The Statue of Zeus at Olympia was a giant seated figure, about tall, made by the Greek sculptor

Phidias Phidias or Pheidias (; , ''Pheidias''; ) was an Ancient Greek sculptor, painter, and architect, active in the 5th century BC. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of ...

around 435 BC at the sanctuary of

Olympia, Greece Olympia ( ; ), officially Archaia Olympia ( ), is a small town in Elis (regional unit), Elis on the Peloponnese peninsula in Greece, famous for the nearby archaeological site of the same name. The site was a major Panhellenic sanctuary, Panhell ...

, and erected in the Temple of Zeus there.

Zeus Zeus (, ) is the chief deity of the List of Greek deities, Greek pantheon. He is a sky father, sky and thunder god in ancient Greek religion and Greek mythology, mythology, who rules as king of the gods on Mount Olympus. Zeus is the child ...

is the

sky The sky is an unobstructed view upward from the planetary surface, surface of the Earth. It includes the atmosphere of Earth, atmosphere and outer space. It may also be considered a place between the ground and outer space, thus distinct from ...

and thunder god in

ancient Greek religion Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and Greek mythology, mythology, in the form of both popular public religion and Cult (religious practice), cult practices. The application of the modern concept ...

, who rules as king of the gods on

Mount Olympus Mount Olympus (, , ) is an extensive massif near the Thermaic Gulf of the Aegean Sea, located on the border between Thessaly and Macedonia (Greece), Macedonia, between the regional units of Larissa (regional unit), Larissa and Pieria (regional ...

. The statue was a

chryselephantine sculpture Chryselephantine sculpture () is a sculpture made with gold and ivory. Chryselephantine cult statues enjoyed high status in Ancient Greece. Ancient examples Chryselephantine statues were built around a wooden frame with thin carved slabs of iv ...

of ivory plates and gold panels on a wooden framework. Zeus sat on a painted cedarwood throne ornamented with ebony, ivory, gold, and precious stones. It was one of the

Seven Wonders of the Ancient World The Seven Wonders of the Ancient World, also known as the Seven Wonders of the World or simply the Seven Wonders, is a list of seven notable structures present during classical antiquity, first established in the 1572 publication '' Octo Mundi M ...

. The statue was lost and destroyed before the end of the 6th century AD, with conflicting accounts of the date and circumstances. Details of its form are known only from ancient Greek descriptions and representations on coins and art.

History

The statue of Zeus was commissioned by the Eleans, custodians of the

Olympic Games The modern Olympic Games (Olympics; ) are the world's preeminent international Olympic sports, sporting events. They feature summer and winter sports competitions in which thousands of athletes from around the world participate in a Multi-s ...

, in the latter half of the fifth century BC for their newly constructed Temple of Zeus. Seeking to outdo their Athenian rivals, the Eleans employed sculptor

, who had previously made the massive statue of

Athena Parthenos The statue of ''Athena Parthenos'' () was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity. The ...

in the

Parthenon The Parthenon (; ; ) is a former Ancient Greek temple, temple on the Acropolis of Athens, Athenian Acropolis, Greece, that was dedicated to the Greek gods, goddess Athena. Its decorative sculptures are considered some of the high points of c ...

. The statue occupied half the width of the aisle of the temple built to house it. The geographer

Strabo Strabo''Strabo'' (meaning "squinty", as in strabismus) was a term employed by the Romans for anyone whose eyes were distorted or deformed. The father of Pompey was called "Gnaeus Pompeius Strabo, Pompeius Strabo". A native of Sicily so clear-si ...

noted early in the 1st century BC that the statue gave "the impression that if Zeus arose and stood erect he would unroof the temple." The ''Zeus'' was a

, made with ivory and gold panels on a wooden substructure. No copy in marble or bronze has survived, though there are recognizable but only approximate versions on coins of nearby Elis and on Roman coins and

engraved gem An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major lux ...

s. The 2nd-century AD geographer and traveler Pausanias left a detailed description: the statue was crowned with a sculpted wreath of olive sprays and wore a gilded robe made from glass and carved with animals and lilies. Its right hand held a small chryselephantine statue of crowned Nike, goddess of victory; its left a scepter inlaid with many metals, supporting an eagle. The throne featured painted figures and wrought images and was decorated with gold, precious stones, ebony, and ivory. Zeus' golden sandals rested upon a footstool decorated with an

