A subhashita (, subhāṣita) is a literary genre of Sanskrit epigrammatic poems and their message is an aphorism, maxim, advice, fact, truth, lesson or riddle. ''Su'' in Sanskrit means good; ''bhashita'' means spoken; which together literally means well spoken or eloquent saying.
Subhashitas in Sanskrit are short memorable verses, typically in four ''padas'' (verses) but sometimes just two; but their structure follows a meter. Subhashitas are one of many forms of creative works that have survived from ancient and medieval era of India, and sometimes known as ''Suktis''.
Ancient and medieval Indian literature created tens of thousands of subhashitas covering a vast range of subjects.
These epigrammatic verses and their anthologies are also referred to as ''Subhashitavali'' or ''Subhashitani''.
Philosophy
Subhashitas are known for their inherent moral and ethical advice, instructions in worldly wisdom and guidance in making righteous deeds. Subhashitas create an appeal as the inherent message is conveyed through poems which quote practical examples which are often rhythmic in nature.
Some authors even relate Subhashitas to sugar coated bitter medicines considering their worthiness.
The subhashita deals with various subjects and includes topics of day to day experiences that every one can easily relate to.
A subhashita is always eloquent in form, structured in a poetical form, complete in itself and concisely depicts a single emotion, idea,
dharma
Dharma (; , ) is a key concept in various Indian religions. The term ''dharma'' does not have a single, clear Untranslatability, translation and conveys a multifaceted idea. Etymologically, it comes from the Sanskrit ''dhr-'', meaning ''to hold ...
, truth or situation.
Structure
Subhashitas are structured in ''pada-s'' (Sanskrit: पद, or lines) in which a thought or a truth is condensed. These epigrammatic verses typically have four ''padas'' (verse,
quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four Line (poetry), lines.
Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India ...
), are poetic and set in a meter. Many are composed in the metrical unit called
Anuṣṭubh
(, ) is a metre and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences.
By origin, an anuṣṭubh stanza is a quatrain of four lines. Each line, called a ''pāda'' (lit. "foot"), has eight syll ...
of Sanskrit poetry, making them easy to remember and melodic when recited.
But sometimes Subhashitas with two pada-s or even one pada proclaim a truth.
[Andrew Schelling (1999), Manuscript Fragments and Eco-Guardians: Translating Sanskrit Poetry, Manoa, 11(2), 106-115]
According to Mohana Bhāradvāja, Subhashita in Indian Literature is a single verse or single stanza, descriptive or didactic but complete in itself expressing a single idea, devotional, ethical or erotic in a witty or epigrammatic way.
Author Ludwik Sternbach describes that such wise sayings in poetic form not only contain beautiful thoughts but they also make the expressions in cultivated language.
He further says that such form of Indian literature had a tinge of poetry, the poetical skill being exhibited in the intricate play of words which created a slight wit, humour, satire and sententious precepts; they arose laughter, scorn, compass and other moods.
The poetic style of narration found in Subhashita is also termed as ''muktaka'' (independent), as the meaning or the mood of which is complete in itself.
This poetic form has been compared to Persian ''rubai'' or Japanese ''
tanka'' by some authors.
Sources
The authors of most Subhashita are unknown. This form of Indian epigrammatic poetry had a wide following, were created, memorized and transmitted by word of mouth.
The works of many ancient Indian scholars like
Bhartṛhari (5th century CE),
Chanakya
Chanakya (ISO 15919, ISO: ', चाणक्य, ), according to legendary narratives preserved in various traditions dating from the 4th to 11th century CE, was a Brahmin who assisted the first Mauryan emperor Chandragupta Maurya, Chandragup ...
(3rd century BC),
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviv ...
(5th century AD),
Bhavabhuti
Bhavabhūti (born Śrīkaṇṭha Nīlakaṇṭha; Devanagari: भवभूति; -) was a classical Sanskrit scholar, poet, and playwright of eighth-century India. He is considered a key successor to Kalidasa and is often regarded as matching ...
(8th century AD), Bhallata (10th century AD), Somadeva Bhatta (11th century AD),
Kshemendra (11th century AD),
Kalhana
Kalhana (c. 12th century) was the author of '' Rajatarangini'' (''River of Kings''), an account of the history of Kashmir. He wrote the work in Sanskrit between 1148 and 1149. All information regarding his life has to be deduced from his own wri ...
(12th century AD) are considered to be treasures of many valuable subhashitas.
