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''Strike Me Lucky'' is a 1934 Australian comedy musical film starring popular stage comic
Roy Rene Roy Rene (born Henry van der Sluys, 15 February 189122 November 1954) was an Australian comedian and vaudevillian. As the bawdy character Mo McCackie, Rene was one of the most well-known and successful Australian comedians of the 20th century. ...
in his first and only film. It was the fourth feature film from
Cinesound Productions Cinesound Productions Pty Ltd was an Australian feature film production company, established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres, that covered all facets of the film process, from produ ...
but proved a
box office disappointment A box-office bomb, or box-office disaster, is a film that is unprofitable or considered highly unsuccessful during its theatrical run. Although any film for which the production, marketing, and distribution costs combined exceed the revenue after ...
. Director
Ken G. Hall Kenneth George Hall, AO, OBE (22 February 1901 – 8 February 1994), better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. H ...
says it was the only one of his features not to go into profit within a few years of release, although he says it eventually covered costs.


Synopsis

'Mo' McIsaac and his sidekick Donald try to find work to support a young orphan girl he finds dancing for pennies in the street, Miriam, unaware she is really the missing daughter of rich aristocrat, Major Burnett. Gangster Al Baloney and
Mae West Mae West (born Mary Jane West; August 17, 1893 – November 22, 1980) was an American stage and film actress, playwright, screenwriter, singer, and sex symbol whose entertainment career spanned over seven decades. She was known for her breezy ...
impersonator Kate kidnap the girl and Mo is blamed for her disappearance. Mo and Donald take off into the bush looking for a gold mine (a storyline inspired by the 1930 expedition to find
Lasseter's Reef Lasseter's Reef refers to the purported discovery, announced by Harold Bell Lasseter in 1929 and 1930, of a fabulously rich gold deposit in a remote and desolate corner of central Australia. Lasseter's accounts of the find are conflicting and it ...
), where they are attacked by a tribe of aboriginal
cannibals Cannibalism is the act of consuming another individual of the same species as food. Cannibalism is a common ecological interaction in the animal kingdom and has been recorded in more than 1,500 species. Human cannibalism is well documented, bo ...
before discovering their names are cleared. Other plots include a young couple, Margot Burnett and Larry McCormack, finding love, and a ballet of dancers performs periodically.


Cast

*
Roy Rene Roy Rene (born Henry van der Sluys, 15 February 189122 November 1954) was an Australian comedian and vaudevillian. As the bawdy character Mo McCackie, Rene was one of the most well-known and successful Australian comedians of the 20th century. ...
as 'Mo' McIsaac *Alex McKinnon as Donald *'Baby' Pamela Bevan as Miriam *Eric Masters as Al Baloney *
Yvonne Banvard Yvonne (Fifi) Banvard (25 December 1901– 24 June 1962) was an Australian actress. As a child, she toured North America and gained notoriety as a talented tragedienne. She later went onto perform and produce plays, dramas, comedies and romance ...
as Kate *John D'Arcy as Larry McCormack *Lorraine Smith as Margot Burnett *Dan Agar as Major Burnett *Molly Raynor as Bates *Bert Le Blanc as Lowenstein *Les Warton as Bull *Harry Burgess as Mike *Fred Kelly as castaway *Marie D'Alton as Mrs Huckleberry *Arthur Dodds *Charles Wheeler *Jack O'Malley *Charles Keegan *Nellie Small *Eva Sheedy


Production


Development

In the early 1930s, Roy Rene was one of the most popular stage comics in Australia.
Bert Bailey Albert Edward Bailey (11 June 1868 – 30 March 1953), better known as Bert Bailey, was a New Zealand-born Australian playwright, theatrical manager and stage and screen actor best known for playing Dad Rudd, in both mediums, the character from ...
and
George Wallace George Corley Wallace Jr. (August 25, 1919 – September 13, 1998) was an American politician who served as the 45th governor of Alabama for four terms. A member of the Democratic Party, he is best remembered for his staunch segregationist an ...
had managed to transfer their on-stage popularity to the screen in a series of films, so
Ken G. Hall Kenneth George Hall, AO, OBE (22 February 1901 – 8 February 1994), better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. H ...
thought he would try to do the same for Rene. Hall later wrote:
The luck we'd had with our first three films all hitting the jackpot was phenomenal. The odds against getting a second winner after The ''Selection'' were high in those still-tough times; but to bring in the third filled our cups to overflowing – and scared us a bit at the same time. That sort of luck just could not last. It didn't.
The movie would be Cinesound's fourth feature film. Hall originally intended to make ''
Robbery Under Arms ''Robbery Under Arms'' is a bushranger novel by Thomas Alexander Browne, published under his pen name Rolf Boldrewood. It was first published in serialised form by ''The Sydney Mail'' between July 1882 and August 1883, then in three volumes i ...
'' but was concerned about filming that during winter and so postponed the project, electing to make the Rene film instead. (''Robbery Under Arms'' ended up never being made by Hall.) The original title was ''Swastikas for Luck'', and was described as "a musical farce with a semi-serious background". It was to "feature many phases of suburban and bush life in Australia".