Amazonomachy In Greek mythology, an Amazonomachy (English language, English translation: "Amazon battle"; plural, Amazonomachiai () or Amazonomachies) is a mythological battle between the ancient Greeks and the Amazons, a nation of all-female warriors. Th ...

in relief. The passage underneath the throne was restricted by painted screens. Pausanias also recounts that the statue was kept constantly coated with olive oil to counter the harmful effect on the ivory caused by the "marshiness" of the Altis grove. The floor in front of the image was paved with black tiles and surrounded by a raised rim of marble to contain the oil. This reservoir acted as a reflecting pool which doubled the apparent height of the statue. According to the Roman historian

Livy Titus Livius (; 59 BC – AD 17), known in English as Livy ( ), was a Roman historian. He wrote a monumental history of Rome and the Roman people, titled , covering the period from the earliest legends of Rome before the traditional founding i ...

, the Roman general Aemilius Paullus (the victor over

Macedon Macedonia ( ; , ), also called Macedon ( ), was an ancient kingdom on the periphery of Archaic and Classical Greece, which later became the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled by the royal ...

) saw the statue and "was moved to his soul, as if he had seen the god in person", while the 1st-centuryAD Greek orator

Dio Chrysostom Dio Chrysostom (; ''Dion Chrysostomos''), Dio of Prusa or Cocceianus Dio (c. 40 – c. 115 AD), was a Greek orator, writer, philosopher and historian of the Roman Empire in the 1st century AD. Eighty of his ''Discourses'' (or ''Orations''; ) are ...

declared that a single glimpse of the statue would make a man forget all his earthly troubles. According to

, when Phidias was asked about the model he would use for his Zeus, he answered that he would portray Zeus according to these words of

Homer Homer (; , ; possibly born ) was an Ancient Greece, Ancient Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Despite doubts about his autho ...

: The sculptor also was reputed to have immortalised Pantarkes, the winner of the boys' wrestling event at the eighty-sixth Olympiad who was said to have been his "beloved" (), by carving ("Pantarkes is beautiful") into Zeus's little finger, and by placing a relief of the boy crowning himself at the feet of the statue. According to Pausanias, "when the image was quite finished Pheidias prayed the god to show by a sign whether the work was to his liking. Immediately, runs the legend, a thunderbolt fell on that part of the floor where down to the present day the bronze jar stood to cover the place."Pausanias. ''

Description of Greece ''Description of Greece'' () is the only surviving work by the ancient "geographer" or tourist Pausanias (geographer), Pausanias (c. 110 – c. 180). Pausanias' ''Description of Greece'' comprises ten books, each of them dedicated to some ...

''
5.11
Trans. Jones & Ormerod (1918) via Perseus Digital Library

Loss and destruction

According to Roman historian

Suetonius Gaius Suetonius Tranquillus (), commonly referred to as Suetonius ( ; – after AD 122), was a Roman historian who wrote during the early Imperial era of the Roman Empire. His most important surviving work is ''De vita Caesarum'', common ...

, the Roman Emperor

Caligula Gaius Caesar Augustus Germanicus (31 August 12 – 24 January 41), also called Gaius and Caligula (), was Roman emperor from AD 37 until his assassination in 41. He was the son of the Roman general Germanicus and Augustus' granddaughter Ag ...

gave orders that "such statues of the gods as were especially famous for their sanctity or their artistic merit, including that of Jupiter at Olympia, should be brought from Greece, in order to remove their heads and put his own in their place." The emperor was assassinated before this could happen, in 41 AD; his death was supposedly foretold by the statue, which "suddenly uttered such a peal of laughter that the scaffolding collapsed and the workmen took to their heels." In 391 AD, the

Christian A Christian () is a person who follows or adheres to Christianity, a Monotheism, monotheistic Abrahamic religion based on the life and teachings of Jesus in Christianity, Jesus Christ. Christians form the largest religious community in the wo ...

Roman emperor

Theodosius I Theodosius I ( ; 11 January 347 – 17 January 395), also known as Theodosius the Great, was Roman emperor from 379 to 395. He won two civil wars and was instrumental in establishing the Nicene Creed as the orthodox doctrine for Nicene C ...

banned participation in pagan cults and closed the temples. The sanctuary at Olympia fell into disuse. The circumstances of the statue's eventual destruction are unknown. The 11th-century Byzantine historian Georgios Kedrenos records a tradition that it was carried off to

Constantinople Constantinople (#Names of Constantinople, see other names) was a historical city located on the Bosporus that served as the capital of the Roman Empire, Roman, Byzantine Empire, Byzantine, Latin Empire, Latin, and Ottoman Empire, Ottoman empire ...

