excellence" in American literature, Music of the United States, music, and Visual art of the United States, art. Its fixed number ...
.


Personal life

Davidovsky married Elaine Blaustein in 1962; she died in 2017. They had two children, and three grandchildren. He died in
New York City New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive w ...
on August 23, 2019, at the age of 85.


Awards

*The American Academy of Arts and Letters' Academy Award (1965) *
Pulitzer Prize The Pulitzer Prizes () are 23 annual awards given by Columbia University in New York City for achievements in the United States in "journalism, arts and letters". They were established in 1917 by the will of Joseph Pulitzer, who had made his fo ...
(1971) *Brandeis University Creative Arts Award *Aaron Copland-Tanglewood Award * SEAMUS Lifetime Achievement Award (1989) * Naumburg Award *Peggy Guggenheim Award (1982) *Barlow Endowment for Music Composition – Commission (2003)


Fellowships

*Koussevitzky fellowship (1958) * Rockefeller fellowships (1963,1964) *Guggenheim fellowships (1960,1971) *Williams Foundation Fellowship *Walter Channing Cabot Fellowship


Works

*String Quartet No. 1 (1951) *Concertino for Percussion and String Orchestra (1954) *Quintet for Clarinet and Strings (1955) *Suite Sinfonica Para "El Payaso" (1955), orchestra *Three Pieces for Woodwind Quartet (1956) *Noneti for Nine Instruments (1956) *String Quartet No. 2 (1958) *Serie Sinfonica 1959 (1959), orchestra *Contrastes No. 1 (1960), string orchestra and electronic sounds *Electronic Study No. 1 (1961) '' Columbia-Princeton Electronic Music Center'' *Piano 1961 (1961), orchestra *Electronic Study No. 2 (1962) *Synchronisms No. 1 (1962), flute and electronic sound *Trio for Clarinet, Trumpet, and Viola (1962) *Synchronisms No. 2 (1964), flute, clarinet, violin, cello and tape *Synchronisms No. 3 (1964), cello and electronic sound *Electronic Study No. 3 (1965) *Inflexions (1965), chamber ensemble *Junctures (1966), flute, clarinet, and violin *Synchronisms No. 4 (1966), chorus and tape *Music for Solo Violin (1968) *Synchronisms No. 5 (1969), percussion players and tape * Synchronisms No. 6 (1970), piano and electronic sound (won 1971 Pulitzer Prize) *Chacona (1971), violin, cello, and piano *Transientes (1972), orchestra *Ludus 2 (1973), flute, clarinet, violin, cello, piano *Synchronisms No. 7 (1974), orchestra and tape *Synchronisms No. 8 (1974), woodwind quintet and tape *Scenes from Shir ha-Shirim (1975), soprano, two tenors, bass soli and chamber ensemble *String Quartet No. 3 (1976) *Pennplay (1979), sixteen players *Consorts (1980), symphonic band *String Quartet No. 4 (1980) *String Trio (1982), violin, viola, violoncello *Romancero (1983), soprano, flute (piccolo, alto flute), clarinet (bass clarinet), violin and violoncello *Divertimento (1984), cello and orchestra *Capriccio (1985), two pianos *Salvos (1986), flute (piccolo, alto flute), clarinet, harp, percussion, violin and cello *Quartetto (1987), flute, violin, viola and violoncello *Synchronisms No. 9 (1988), violin and tape *Biblical Songs (1990), soprano, flute, clarinet, violin, cello, and piano *Concertante (1990), string quartet and orchestra *Simple Dances (1991–2001), flute (piccolo, alto flute), two percussion, piano, and cello *Synchronisms No. 10 (1992), guitar and electronic sounds *Shulamit's Dream (1993), soprano and orchestra *Festino (1994), guitar, viola, violoncello, contrabass *Concertino (1995), violin and chamber orchestra *Flashbacks (1995), flute (piccolo and alto flute), clarinet (bass clarinet), violin violoncello, piano and percussion *Quartetto No. 2 (1996), oboe, violin, viola, violoncello *String Quartet No. 5 (1998) *Quartetto No. 3 (2000), piano, violin, viola, and violoncello *Cantione Sine Textu (2001), soprano and chamber ensemble *RecitAndy (2001), cello *Duo Capriccioso (2003), piano and violin *Sefarad: Four Spanish- Ladino Folkscenes (2004), baritone voice, flute (piccolo, alto flute), clarinet (bass clarinet), percussion, violin and cello *Quartetto No. 4 (2005), clarinet, violin, viola and cello *Synchronisms No. 11 (2005), contrabass and tape *Synchronisms No. 12 (2006), clarinet and tape *Piano Septet (2007) *Divertimento for 8 ‘Ambiguous Symmetries’ (2015), flute, clarinet, percussion, violin, viola, cello, bass, piano *String Quartet No. 6 ("Fragments")(2016)