Script

It was the first movie from Cinesound Productions that was not based on a play adapted from a novel, being an entirely original story. Hall later said he was "desperately short of writers, especially comedy writers" so he assigned theteam of
Vic Roberts Victor George Roberts (6 August 1924 – 14 March 2004)
ESPNScrum.com was an
George D. Parker George D. Parker (1873-1937) was an Australian actor, writer and director who worked extensively in Australian theatre during the 1920s and 1930s, mostly for J.C. Williamson Ltd. He was later employed by Cinesound Productions as a dialogue direc ...
, who had just written ''
Cinesound Varieties ''Cinesound Varieties'' is a 1934 Australian variety short film from director Ken G. Hall made to go out on a double-bill with the full-length feature, '' The Silence of Dean Maitland'' (1934). Only 18 minutes of the film survive today. Synopsis ...
'' for Hall; Roberts had worked as Rene's gag writer and Parker had theatrical experience. Roberts also wrote some lyrics for songs used in the movie, while Parker doubled as dialogue director. Hall admitted there were three different scripts. He later reflected:
The Parker-Roberts combination did not do well on the ''Varieties'' script and I should have made changes for the much more important ''Strike Me Lucky'' film. The script was full of ridiculous situations which we all thought would suit Mo. I had then, and I'm afraid still have, a highly developed sense of the ridiculous. Maybe too highly developed because that brand of humour does not appeal to everyone, although it worked so well with George Wallace.


Casting

Cast member 'Baby' Pamela Bevan was only five years old and was advertised as "Australia's Shirley Temple". The female ingenue part was played by 18-year-old actor from amateur theatre and an acting family, Lorraine Smith.


Shooting

Cinesound almost doubled the size of their studio to make the film, and also in anticipation for what they thought would be a boost in production following the introduction of a film quota. Shooting took place in June and July 1934, going for seven weeks. Over a hundred extras were used in some scenes, a record for Australian interiors. The musical numbers done by Hamilton Webber, musical director of the State Theatre, Sydney; the ballets choreographed by Richard White. Rene was paid £70 a week for his performance, which was high for an Australian actor in films, third only to Bert Bailey and George Wallace. He later admitted he did not enjoy acting on film as he missed the stimulation of a live performance and disliked the repetition. On 18 August, scenes from the film were broadcast nationally as part of a promotion.


Reception

The movie's world premiere was held in October 1934 coinciding with the opening of the extension of Cinesound's Studios at Waverly. NSW Premier
Bertram Stevens Bertram Stevens may refer to: *Bertram Stevens (politician) (1889–1973), Australian politician *Bertram Stevens (critic) (1872–1922), Australian literary critic and editor *Bert L. Stevens Barbara Stanwyck (; born Ruby Catherine Stevens; Jul ...
was present. The film was refused registration under the quality clause of the New South Wales quota act, but still found release through Cinesound's associated company,
British Empire Films British Empire Films (BEF) was an Australian film distributor, serving as the distribution arm of Greater Union. They distributed films of Cinesound Productions.The Sydney Morning Herald ''The Sydney Morning Herald'' (''SMH'') is a daily compact newspaper published in Sydney, New South Wales, Australia, and owned by Nine. Founded in 1831 as the ''Sydney Herald'', the ''Herald'' is the oldest continuously published newspaper ...
'' stated that:
One must, in fairness, record the fact that... heaudience... seemed to enjoy the film immensely. Every new exploit by "Mo" created a running fire of laughter.... utHe is a good deal less funny than before. On the stage he gained most of his effects through a partly extempore style. He would play straight at the audience, and wait patiently, wearing his inimitably grotesque expression, until each roar of mirth had died away. But... the cinema audience and the figure photographed on celluloid exist in different worlds. Picture-goers can scream their heads off, yet the film sweeps onward heedless and detached. That is why the antics of "Mo" now seem rather artificial, not to say forced. An experienced director of Hollywood farce could perhaps have reshaped the comedian's style to fit the new medium; but Mr. Ken Hall has made only an amateurish job of things... all the actors have the air of novices in a suburban repertory show. As for the plot and the dialogue, one had best relapse into a resigned silence.... Brings in kangaroos and emus and incredible burlesque aborigines for the mere sake of showing them. A good deal of American influence comes in, too. For no discoverable reason Miss Yvonne Banvard goes through her part in exact and avowed impersonation of Mae West. The gangsters all talk American slang.


