Symphonies Of Wind Instruments
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The ''Symphonies of Wind Instruments'' (French title: ''Symphonies d'instruments à vent'') is a concert work written by
Igor Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century c ...
in 1920, for an ensemble of
woodwind Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Ree ...
and
brass Brass is an alloy of copper and zinc, in proportions which can be varied to achieve different colours and mechanical, electrical, acoustic and chemical properties, but copper typically has the larger proportion, generally copper and zinc. I ...
instruments. The piece is in one movement, lasting about 9 minutes. It is dedicated to the memory of
Claude Debussy Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influe ...
, who died in 1918, and was premiered in London on 10 June 1921, conducted by Serge Koussevitzky. A piano reduction by Arthur Lourié was published in 1926, a full score appearing only after Stravinsky re-orchestrated the work in 1947.


Instrumentation

The ''Symphonies'' was originally scored for an ensemble of 24 wind instruments: 3
flute The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ...
s (3rd doubling
piccolo The piccolo ( ; ) is a smaller version of the western concert flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the ...
),
alto flute The alto flute is an instrument in the Western concert flute family, pitched below the standard C flute and the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is chara ...
, 2
oboe The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, ...
s,
English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn (mainly North America), is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially ...
, 2
clarinet The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instrume ...
s, alto clarinet in F, 3
bassoon The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...
s (3rd doubling
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The Reed (mouthpie ...
), 4 horns, 3
trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
s, 3
trombone The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...
s, and
tuba The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in th ...
. The 1947 revision requires 23 players: 3 flutes, 2 oboes, English horn, 3 clarinets, 3 bassoons (3rd doubling contrabassoon), 4 horns, 3 trumpets, 3 trombones, and tuba.


Analysis

In the title of this piece, Stravinsky used the word "symphonies" (note the plural form) not to label the work as an essay in the symphonic form, but rather in the word's older, broader connotation, from the Greek, of "sounding together". The music of the ''Symphonies'' draws on Russian folk elements, and is constructed of "contrasting episodes at three different yet related tempos". The
chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...
which concludes the piece was originally published in the magazine ''La Revue musicale'' in an edition entitled ''Le
Tombeau A tombeau (plural tombeaux) is a musical composition (earlier, in the early 16th century, a poem) commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date f ...
de Claude Debussy'', which included short pieces from several composers, including
Maurice Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...
and Manuel de Falla, dedicated to Debussy's memory. It appeared as a piano score in the ''Tombeau''.


Reception

The premiere at Queen's Hall, London, was greeted initially by laughter and derision from an audience unaccustomed to Stravinsky's experimental work. According to
Arthur Rubinstein Arthur Rubinstein Order of the British Empire, KBE OMRI (; 28 January 1887 – 20 December 1982) was a Polish Americans, Polish-American pianist.
, who attended the performance with Stravinsky, laughter broke out during the bassoon segment, and the conductor, Koussevitzky, "instead of stopping the performance and addressing the audience with a few words, assuring them that it was a serious work in the modern idiom, smiled maliciously and even had a twinkle in his eye as he looked over his shoulder at the laughing audience". A reviewer for the ''Times'' reported, however, that the hisses "were no sign of ill-will towards the composer", and subsided when Stravinsky stood up at the end of the performance to bow.


References

Sources * * * * * *


Further reading

* Cone, Edward T. 1962. "Stravinsky: The Progress of a Method". ''
Perspectives of New Music ''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Musi ...
'' 1, no. 1 (Fall): 18–26. Reprinted in ''Perspectives on Schoenberg and Stravinsky'', edited by Benjamin Boretz and Edward T. Cone (Princeton: Princeton University Press, 1968; reissued New York: W. W. Norton, 1972): 155–164. Also reprinted in Edward T. Cone, ''Music: A View from Delft'' (Chicago: University of Chicago Press, 1989): 293–301. * Craft, Robert. 1983–84. "A. On the ''Symphonies of Wind Instruments''. B. Toward Corrected Editions of the Sonata, Serenade, and Concerto for Two Pianos. C. The Chronology of the Octet". ''
Perspectives of New Music ''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Musi ...
'' 22, nos. 1 & 2:448–463. * Gubernikoff, Carole. 2000. "Stravinsky: ''Symphonies d'instruments à vent''". In ''Anais do I Seminário Nacional de Pesquisa em Performance Musical. I'', edited by André Cavazotti and Fausto Borém. razil Multimídia. (CD-ROM publication.) * Hascher, Xavier. 2003. "De l'harmonie au timbre, vers une harmonie de timbres: L'exemple de Stravinsky". ''Analyse Musicale'', no. 48 (September): 83–98. * Kramer, Jonathan D. 1978. "Moment Form in Twentieth-Century Music". ''
The Musical Quarterly ''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including C ...
'' 64, no. 2 (April): 177–195. * Randel, Don. 1986. ''The New Harvard Dictionary of Music''. Cambridge: Belknap Press. . (p. 822 and 825). * Rehding, Alexander. 1998. "Towards a 'Logic of Discontinuity' in Stravinsky's ''Symphonies of Wind Instruments'': Hasty, Kramer, and Straus Reconsidered". '' Music Analysis'' 17, no. 1 (March): 39–65. * Somfai, Lászlo. 1972. "''Symphonies of Wind Instruments'' (1920). Observations on Stravinsky's Organic Construction". ''Studia Musicologica Academiae Scientiarum Hungaricae'' 14, fasc. 1/4: 355–383. * Straus, Joseph N. 1982. "A Principle of Voice Leading in the Music of Stravinsky". '' Music Theory Spectrum: The Journal of the Society for Music Theory'' 4:106–124. * Stravinsky, Igor. 1991. ''Symphonies d'instruments à vent: Faksimileausgabe des Particells und der Partitur der Erstfassung (1920)'', edited and with a commentary by André Baltensperger and Felix Meyer. Winterthur: Amadeus Verlag. . * Taruskin, Richard. 1993. "Review: Igor Stravinsky. ''Symphonies d'instruments à vent: Faksimileausgabe des Particells und der Partitur der Erstfassung (1920)''". ''
Notes Note, notes, or NOTE may refer to: Music and entertainment * Musical note, a pitched sound (or a symbol for a sound) in music * ''Notes'' (album), a 1987 album by Paul Bley and Paul Motian * ''Notes'', a common (yet unofficial) shortened versi ...
'', Second Series 49, No. 4 (June): 1617–1621. * Van den Toorn, Pieter C. 1998. "Metrical Displacement in Stravinsky". ''Mitteilungen der Paul Sacher Stiftung'', no. 11 (April): 24–28. * Walsh, Stephen. 1996. "Stravinsky's ''Symphonies'': Accident or Design?" In ''Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music'', edited by Craig Ayrey and Mark Everist, 35–71. New York: Cambridge University Press. * Wason, Robert W. 1994. "Toward a Critical Edition of Stravinsky's ''Symphonies of Wind Instruments''". In ''The Wind Ensemble and Its Repertoire: Essays on the Fortieth Anniversary of the Eastman Wind Ensemble'', edited by Frank J. Cipolla and Donald Hunsberger, 121–140. Rochester: University of Rochester. * Yuzefovich, Victor, and Marina Kostalevsky. 2002. "Chronicle of a Non-Friendship: Letters of Stravinsky and Koussevitzky". ''
The Musical Quarterly ''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including C ...
'' 86, no. 4 (Winter): 750–885. {{Authority control Compositions by Igor Stravinsky 1920 compositions Compositions for orchestra without strings Funerary and memorial compositions Claude Debussy