Discography

*''Works by Martin Brody, Mario Davidovsky, Miriam Gideon, Rand Steiger, Chinary Ung'', New World Records, New World 80412–2. Release date: December 8, 1992. **''Synchronisms No. 6''; Fred Bronstein, Piano. *''Korf: Symphony No.2/Davidovsky: Divertimento/Wright: Night Scenes'', New World Records, New World 80383–2. Release date: December 8, 1992. **''Divertimento''; Fred Sherry, cello; Riverside Symphony, George Rothman conducting. *''Flashbacks: Music by Mario Davidovsky'', Bridge Records, Bridge 9097. Release date: June 27, 2000. **''Flashbacks''; The New York New Music Ensemble. **''Festino''; Speculum Musicae. **''Romancero''; Susan Narucki, soprano; Speculum Musicae. **''Quartetto No. 2''; Peggy Pearson, oboe; Bayla Keyes, violin; Mary Ruth Ray, viola; Rhonda Rider, violoncello. **''Synchronisms No. 10''; David Starobin, guitar. **''String Trio''; Speculum Musicae. *''Mario Davidovsky: 3 Cycles on Biblical Texts''; Susan Narucki, soprano; Riverside Symphony, George Rothman conducting; Bridge Records, Bridge 1112. Release Date: July 30, 2002. **''Shulamit's Dream''. **''Scenes from Shir ha-Shirim''. **''Biblical Songs''. *''Harvard Composers'', Mendelssohn String Quartet, BIS Records, BIS-SACD-1264. Release date: September 9, 2003. **''String Quartet No. 5''. *''Salvos: Chamber Music of Mario Davidovsky'', Empyrean Ensemble; Susan Narucki, soprano. Arabesque Records, Arabesque Z6777. Release date: January 6, 2004. **''Simple Dances''. **''Cantione Sine Textu''. **''Quartetto''. **''Salvos''. **''String Trio''. *''The Music of Mario Davidovsky, Vol. 3'', Bridge Records, Bridge 9171. Release date: September 1, 2005. **''Synchronisms No. 5''; The Manhattan School of Music Percussion Ensemble, Jeffrey Milarsky, conductor. **''Synchronisms No. 6'' Aleck Karis, piano. **''Synchronisms No. 9''; Curtis Macomber, violin. **''Chacona''; Curtis Macomber, violin; Eric Bartlett, cello; Aleck Karis, piano. **''Quartetto''; Susan Palma Nidel, flute; Curtis Macomber, violin; Maureen Gallagher, viola; Eric Bartlett, violoncello. **''Duo Capriccioso''; Curtis Macomber, violin; Aleck Karis, piano.


Notable students


References


Further reading

*Cole Gagne and Tracy Caras, ''Soundpieces: Interviews with American Composers'', Metuchen, New Jersey: Scarecrow Press, 1982.
"Mario Davidovsky: An Introduction"
by Eric Chasalow, '' AGNI'' 50 – via ericchasalow.com
"Music: Does it Have a Future?"
by George Crumb, a slightly revised article, originally appearing in '' The Kenyon Review'', Summer 1980. * Charles Wuorinen, "Mario Davidovsky: Contrastes No. 1", ''
Perspectives of New Music ''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Musi ...
'', vol. 4, no. 2 (Spring–Summer 1966), 144–149. *Liner notes to discs Bridge 9097 and Bridge 9112 (see Discography) *, by Bob Gluck on September 24, 2005.


External links


"Electronic Study No. 3, In Memoriam Edgar Varèse"
Columbia-Princeton Electronic Music Center, recording, from ''Aspen'', no. 4, The McLuhan issue; via UbuWeb * – RealAudio streams of three works by the composer *Performance on 2006-10-22 by Lynn Kuo of Synchronisms No. 9: , . * (includes video) {{DEFAULTSORT:Davidovsky, Mario 1934 births 2019 deaths American contemporary classical composers Argentine classical composers American male classical composers Members of the American Academy of Arts and Letters Pulitzer Prize for Music winners Jewish Argentine musicians Jewish classical musicians Argentine people of Lithuanian-Jewish descent Argentine emigrants to the United States Harvard University faculty Manhattan School of Music faculty University of Michigan faculty Pupils of Aaron Copland Pupils of Milton Babbitt Musicians from Buenos Aires Province 20th-century Argentine artists 21st-century American composers 20th-century classical composers 21st-century classical composers Mannes College The New School for Music faculty 20th-century American composers University of Buenos Aires alumni