Box office

The film was not a success at the box office, despite a strong reception at first, particularly in Sydney and Melbourne. (It earned £1,817 in its first four days at the Sydney Capitol.) Director
Ken G. Hall Kenneth George Hall, AO, OBE (22 February 1901 – 8 February 1994), better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. H ...
claims it was the only one of his films not to go straight into profit, blaming the poor script and Roy Rene's awkwardness in front of the camera as opposed to a live audience:
Rene himself was in some trouble right from the beginning. In a film studio with no audience, he was something of a fish out of water. No performer I've ever known had the ability to 'work' an audience as Mo could. He'd come on centre stage with no support and just leer at the audience without saying a word for minutes on end and have them rocking with laughter. And when the laughs began to die, he'd lisp in his inimitable way a completely trite line like, 'Will you be quiet, pleath!' – and that would send them off for minutes more. An established comic, a really funny man to the audience, can get laughs by appearing to do nothing at all. Actually he is 'working' all the time – with a look, a raised eyebrow, a sly, suggestive wink, a haughty smile. Mo was a past-master of all that, and much more of course. But he did need an audience. In rehearsal of a funny scene the crew would laugh the first time they saw and heard it. But on the next rehearsal and the next and the next ... nothing. It depressed Mo tremendously. I had seen him rehearsing in the theatre a few times and he just casually walked through, usually waiting for the matinee with a live audience to get the feel of what he was doing. There were some very funny scenes in ''Strike Me Lucky'', but we did not get the best out of Mo overall, mainly because the material was not there – and he was rather at sea himself. This problem characterised many prominent vaudeville comedians transferring to film or television ...
He also felt that Rene was too adult in his humor. "He was a very funny man, wonderfully talented", said Hall later. "But he wasn't a 'family' comic. You didn't take the kids."


UK release

A shortened version was released in England but attracted little attention.


Legacy

Although Rene had a contract with Cinesound for further films he never made another movie in his life. However he did manage to modify his performance style to enjoy considerable success on radio. The box office disappointment of the film prompted Hall to return to more sure-fire material for his next film with ''
Grandad Rudd ''Grandad Rudd'' is a 1935 comedy featuring the Dad and Dave characters created by Steele Rudd and based on a play by Rudd. It was a sequel to ''On Our Selection'', and was later followed by ''Dad and Dave Come to Town'' and ''Dad Rudd, MP''. Plo ...
'' (1935).


References

*Hall, Ken G. ''Directed by Ken G. Hall'', Lansdowne Press 1977


External links


''Strike Me Lucky''
in the
Internet Movie Database IMDb (an abbreviation of Internet Movie Database) is an online database of information related to films, television series, home videos, video games, and streaming content online – including cast, production crew and personal biographies, ...

Me Lucky''
at
Australian Screen Online The National Film and Sound Archive of Australia (NFSA), known as ScreenSound Australia from 1999 to 2004, is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting and providing access to a national co ...

'Strike Me Lucky: Social Difference and Consumer Culture in Roy Rene's Only Film' by Lesley Speed
at
Senses of Cinema ''Senses of Cinema'' is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, ''Senses of Cinema'' publishes work by film critics from all over the world, including critical essays, caree ...
Issue 52
''Strike Me Lucky''
at
National Film and Sound Archive The National Film and Sound Archive of Australia (NFSA), known as ScreenSound Australia from 1999 to 2004, is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting and providing access to a national c ...

''Strike Me Lucky''
at Oz Movies
''Strike Me Lucky''
at Peter Malone
''Strike Me Lucky''
at Australian Variety Theatre Archive {{Ken G. Hall 1934 films Films directed by Ken G. Hall Australian black-and-white films Australian musical comedy films 1934 musical comedy films 1930s Australian films 1930s English-language films Cinesound Productions films