, where it was destroyed in the great fire of the Palace of Lausus, in 475 AD. Alternatively, the statue perished along with the temple, which was severely damaged by fire in 425 AD. But earlier loss or damage is implied by

Lucian of Samosata Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, 125 – after 180) was a Hellenized Syria (region), Syrian satire, satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with whi ...

in the later 2nd century, who referenced it in ''Timon'': "they have laid hands on your person at Olympia, my lord High-Thunderer, and you had not the energy to wake the dogs or call in the neighbours; surely they might have come to the rescue and caught the fellows before they had finished packing up the loot." Workshop of Phidias

Phidias' workshop

The approximate date of the statue (the third quarter of the 5th century BC) was confirmed in the rediscovery (1954–1958) of Phidias' workshop, approximately where Pausanias said the statue of Zeus was constructed. Archaeological finds included tools for working gold and ivory, ivory chippings, precious stones and terracotta moulds. Most of the latter were used to create glass plaques, and to form the statue's robe from sheets of glass, naturalistically draped and folded, then gilded. A cup inscribed "ΦΕΙΔΙΟΥ ΕΙΜΙ" or "I belong to Phidias" was found at the site. However, the inscription is considered by some to be a forgery.

References

Bibliography

, ''The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes''. Cambridge, Massachusetts,

Harvard University Press Harvard University Press (HUP) is an academic publishing house established on January 13, 1913, as a division of Harvard University. It is a member of the Association of University Presses. Its director since 2017 is George Andreou. The pres ...

; London, William Heinemann, Ltd. 1924
Online version at the Perseus Digital Library
* Lapatin, Kenneth D. S., ''Chryselephantine Statuary in the Ancient Mediterranean World,''

Oxford University Press Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books ...

(2001) *

Macrobius Macrobius Ambrosius Theodosius, usually referred to as Macrobius (fl. AD 400), was a Roman provincial who lived during the early fifth century, during late antiquity, the period of time corresponding to the Later Roman Empire, and when Latin was ...

, ''

Saturnalia Saturnalia is an Roman festivals, ancient Roman festival and holiday in honour of the List of Roman deities, god Saturn (mythology), Saturn, held on 17 December in the Julian calendar and later expanded with festivities until 19 December. By t ...

, Volume II: Books 3-5'', edited and translated by Robert A. Kaster,

Loeb Classical Library The Loeb Classical Library (LCL; named after James Loeb; , ) is a monographic series of books originally published by Heinemann and since 1934 by Harvard University Press. It has bilingual editions of ancient Greek and Latin literature, ...

No. 511, Cambridge, Massachusetts,

, 2011.
Online version at Harvard University Press
* Mallwitz, Alfred and Wolfgang Schiering, ''Die Werkstatt des Pheidias in Olympia I: Olympische Forschungen V,'' Berlin:

Walter de Gruyter Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Be ...

(1964) * * Schiering, Wolfgang,
Die Werkstatt des Pheidias in Olympia II: Werkstattfunde: Olympische Forschungen XVIII
', Berlin: Walter de Gruyter (1991) *

, ''Geography'', translated by Horace Leonard Jones; Cambridge, Massachusetts: Harvard University Press; London: William Heinemann, Ltd. (1924)
LacusCurtisOnline version at the Perseus Digital Library, Books 6–14

External links

''World History Encyclopedia'' – Statue of Zeus at Olympia
* ttps://web.archive.org/web/20070205202504/http://traumwerk.stanford.edu:3455/Archaeopaedia/244 Archaeopaedia: Statue of ZeusWith bibliography
(Ellen Papakyriakou) Olympia: Art: the chryselephantine statue of Zeus

History.com: the Seven Wonders
{{DEFAULTSORT:Statue Of Zeus At Olympia 5th-century BC Greek sculptures 5th-century BC establishments in Greece 475 disestablishments 5th-century disestablishments in the Byzantine Empire Sculptures by Phidias Ivory works of art Demolished buildings and structures in Greece Ancient Olympia Sculptures of Zeus Destroyed sculptures Seven Wonders of the Ancient World Ancient Greek and Roman colossal statues Sculptures of Nike