The famous
Panchatantra
The ''Panchatantra'' ( IAST: Pañcatantra, ISO: Pañcatantra, , "Five Treatises") is an ancient Indian collection of interrelated animal fables in Sanskrit verse and prose, arranged within a frame story. (3rd century BC) and
Hitopadesha
''Hitopadesha'' (Sanskrit: हितोपदेशः, IAST: ''Hitopadeśa'', "Beneficial Advice") is an Indian text in the Sanskrit language consisting of fables with both animal and human characters. It incorporates maxims, worldly wisdom and ...
(12th century AD) which is a collection of animal fables effectively use subhashitas to express the inherent moral wisdom of their stories. The
Vedas
FIle:Atharva-Veda samhita page 471 illustration.png, upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the ''Atharvaveda''.
The Vedas ( or ; ), sometimes collectively called the Veda, are a large body of relig ...
and ancient scriptures like
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Ind ...
,
,
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics ...
, and
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kuru ...
are also major sources of Subhashitas.
Dedicated works
There are also various individual works such as ''Subhashita Sudhanidhi'' by
Sayana of the 14th century and ''Samayochita padyamalika'' which are dedicated works of wisdom literature consisting of various subhashitas.
The ''Subhashita Sudhanidhi, as Dr. K Krishnamoorthy writes in his critical edition,'' also serves as a source-material to reconstruct the early Vijayanagara kingdom.
Collection of verses (Subhashita Sangraha)
From the beginning of the 10th century AD several writers contributed immensely in collecting and preserving different wise sayings of contemporary and earlier poets. Author Vishnulok Bihari Srivastava opines that such subhashita sangrahas (collection of verses) have done a great service by preserving several rare subhashitas which would have otherwise been lost.
A few such literary works are listed below.
Other anthologies of subhashita verses from unknown and known authors, estimated from early 1st millennium AD, are Jayavallabha's ''Vajjalagga'' and Chapannaya's ''Gahao''.
[ However these verses are in regional ]Prakrit
Prakrit ( ) is a group of vernacular classical Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 5th century BCE to the 12th century CE. The term Prakrit is usually applied to the middle period of Middle Ind ...
languages of India, derived from Sanskrit.
''Subhashita Manjari'', verse 1.5, explains the importance of Subhashita with a subhashita:
Other illustrations of Subhashita are:
There are tens of thousands of Subhashita in Indian literature covering topics as diverse as humor, sarcasm, criticism, politics, eroticism, emotions, love, wealth, daily life, society, learning, stages of life, ethics, morals, spirituality, deities, medicine, food, festivals, prayer, riddles, science, mathematics, poetry, language, art, Vedas, Upanishads, Puranas, Itihasas, and other subjects.[Krishna Shastri Bhatavadekar (1888), , Preface section]
Related terms
''Lokokti'' (or ''lokavakya'', ''pracinavakya'') are Sanskrit proverbs, in the form of short sentences that express truths or facts, but they differ from Subhashitas in not being in poetical form. An example of a Sanskrit lokokti is:
A sutra
''Sutra'' ()Monier Williams, ''Sanskrit English Dictionary'', Oxford University Press, Entry fo''sutra'' page 1241 in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a ...
is another ancient Indian literary form. Sutras are concise wisdom or truth, but typically they too are not poetical. Unlike ''subhashitas'' and ''lokokti'' whose authors are unknown or long forgotten, sutras are attributed to sages, famous or known personalities. Sutras typically need to be read within a context to be completely understood. An example of a Sanskrit Sutra attributed to Chanakya
Chanakya (ISO 15919, ISO: ', चाणक्य, ), according to legendary narratives preserved in various traditions dating from the 4th to 11th century CE, was a Brahmin who assisted the first Mauryan emperor Chandragupta Maurya, Chandragup ...
is:
Translations
Many Subhashitas in Sanskrit have been translated into other regional languages of India.
References
Further reading
* Ludwik Sternbach
Similar Thoughts in the Mahābhārata, the Literature of "Greater India" and in the Christian Gospels
Journal of the American Oriental Society, Vol. 91, No. 3 (Jul. - Sep., 1971), pp. 438-442
* Ludwik Sternbach (1975)
Indian riddles: a forgotten chapter in the history of Sanskrit literature
Vishveshvaranand Indological Series, 67/Vishveshvaranand Institute Publications, 632 , Review: Journal of the Royal Asiatic Society of Great Britain & Ireland,
* D. Bhagwat, The Riddle in Indian Life, Lore and Literature, Popular Prakashan, Bombay (1965)
* Kashinath Sharma
Subhashita Ratna Bhandagara
A collection of over 10,000 subhasitas (in Sanskrit, bibliography in English)
* Daniel J. Bisgaard (1994), , Chapter 5,
{{Hindudharma
Sanskrit literature
Sanskrit poetry
Indian poetry